Content Warning: this review discusses spoilers, character death, and themes of sexual assault as depicted on the show
Killing Reynard? Bringing Alice back to life? Everything we’ve been waiting for this season is happening in “Ramifications” (02×12). But, they just might massacre a character or two in order to do it. Figuratively. Also, literally.
So, with Alice’s Shade trapped in Julia’s big, soulless chesthole, she and Quentin travel to Antarctica to visit an old friend. Help me Obi-Wan Mayakovsky. You’re my only hope. He’s the only magician powerful enough to work the spell it would take to splice Niffin Alice back with her Shade. Guilt tripping the man about his indirect involvement in Alice’s death doesn’t hurt either. They get Niffin Alice into a cage, they do the hokey-pokey and they turn themselves about (not really), and then BOOM! Naked, but very much alive Alice is reborn! Also, she’s a grump. Apparently she’s peeved at Quentin for cutting her magical Niffin adventures short.
For the remainder of this episode, you shall see Alice darting about Mayakovsky’s halls, hunching over stacks of papers as though she were on to the next incandescent lightbulb.
Meanwhile, Penny and Sylvia are playing Mission: Impossible over at the Library of the Neitherlands. Sylvia found the back door to the Poison Room. Turns out its just another magic portal fountain somewhere in the Neitherlands.
Using Penny’s Traveller skills, they find it in a hop, skip, and a jump. Sylvia’s raring to jump in, but it’s not for the reason you think. Apparently, Sylvia stumbled onto a big secret the Librarians are trying to keep hush-hush. The books of anyone who is currently alive are all missing their last twenty pages. Their endings are missing, and the Librarians don’t know why. Just that whatever causes it, it’s coming. And soon.
With Eliot banished back to Earth and Margo running amok in fairyland trying to find Fen, Castle Whitespire has turned into stoner central. That’s right, with the Brakebills gang gone, that leaves Josh as the last remaining Child of Earth. Which makes him High King. Doesn’t take long for things to get real. Margo appears to Josh while he’s magically stoned and demands he get her the fuck out of fairyland.
One small catch. Prince S turns up, and he’s none to happy that his father’s disappeared without explanation. Doesn’t help to be told that his father’s actually just a rat now. The Lorians slit a bunch of guards’ throats, while Josh and the advisers run for cover. Guess Josh decides now is as good a time as ever, because he up and drinks the magic potion and poofs out of existence and into the fairy realm to save Margo and Fen. And leave his advisers to die, probably. Very heroic.
Now that Alice is taken care of, Julia and Kady reunite forces to take Reynard the fuck down. They have Senator Gaines (aka John) now on their side, but demigod though he may be, John’s going to need a bit of training before he can take on Reynard. His training montage gets, eh, a little cut short though. Upon returning to his office, he bumps into Reynard, who has a little gift for him. How pretty! It’s his wife’s ear.
Guess Reynard has known this whole time about John teaming up with the Brakebills gang. And yeah, this is more of a Se7en situation. What you see in the box is what you get. Devastated, John decides enough is enough. He’s not waiting any longer. He brainwashes Kady into killing him and performing a ritual that will harness his powers so she and Julia can use them to off Reynard. No pressure.
Meanwhile Eliot’s tracked down Quentin only to find out, whoops! Quentin and Julia traded in the Fillory button to the magic sewer dragon for tickets to the Underworld. Now they’re out of a ride back to Fillory. Only, not all hope may be lost. Magical sewer dragon lady said there was still one portal left to Fillory they could use. The first one. Aka, the very Narnian-esque grandfather clock the Chatwins used to travel to Fillory in the first Fillory and Further book. They track down the clock to the home of an avid Fillory collector, only to find it’s none other than fucking Umber himself. He’s been hiding out in Vancouver ever since the Beast scared him off from Fillory, the coward.
After a lot of talk, Quentin and Eliot aren’t able to convince Umber to come back and fix Fillory, the world he created. But they do get him to give them the clock. They’ve got their ticket to fantasy land back. But if Umber’s not coming back, and his brother Ember seems intent on fucking the place up purely for his own entertainment… what are they going to do to fix it?
Back in the Poison Room, turns out everything is — you guessed it — poison. Penny and Sylvia have very limited time to find what they’re looking for before they evolve into a mass of talking boils. Penny grabs the god-killing book, but Sylvia won’t come with. She’s found her book, and read to the end of it. She doesn’t make it out of the Poison Room. And if Penny stays to save her, he dies too. Looks like he’s got no choice but to Apparate his ass out of there, where he promptly collapses on the Brakebills clubhouse floor.
Julia forges a magic bullet out of John’s demigod juices, and she and Kady conjure up a plan to lure Reynard to them. Turns out what Reynard has really been after this whole time? Our Lady Underground, aka Persephone. Some shit went down between them, and now whenever some poor saps like Julia, Kady, and the Freetraders try to summon her, Reynard crashes the party and “punishes” them. Trying to get her attention. Charming. They whip up a storm system big enough to look like Persephone is ascending from the Underworld. Sure enough, Reynard takes the bait. Julia’s got the god-killing gun leveled at his head, when, guess who else decides to show up. Our Lady Underground. In the flesh.
She pleads with Julia to spare Reynard’s life. He is her son, and that’s why he’s been “lashing out” — if it deserves to be called that — all these years. Plus, she’s been aware of his raping and pillaging this whole time, apparently. Because she abandoned him on Earth. Reynard and Kady are both frozen, so they get no say in the matter. But Persephone persuades Julia to spare Reynard’s life, then promptly whisks his ass away to the Underworld.
Julia’s pittance? Her Shade. I guess Our Lady Underground feels a soul is due compensation for taking away her justice.
Two HUGE bombs have just been dropped on our heads. 1) Alice is alive. 2) We got our “showdown” with Reynard. So, why does none of that feel satisfying?
Strangely, every single interaction with every other iteration of Alice in the last season has felt more genuine and powerful than getting Alice back “for real”. We’ve been working how hard towards this, for an entire season? Just to get a naked, super angsty real Alice pop into existence five minutes into the episode?
It feels undeserved. I supposed you could claim this whole season has been a build up to the moment, but this is the kind of shit you end on. Instead, we watch Quentin and grumpy Alice dance around each other the entire episode. What was the point of getting rid of Niffin Alice if we’re not really getting rid of Niffin Alice? Not that I was expecting Alice to be head over heels for Quentin after getting ripped apart by magic, or even slightly in the realm of “okay”. But… minus the possible bloodthirst and ungodly amounts of magical power… what’s changed, exactly?
As for the Reynard situation. Don’t get me started.
First of all, John’s death? Wow. Out of left field. One second, the guy’s wife is dead. The next, he’s using his god-juices to brainwash Kady into killing him? I guess the takeaway here is supposed to be that his motive was revenge. That he was willing to do anything to get back at Reynard for murdering his wife. But he couldn’t have stuck out the magic practice just a little bit longer?
In terms of character development, I don’t feel we were really at a place yet to justify that kind of rash decision making. Before her severed ear was being presented to John in a cute little box, we had literally only seen him and his wife together once before. It was when he accidentally god-brainwashed her. Don’t get me wrong. I feel for the guy. But forgive me if I wasn’t really seeing the train of motivation there.
Also, let’s talk about the fact that The Magicians writers didn’t flinch away from depicting Julia’s assault, but suddenly when gutstabbing John is on the table, they decide to pull the Hitchcock method out of their toolkit? We seem to be backpedaling here.
It only gets better. Can you guess why? It’s all for naught. Julia and Kady get their shot to kill Reynard, and what does Julia do? She flubs it?! Because suddenly Persephone decided to show her ass and claim Reynard as her son?
This move is all kinds of wrong, and it feels… just so ignorant. For Julia to have lost so much, even with the lack of a Shade, I do not buy that she just gives Reynard mercy. Of course Reynard has a mother. All rapists have mothers. That doesn’t make them, oh, I don’t know. Not rapists?
It might be another story if Persephone had stepped in and been like, “Whoa there. Honey, you’ve done enough. He’s my responsibility, let me punish him.” Nope. Persephone isn’t dragging him down to the River Styx to wash his mouth out with soap. She’s literally just giving Reynard what he’s apparently wanted this entire time. She’s taking him home.
Yet we’re meant to believe that Julia is content with all this.
This is a massive injustice to her character. What’s worse, it takes what I had hoped to be a beautiful arc that addressed sexual assault, trauma, and recovery in a very real and nuanced way and completely fucks it. To me, without any further context, this scene literally represents what is wrong with the way sexual assault and its survivors are understood by society today. If Persephone knew Reynard was going around raping women to try and “get her attention”, that’s when she should have stepped in. When Reynard was raping Julia.Not when Julia had the barrel of a gun trained at Reynard’s head.
The only thing Persephone could have done to even try to rectify this cruelty was to tear him limb to limb herself. That would be true justice. Although Julia might deserve the revenge, it would keep her soul clean. Persephone would pay the price for permitting her son to rape and murder, and claim that responsibility finally. And Reynard would be out of the picture.
I’m not sure how The Magicians recovers from this. Setting aside the disappointment with Alice and the bizarrely anticlimactic death of John, as it stands, this is nothing more nor less than character massacre.
“Ramifications” ends with Eliot asking Quentin, “What’s next?” before the Fillory clock. And indeed, I’d like to ask the show writers that very same question.
Images Courtesy of SyFy
Earn Tries and Fails to Stunt in Atlanta
At this point, anyone who watches Atlanta is used to Earn being treated a bit unfairly. He doesn’t ever really fit in anywhere. People treat him as lesser and take advantage of him. We saw it happen last week with Tracy. He’s a bit of a pushover and people constantly take advantage to crap all over him. Poor Earn. This week, Earn tries to use an influx of cash to stunt on people the way others stunt on him. Let’s just say it doesn’t go very well.
Failed Adventures in Stunting
Through a very upset white mom – who repeats some offensive lyrics she’s upset about right in front of her daughter, despite being upset her daughter heard them to begin with – we learn that Paper Boi has a new single. This new single gives Alfred and Earn a nice pay day. Time to celebrate.
Only Earn decides he’s going to celebrate by throwing money around to come off as a bigger deal than he is. He decides to do this basically only because of a Paper Boi fan stunting on him at the beginning of the episode.
It’s not very often that Earn comes off as a complete idiot, but he does here and then some. I get it; he faces so much shit so often that he saw a chance to dish it back out. Problem is he just isn’t someone capable of faking to make it. He tries to buy VIP tickets at a theater with a hundred-dollar bill, only to be told they don’t take bills that large, then sees an older white guy buy a ticket with one of his own. The usher just walks right over him. He goes to a club and tries to use another hundred (maybe the same one?), only to have the owner call it fake and kick him out. Desperately, Earn rents a limo and heads to the strip club with Alfred and Darius, only to have the DJ call him out and the club snatch his money away with every charge they possibly can.
To cap the night, he finds Michael Vick racing people outside the club and foolishly bets some money of his own on beating Vick.
It’s one thing to see Earn go through hard times as a product of circumstances at least partly out of his control. It’s another to see him inflict the hard times himself. Everything that goes wrong for Earn here happens because he chooses to be a prideful moron. He reeked of toxic masculinity throughout this episode, which is not normal for Earn. One guy hurt his feelings and he wanted to restore them. You can really see it in the way he refuses to let Van pay for the movie tickets instead.
He decided to value his worth based on the money he had on him and ended up looking even more like a fool than usual. You can see how he ends up bouncing back and forth between Van’s house and homelessness. Earn always came off a bit too smart for his circumstances in season 1. Atlanta’s making his failures a bit clearer this season.
Damn if it wasn’t fun in an awkward, cringing kind of way, though. The Michael Vick “race” might be a contender for Atlanta’s best ending scene.
All about That Paper Boi
Meanwhile, Alfred has a better, calmer day that seeded the possibility of even worse news for Earn; the possibility of Paper Boi getting a new manager. Along the way we got another look at Atlanta’s wonderful ability to blend different tones into a scene without anything feeling out of place.
Alfred’s time in the studio with Clark County showed him a different side of the rap game he hasn’t been a part of yet. One with connections to sponsorships, professionalism, and success. I know I mentioned last week how Paper Boi doesn’t appear to be into this for the attention, but the subtitle for this season is “Robbin’ Season”. What better way to live up to that title than having another manager steal Paper Boi from Earn?
I don’t think it is coincidence that Earn looked like such a fool in an episode where Alfred gets a look at proper management. Specifically, Earn looked like a fool trying to fake one image he can’t pull off. Just like he doesn’t seem to have any of the connections or sway to actually manage Paper Boi. He can get him some crappy gigs at radio stations. A better manager would have him raking in more dough for more enjoyable work. I can’t help but think Alfred will realize that soon enough.
Alfred even seemed to deliver a warning like this at the end to Earn. He sees how inadequate Earn currently is and how badly he failed at playing the big shot. Earn had the money to play the big shot but no idea how to actually do it. He dressed in a crappy sport coat with a crappy Coca-Cola shirt and let everyone step all over him. He looked like someone trying to play a role rather than someone who actually belonged in the role.
I can’t imagine Alfred will let Earn slide for much longer. Not when he sees how others conduct business. Earn’s only hope is that Alfred’s distaste for the consequences of greater fame win out over whatever ambitions he has.
It might also help when he sees how scary and fake Clark County and his crew were. Seriously, how does Atlanta manage to be so funny, dramatic, and terrifying, and often from line to line without skipping a beat? I can simultaneously believe that Alfred and Darius both thought of Clark County as a fake and a joke while also thinking he was completely terrifying. I just hope his entourage didn’t actually beat the hell out of that producer.
This season has a couple clear themes so far. One revolves around the growing fame of Paper Boi. He and Earn have more money, more fame, and more success than they did last season. However, it’s not playing out like they thought. Earn had money to throw around like he’s never had yet he still didn’t matter. He’s still an awkward dude struggling just to have a life with the mother of his child. Alfred has begun to matter in the Atlanta rap scene, yet it’s bringing him little more than unwanted attention from unwanted people.
Both are stuck in this awkward transition between fame and irrelevancy that so many possibly rappers never move past. It’s why I can’t help but think Earn will lose his job. He can’t take Paper Boi higher, and Paper Boi will need to go higher if he wants to remain relevant. It’s one thing to have a dream, and another to see the reality of the dream. Atlanta has tried to show those downsides a bit.
Of course, the other running theme has been about robbin’ season. Whether it’s literal theft like the season’s opening scene or Earn’s own self-inflicted theft of his newfound managing wealth, Atlanta has managed a clearer, more consistent feel to its second season. I loved the self-contained feel of the first season, but so often interesting things would happen and then be forgotten. The first season was more of a loosely collected series of stories than a connected narrative.
The second season so far has managed to have the entertaining, isolated adventures while also managing a stronger running timeline and set of events. Even if I have questions about how long Earn has suddenly been back in Van’s house. I hope Donald Glover and company keep this up. Atlanta has been really great through three episodes.
Images courtesy of FX
Gotham Reunites its Dynamic Duos
Last time we were in Gotham, Ed’s murderous side was making a return, Bruce seemed ready to give up his drunken nights, and Sophia was having tea with Lee.
We learn this week Sophia doesn’t just want to make good with her sister-in-law. She wants the Narrows to submit, along with a tax. Lee’s willing to kiss the ring, but she knows the people in the Narrows can’t afford a tax. Sophia gives her until the end of the day to give an answer.
Bruce has made his way into the city to reconnect with Alfred, asking him for help. But Alfred doesn’t want anything to do with Bruce. He’s still hurting from being fired like he was just the help.
Elsewhere in the city, Ivy attacks the bar Harvey’s working. He’s not there, but that doesn’t change the fate of the patrons that are there. Jim realizes that Harvey was the target because he was the one to kill her father. They find him at his apartment, but even the threat of Ivy isn’t enough to convince Harvey to work Jim again. He heads off on his own to find her. Using the footage from tapes Ivy sent to news outlets, Jim figures out where Ivy’s been staying. There, he runs into Selina. She was hoping to talk Ivy down. Jim warns her not to engage with her, which means Selina is certainly going to engage with her before the end of the episode.
Lee and Ed are brainstorming to figure out their Sophia problem. Lee’s willing to submit to her, but Ed doesn’t want to give in so easily. He knows there’s something Sophia must want from Lee and they just need to figure out what that is. So he enlists a crackpot team of Gotham’s finest spies, i.e. a bunch of street kids.
Bruce goes to the Siren’s club looking for Selina. After Alfred’s rejection he needs someone to talk to. Selina doesn’t have the time for him, as she’s too busy worrying about Ivy. But she does give him the signature ‘Selina Kyle’ kick in the behind he needs to pull his head out his ass.
Harvey calls Jim with a lead on Ivy, which isn’t suspicious at all considering how resistant he’d been to working with Jim only a short time before. Sure enough, it’s a trap. Ivy has Harvey under her control. She orders Harvey to kill Jim, then himself before she leaves to attend to her other plans.
Jim manages to stall Harvey long enough with some low blow comments to get close enough to knock him out. When he awakes, the toxin has worn off. He remembers enough of what she said to figure out she’s targeting Gotham’s wealthy at an event. Back at the GCPD, they learn the Wayne foundation is having an event that evening. Jim gears up with his force, but Harvey stays behind, still raw from Ivy controlling him.
At the event, Bruce is giving the opening remarks when Alfred walks in. Bruce stops reading the prepared speech in front of him and starts speaking from the heart. His speech becomes one to Alfred, an apology and admittance to what he means to him. It’s the start of a reconciliation. But when he speaks to Alfred directly, he reminds Bruce he’s more than the darkness he sees in himself. It’s still not the thing Bruce is ready to hear and he walks off, leaving Alfred. As he does, Ivy takes the stage with some armed thugs under her control in tow. Alfred, ever the hero, tries to take her out, but he gets knocked out instead.
Jim arrives just moments after she’s taken her first victim. He and the GCPD get into a firefight with Ivy’s intoxicated thugs. Bruce sees Alfred in danger and grabs the tactical gear of a passed out thug to get to him. When Bruce gets to him Alfred implores him, he can do more than just help him.
Bruce does dispatch some of the attackers, but he and Jim cross paths. He’s wearing the gear of Ivy’s men and he has a gun he just took from an attacker. Jim takes the small leap to assume he’s with the others and shoots him. The bullet hits his bulletproof vest and Bruce flees from Gordon, vanishing by the time Jim gets to the rooftop.
Back at Ivy’s, Selina has been waiting for her. She’s not there to reason anymore. Selina destroys the last of the Lazarus water. Their fight comes to a stalemate with Selina ready to kill Ivy if she tries to kill her. Ivy cuts her losses and leaves with one last warning to Selina, don’t get in the way again.
While trying to deal their Sophia problem, Ed’s also been getting more visits from the Riddler. His hallucinations have progressed outside his reflections. The Riddler now follows him around, taunting him with Lee’s death. He almost tells Lee at one point, but instead, he tries to deal with it himself. The only way he knows how to silence the Riddler is by silencing himself, permanently. He gets as far as having a noose around his neck before the Riddler offers an alternative that doesn’t involve them dying. So, he turns himself over to Arkham, preferring being imprisoned there than risk hurting Lee. But the Riddler has one more riddle for Ed. The real reason he wanted to end up in Arkham was to get close to Oswald. He calls Ed ‘Riddler’ and it’s enough to bring the personality to the surface.
Sophia and Lee meet in the Narrows. Lee tries to bargain with the dirt she has on Jim but Sophia isn’t having it. They aren’t having a meeting; it’s an ambush. Sophia’s men kill Lee’s and Sophia smashes Lee’s hand with a hammer herself. Sophia’s now the uncontested Queen of all of Gotham.
Back at the manor, Alfred is treating Bruce’s wounds, just like old times. Bruce’s actions at the fundraiser proved what his words couldn’t. He has changed and he is truly ready for help. And Alfred’s back to stay.
At the GCPD Jim does the thing he’s been trying to do for weeks. He comes clean to Harvey. He admits Sophia used him and she’s behind the Pyg. He’s also resolved to take her down.
All the Dynamic Duos are Back
Reunion brings back some of Gotham’s best pairings while establishing new rivalries. Bruce and Alfred reconciling was enviable. But I do appreciate Bruce still had a little bit of resistance in him when Alfred told him he was more than his darkness. Bruce has been trying to drown himself for the best part of the season. One fever induced future vision quest isn’t going to completely rid him the trauma of killing Ra’s Al Ghul. It was ultimately his own actions that proved Alfred’s words. Bruce chooses to put himself in danger for the sake of protecting others. It didn’t erase his darkness, just proved he could still move forward in spite of it.
Jim and Harvey’s reunion is a wake-up call for both men. Harvey realizes his lone wolf act will get him killed faster than anything else. Jim, on the other hand finally admits he betrayed Harvey for the position of Captain.
The Riddler and the Penguin’s reunion may have been the briefest of the episode but it holds so much promise. Their partnership the first time around was one of the most interesting times for both characters. They’ve always played off each other better as allies than enemies.
In a reverse of Ed and Oswald, Ivy and Selina facing off against each other as former friends brought out interesting dynamics for them both. Ivy’s villainy still feels a bit generic compared to what I’m used to on Gotham. Killing Gotham’s wealthy because they’re not eco-friendly is a bit hard to get behind. Gotham, in general, doesn’t seem like the greenest city so where is she going to stop? But her encounter with Selina did give me shades of what I’ve been wanting from her. A reconnection to her former self, even if they’re enemies now.
It also shows Selina’s genuinely good heart. She cares deeply, even if she has a coarse way of showing it. She’s been a dealt a shit hand by the city most of her life, but she destroys the Lazarus water because it’s too dangerous.
It’s clear at this point Sophia has become Jim’s opponent for this season. It feels like she could be the main antagonist for the season, but Ivy and Jerome prevent that from being a certainty right now. She was horrifically ruthless this episode, and this is after she orchestrated the murder of her father. It was hard seeing Lee get knocked down so far. Especially after she’d come into her own as the leader of Narrows. She tried to play by Gotham’s rules, just a little too late.
Next time promises more fun with duos, a Cat and Bat team up, some antics with the Riddler and Penguin, and a Jim and Sophia confrontation.
Images courtesy of Fox
Faith, Trust, Pixie Dust
Quentin and gang are off to find the Sixth Key, leaving Julia and Fen to fuck around with the fairies. But what if the fairies are the “key” to everything after all?
Quentin and Alice are still fighting over what happened in the Library. Alice insists that she is still on their side. Frustrated, Quentin relents and gives Alice the Quest Book. It turns out the sixth key is in Castle Whitespire. You know, where Eliot and Margot just got overthrown? Quentin, Alice, and Josh — Kady has gone MIA — all cross over to Fillory, onto the now flying Muntjac. Eliot and Margot are still a little bit in denial over the whole dethroning fiasco. Desperate to take Fillory back, they let the others take the lead on the whole questing bit. But they drop Q and gang off at Castle Whitespire, so that’s nice. The quest to getting the next key? Some sort of puzzle involving Fillory’s two half moons. But Josh is only able to solve it by smoking some weed.
Meanwhile, Julia and Fen are still on their saving fairies bent. Julia wants to stage a full-scale revolt, but Sky has been unable to convince the other slave fairies that they actually have magic. Even if she could, there’s still a huge catch: as long as the fairies have their collars on them, they cannot do magic without dying. Hoping to get to the bottom of it, Julia reveals to Irene McAllister that she knows about the McAllister fairies. But with the twist that Julia actually wants to catch a fairy of her own. Irene agrees to give Julia one of the collars, if Julia will bring her a fairy.
Penny is ready to contrive a new escape plan. He learns from Sylvia that there’s a weird room in the library where those who are about to “move on” from the Underworld go to spill all the secrets they never told anyone. Penny corners one of these patrons when they get, convincing them that what lies on the otherside is actually a fate worse than hell. They gives up his MetoCard to “Beyond”, just so Penny can swoop it up. Until Hades makes an appearance. You know, Hades. God of the Underworld? He and Penny have a little chat. In the end, Penny hears him out, and decides to give his sentence to the Underworld Library a shot. He gives the MetroCard to Sylvia instead.
Eliot and Margot bring the Floater Queen and King Idri on board the Muntjac to bargain for their help in retaking Fillory. They’re not having it. Turns out Loria and the Floaters are marching full-out war on Fillory. So Eliot and Margot play the last card they have: magic. Once they complete the quest, they promise to teach the gifted of the Floating Island and Loria magic. Making them just as powerful as Fillorians.
Julia and Fen zip on over to Fillory to chat with the Fairy Queen. Turns out long ago, magicians hunted down fairies on Earth into extinction. Only a few, like the Fairy Queen’s mother, escaped into Fillory to build a new world. They convince her to help them free the enslaved fairies. The McAllisters clap a collar on the Fairy Queen, and put her where the hold the rest of the slaves. But as Julia and Fen search the mansion for the machine, the McAllisters claim removes the collars, they discover it is in fact only a guillotine. The magic, which binds the collars to the fairies, is a fairy deal. A deal which can’t be broken. Except by the Fairy Queen.
As the McAllisters prepare to decapitate all their slaves for their magic essence, the Fairy Queen breaks down and ends the deal. She and the fairy slaves massacre the McAllister family. Only Irene escapes. In repayment for her help, the Fairy Queen thanks Juliet. But she also warns her: the next Key is in the Fairy Realm. And it is the only thing keeping the realm intact. The fairies will not give it to them.
The pacing of this episode was wonky. I mean, more wonky than usual. It seems like a day or two surely must have passed, between Julia’s storyline and Eliot and Margot’s. Are we expected to believe that Quentin, Alice, and Josh have been slaving over the sixth Quest puzzle for a day and a night, in secret? I liked the storyline with Julia and the Fairy Queen fine, but there were just way too much fairies in this episode.
Not to mention, I seem to have missed the part where someone screamed, “Beam me up Scotty!” Because the level of convenient teleportation in this episode was insane. How was everyone getting in between Fillory and Earth with such ease? The Quest Keys? The Fillory clock? It doesn’t even matter, because the rule established in previous episodes until now has indicated that every method of world-jumping is imprecise. It’s based on Narnia, for Christ’s sake. You might find a way to cross over, but you never know when or where you will cross over. Who decided to throw that out the window?
While I enjoyed Alice’s monologue at Quentin over his double standards, it still did ring of too little too late. Yet again. I agree. Why should Quentin get to be surly or indecisive while Alice doesn’t get a pass? Because he’s the protagonist or something?
This hearkens back a bit to the original core of The Magicians as a story. A commentary on fantasy versus expectation. And the dangers of seeing yourself as the protagonist in your world. The effect that has on those you love. Except we haven’t been on that train of thought for, what, like a season? That’s my main issue with every semblance of a character arc which has been crammed in this season. Without the context, without the time put in to these characters, these character moments just crop up like classroom motivational posters. All prose and no impact.
The Magicians is burning the candle from both ends, rushing to get to the end of the Quest. Just as they rushed to defeat the Beast. To defeat Reynard. But what they could really use is a good, slow burn.