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Adventure Time, Bubbline, and when subtext stops cutting it




What am I meant to do? I just watched Saturday’s Adventure Time episode and…guys. My OTP simply is together. But then in another sense, they’re not. And my head is all confused.

For anyone who is unfamiliar with Adventure Time or my “princess and a guy like me” shipping aesthetic, there are these two characters on this cartoon who are awesome. One is Princess Bonnibel Bubblegum (“PB,” “Bonnie,” “Peebs,” and as of this episode, “Bon-Bon”), who is this massive science nerd that rules the Candy Kingdom, is a bit secretive, and buries herself in work, which comes in handy for creating emotional distance because feelings are hard. The other character is Marceline Abadeer (“Marcy”), a vampire bassist with daddy issues, who has difficulty taking things seriously due to the fact that being immortal kinda makes you see the futility in all of it. Though Peebs might also be immortal (she is literally made of gum), and her approach is more to fix everything with science because that’s what she perceives to be her duty. Just mark that down as reason #298 of how they complement each other.

The relationship between these two women seems fraught towards the beginning of the show, and we’re quickly clued into the idea that they used to be close, but had a falling out. Like friends do sometimes, right?

Except there’s also oodles and oodles of romantic subtext. Like seriously, I’ve only watched maybe 40 11-minute episodes out of 226 total, and perhaps just 15 of those actually colored Marcy and Peeb’s dynamic? Yet it is not only obvious that these two were former lovers, it is equally obvious that neither one is over the other. Marcy literally turns into a kawaii face when they’re in the same room.

I suppose I could do a “subtext summation” post at some point, but here’s the bare, bare bones:

  • Marcy sings “I’m Just Your Problem” to Bubblegum, a song which makes it clear that she’s hurt to no longer be in the princess’s life, and wants back
  • Bubblegum kept “that shirt” Marcy gave her (a very uncharacteristic shirt for her to wear) because it “means a lot” to her and she wears it to bed “all the time.” We later see her waking up and smelling the shirt, like one does when their partner leaves clothing over, and the shirt saga concludes with Bubblegum giving it to a witch because “sentimentality” makes for potent spells, apparently
  • It should be noted that she gave it to the witch in exchange for Marcy’s childhood doll because she knew how much “Hambo” meant to her dorky vampire gf
  • In “Varmints,” they both make each other blush, and later Peebs cries and apologizes for pushing Marcy away. The episode ends with her falling asleep, leaning on Marcy
  • In the “Stakes” mini-series, there’s one episode where Peebs literally runs around shit-kicking wax dudes and generally freaking out/blaming herself because Marcy is injured, Marcy has a fever dream where she’s grown old (because she’s “cured” of vampirism in this dream) and is obviously married to Peebs who kisses her on the head while she plays the bass, once she regains consciousness she tells Peebs about her dream who blushes in response, and in the last episode, Peebs asks Marcy to move in with her, and Marcy tells Peebs that she helped her grow up, thanks her, and says (and I quote) “now I guess we get to hang out together forever,” making Peebs blush again

Maybe this sounds grasping, but it’s important to note that both “Varmints” and “Stakes” aired this year, notably after The Legend of Korra blazed the trail for same gender romances to be explicitly depicted on children’s television shows (only to be quickly followed in more detail by Steven Universe, which airs on the same network as Adventure Time). Additionally, neither Bubblegum nor Marceline is a “main character” of the show, and the number of episodes where they’re around each other is surprisingly limited.

But even if there isn’t quantity, these two characters are so well-scripted and have so much inherent agency that when they do come together on-screen, it’s sort of impossible to not be won over by the possibility of a romantic dynamic, especially given the high emotional stakes (no pun intended) of the scenes we’ve gotten. There’s a reason that ever since Marcy sang that damn song over four years ago, there’s been rampant speculation about “Bubbline.” And in this era of increased representation, specifically in children’s cartoons, I’ve been of the opinion that their romance is headed in an explicit, incontrovertible, canon direction. Especially given that the end of “Stakes” reads as them getting back together. 

Then “Broke His Crown” aired a couple of days ago, and I am truly at a loss.

I mean…there is plausible deniability that Bubblegum and Marceline are now a couple in the same sense that if you stick a bucket on your head during a firework show, you can say the bangs you heard might have been from a bunch of cars backfiring.

I’m not even exaggerating. The entire episode’s premise was that Marcy wanted Peebs to go have dinner with her and the Ice King (one of her father figures), and that it “meant a lot to her” if they got along. Peebs grudgingly agreed (this dude’s like, kidnapped her before, plus she also doesn’t like relaxing; she likes science). The episode opens with them flying there together like this, despite the fact that Marcy can turn into a motherflippin’ bat and get her own butt there:

They then hold hands for a little while Marcy begs the gf to try and enjoy herself:

Peebs unceremoniously dumps juice onto her own face and Marcy cleans her up:

Peebs blushes when Marcy compliments her karaoke skills:

Marcy is visibly touched when Peebs calls the Ice King “Simon” (a first for her):

Marcy tells Peebs she always knows how to push her buttons…to “annoy” her. Okay.

When Peebs freaks out at the idea of being someone’s assistant, Marcy looks just amused by her gf’s antics, but calms her down:

Oh and the writers were just goddamn trolls and had younger!virtual reality Simon (don’t question it) ask Marcy if she “had a boyfriend.” Marcy awkwardly said “no” while Peebs smiled:

And then the episode ended on this:

What. The. Cabbage.

Here’s the thing. These are 11-minute episodes, so dialogue has to be deliberate. Animation has to be deliberate. If a character blushes, it is because it’s in the storyboard for them to blush, or it’s a creative choice by an animator that is then approved by the Powers That Be. If Bubblegum smiles in response to Marcy awkwarding around the boyfriend question, there’s a damn reason for that. They know what they’re doing.

More to the point, I get the feeling that the showrunners are actually doing all of this with good intentions. Even though “hide your lesbians” is a crappy trope and queerbaiting is a harmful tendency of media makers, Bubbline doesn’t seem exploitative in any way. I actually do feel represented here, and more to the point, their relationship isn’t made out to be a joke. Their dynamic is treated with a sincerity that many acclaimed “adult” shows with explicitly gay relationships can’t match. It’s just…good. And compelling. And causing me to question what the line is between subtext and explicit expression, because as far as I’m concerned, there is no ambiguity at this point.


But then there is. There has been no unequivocal depiction of a romantic relationship. No kiss, despite the fact that there have been plenty of kisses between characters of the opposite gender on this show. No verbal confirmation of “this is my girlfriend,” though we did get a reminder of the weenus named Ash that Marcy once dated, because I guess that’s not scarring for kids. It’s not like I want them to be running around with bi-pride flags, and frankly it’s even in keeping with their personalities to be a bit on the down-low with a relationship, but I think it’s fair to assume that if one of these characters was a man, we wouldn’t be waiting for confirmation at this point.

And as much as I am so perfectly content with how Marcy and Peeb’s relationship has been handled (they destroy me, so of course I am), it is difficult to not get just a little bit miffed at this fact, because I can’t for the life of me understand what’s keeping the brakes on here. Especially given the fact that “Korrasami” had such a positive response when this barrier was first broken; I think it would be naive to suggest that media creators of the same category would be unaware of the importance and validation of canonizing same-gender couples.

So really, what am I to do? What are we to do as consumers of this show? Should we let them slide because it’s “good enough”? Should we strap on tinfoil hats and theorize that Cartoon Network only wants one show “like that,” so Steven Universe gets the monopoly on LGBT representation? Should we even be pissed off? It’s not as though they randomly killed of Marcy and began pushing FinnxBubblegum (who would do that??).

Dudes, I have no idea. All I know is what I want to do: go rewatch this damn episode again.

All images courtesy of Cartoon Network

Kylie is a Managing Editor at The Fandomentals on a mission to slay all the tropes. She has a penchant for complex familial dynamics and is easily pleased when authors include in-depth business details.



Earn Tries and Fails to Stunt in Atlanta





At this point, anyone who watches Atlanta is used to Earn being treated a bit unfairly. He doesn’t ever really fit in anywhere. People treat him as lesser and take advantage of him. We saw it happen last week with Tracy. He’s a bit of a pushover and people constantly take advantage to crap all over him. Poor Earn. This week, Earn tries to use an influx of cash to stunt on people the way others stunt on him. Let’s just say it doesn’t go very well.

Failed Adventures in Stunting

Through a very upset white mom – who repeats some offensive lyrics she’s upset about right in front of her daughter, despite being upset her daughter heard them to begin with – we learn that Paper Boi has a new single. This new single gives Alfred and Earn a nice pay day. Time to celebrate.

Only Earn decides he’s going to celebrate by throwing money around to come off as a bigger deal than he is. He decides to do this basically only because of a Paper Boi fan stunting on him at the beginning of the episode.

It’s not very often that Earn comes off as a complete idiot, but he does here and then some. I get it; he faces so much shit so often that he saw a chance to dish it back out. Problem is he just isn’t someone capable of faking to make it. He tries to buy VIP tickets at a theater with a hundred-dollar bill, only to be told they don’t take bills that large, then sees an older white guy buy a ticket with one of his own. The usher just walks right over him. He goes to a club and tries to use another hundred (maybe the same one?), only to have the owner call it fake and kick him out. Desperately, Earn rents a limo and heads to the strip club with Alfred and Darius, only to have the DJ call him out and the club snatch his money away with every charge they possibly can.

To cap the night, he finds Michael Vick racing people outside the club and foolishly bets some money of his own on beating Vick.

It’s one thing to see Earn go through hard times as a product of circumstances at least partly out of his control. It’s another to see him inflict the hard times himself. Everything that goes wrong for Earn here happens because he chooses to be a prideful moron. He reeked of toxic masculinity throughout this episode, which is not normal for Earn. One guy hurt his feelings and he wanted to restore them. You can really see it in the way he refuses to let Van pay for the movie tickets instead.

He decided to value his worth based on the money he had on him and ended up looking even more like a fool than usual. You can see how he ends up bouncing back and forth between Van’s house and homelessness. Earn always came off a bit too smart for his circumstances in season 1. Atlanta’s making his failures a bit clearer this season.

Damn if it wasn’t fun in an awkward, cringing kind of way, though. The Michael Vick “race” might be a contender for Atlanta’s best ending scene.

All about That Paper Boi

Meanwhile, Alfred has a better, calmer day that seeded the possibility of even worse news for Earn; the possibility of Paper Boi getting a new manager. Along the way we got another look at Atlanta’s wonderful ability to blend different tones into a scene without anything feeling out of place.

Alfred’s time in the studio with Clark County showed him a different side of the rap game he hasn’t been a part of yet. One with connections to sponsorships, professionalism, and success. I know I mentioned last week how Paper Boi doesn’t appear to be into this for the attention, but the subtitle for this season is “Robbin’ Season”. What better way to live up to that title than having another manager steal Paper Boi from Earn?

I don’t think it is coincidence that Earn looked like such a fool in an episode where Alfred gets a look at proper management. Specifically, Earn looked like a fool trying to fake one image he can’t pull off. Just like he doesn’t seem to have any of the connections or sway to actually manage Paper Boi. He can get him some crappy gigs at radio stations. A better manager would have him raking in more dough for more enjoyable work. I can’t help but think Alfred will realize that soon enough.

Alfred even seemed to deliver a warning like this at the end to Earn. He sees how inadequate Earn currently is and how badly he failed at playing the big shot. Earn had the money to play the big shot but no idea how to actually do it. He dressed in a crappy sport coat with a crappy Coca-Cola shirt and let everyone step all over him. He looked like someone trying to play a role rather than someone who actually belonged in the role.

I can’t imagine Alfred will let Earn slide for much longer. Not when he sees how others conduct business. Earn’s only hope is that Alfred’s distaste for the consequences of greater fame win out over whatever ambitions he has.

It might also help when he sees how scary and fake Clark County and his crew were. Seriously, how does Atlanta manage to be so funny, dramatic, and terrifying, and often from line to line without skipping a beat? I can simultaneously believe that Alfred and Darius both thought of Clark County as a fake and a joke while also thinking he was completely terrifying. I just hope his entourage didn’t actually beat the hell out of that producer.

Final Thoughts

This season has a couple clear themes so far. One revolves around the growing fame of Paper Boi. He and Earn have more money, more fame, and more success than they did last season. However, it’s not playing out like they thought. Earn had money to throw around like he’s never had yet he still didn’t matter. He’s still an awkward dude struggling just to have a life with the mother of his child. Alfred has begun to matter in the Atlanta rap scene, yet it’s bringing him little more than unwanted attention from unwanted people.

Both are stuck in this awkward transition between fame and irrelevancy that so many possibly rappers never move past. It’s why I can’t help but think Earn will lose his job. He can’t take Paper Boi higher, and Paper Boi will need to go higher if he wants to remain relevant. It’s one thing to have a dream, and another to see the reality of the dream. Atlanta has tried to show those downsides a bit.

Of course, the other running theme has been about robbin’ season. Whether it’s literal theft like the season’s opening scene or Earn’s own self-inflicted theft of his newfound managing wealth, Atlanta has managed a clearer, more consistent feel to its second season. I loved the self-contained feel of the first season, but so often interesting things would happen and then be forgotten. The first season was more of a loosely collected series of stories than a connected narrative.

The second season so far has managed to have the entertaining, isolated adventures while also managing a stronger running timeline and set of events. Even if I have questions about how long Earn has suddenly been back in Van’s house. I hope Donald Glover and company keep this up. Atlanta has been really great through three episodes.

Images courtesy of FX

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Gotham Reunites its Dynamic Duos




Last time we were in Gotham, Ed’s murderous side was making a return, Bruce seemed ready to give up his drunken nights, and Sophia was having tea with Lee.

We learn this week Sophia doesn’t just want to make good with her sister-in-law. She wants the Narrows to submit, along with a tax. Lee’s willing to kiss the ring, but she knows the people in the Narrows can’t afford a tax. Sophia gives her until the end of the day to give an answer.

Bruce has made his way into the city to reconnect with Alfred, asking him for help. But Alfred doesn’t want anything to do with Bruce. He’s still hurting from being fired like he was just the help.

Elsewhere in the city, Ivy attacks the bar Harvey’s working. He’s not there, but that doesn’t change the fate of the patrons that are there. Jim realizes that Harvey was the target because he was the one to kill her father. They find him at his apartment, but even the threat of Ivy isn’t enough to convince Harvey to work Jim again. He heads off on his own to find her. Using the footage from tapes Ivy sent to news outlets, Jim figures out where Ivy’s been staying. There, he runs into Selina. She was hoping to talk Ivy down. Jim warns her not to engage with her, which means Selina is certainly going to engage with her before the end of the episode.

Lee and Ed are brainstorming to figure out their Sophia problem. Lee’s willing to submit to her, but Ed doesn’t want to give in so easily. He knows there’s something Sophia must want from Lee and they just need to figure out what that is. So he enlists a crackpot team of Gotham’s finest spies, i.e. a bunch of street kids.

Bruce goes to the Siren’s club looking for Selina. After Alfred’s rejection he needs someone to talk to. Selina doesn’t have the time for him, as she’s too busy worrying about Ivy. But she does give him the signature ‘Selina Kyle’ kick in the behind he needs to pull his head out his ass.

Harvey calls Jim with a lead on Ivy, which isn’t suspicious at all considering how resistant he’d been to working with Jim only a short time before. Sure enough, it’s a trap. Ivy has Harvey under her control. She orders Harvey to kill Jim, then himself before she leaves to attend to her other plans.

Jim manages to stall Harvey long enough with some low blow comments to get close enough to knock him out. When he awakes, the toxin has worn off. He remembers enough of what she said to figure out she’s targeting Gotham’s wealthy at an event. Back at the GCPD, they learn the Wayne foundation is having an event that evening. Jim gears up with his force, but Harvey stays behind, still raw from Ivy controlling him.

At the event, Bruce is giving the opening remarks when Alfred walks in. Bruce stops reading the prepared speech in front of him and starts speaking from the heart. His speech becomes one to Alfred, an apology and admittance to what he means to him. It’s the start of a reconciliation. But when he speaks to Alfred directly, he reminds Bruce he’s more than the darkness he sees in himself. It’s still not the thing Bruce is ready to hear and he walks off, leaving Alfred. As he does, Ivy takes the stage with some armed thugs under her control in tow. Alfred, ever the hero, tries to take her out, but he gets knocked out instead.

Jim arrives just moments after she’s taken her first victim. He and the GCPD get into a firefight with Ivy’s intoxicated thugs. Bruce sees Alfred in danger and grabs the tactical gear of a passed out thug to get to him. When Bruce gets to him Alfred implores him, he can do more than just help him.

Bruce does dispatch some of the attackers, but he and Jim cross paths. He’s wearing the gear of Ivy’s men and he has a gun he just took from an attacker. Jim takes the small leap to assume he’s with the others and shoots him. The bullet hits his bulletproof vest and Bruce flees from Gordon, vanishing by the time Jim gets to the rooftop.

Back at Ivy’s, Selina has been waiting for her. She’s not there to reason anymore. Selina destroys the last of the Lazarus water. Their fight comes to a stalemate with Selina ready to kill Ivy if she tries to kill her. Ivy cuts her losses and leaves with one last warning to Selina, don’t get in the way again.

While trying to deal their Sophia problem, Ed’s also been getting more visits from the Riddler. His hallucinations have progressed outside his reflections. The Riddler now follows him around, taunting him with Lee’s death. He almost tells Lee at one point, but instead, he tries to deal with it himself. The only way he knows how to silence the Riddler is by silencing himself, permanently. He gets as far as having a noose around his neck before the Riddler offers an alternative that doesn’t involve them dying. So, he turns himself over to Arkham, preferring being imprisoned there than risk hurting Lee. But the Riddler has one more riddle for Ed. The real reason he wanted to end up in Arkham was to get close to Oswald. He calls Ed ‘Riddler’ and it’s enough to bring the personality to the surface.

Sophia and Lee meet in the Narrows. Lee tries to bargain with the dirt she has on Jim but Sophia isn’t having it. They aren’t having a meeting; it’s an ambush. Sophia’s men kill Lee’s and Sophia smashes Lee’s hand with a hammer herself.  Sophia’s now the uncontested Queen of all of Gotham.

Back at the manor, Alfred is treating Bruce’s wounds, just like old times. Bruce’s actions at the fundraiser proved what his words couldn’t. He has changed and he is truly ready for help. And Alfred’s back to stay.

At the GCPD Jim does the thing he’s been trying to do for weeks. He comes clean to Harvey. He admits Sophia used him and she’s behind the Pyg. He’s also resolved to take her down.

All the Dynamic Duos are Back

Reunion brings back some of Gotham’s best pairings while establishing new rivalries. Bruce and Alfred reconciling was enviable. But I do appreciate Bruce still had a little bit of resistance in him when Alfred told him he was more than his darkness. Bruce has been trying to drown himself for the best part of the season. One fever induced future vision quest isn’t going to completely rid him the trauma of killing Ra’s Al Ghul. It was ultimately his own actions that proved Alfred’s words. Bruce chooses to put himself in danger for the sake of protecting others. It didn’t erase his darkness, just proved he could still move forward in spite of it.

Jim and Harvey’s reunion is a wake-up call for both men. Harvey realizes his lone wolf act will get him killed faster than anything else. Jim, on the other hand finally admits he betrayed Harvey for the position of Captain.

The Riddler and the Penguin’s reunion may have been the briefest of the episode but it holds so much promise. Their partnership the first time around was one of the most interesting times for both characters. They’ve always played off each other better as allies than enemies.

In a reverse of Ed and Oswald, Ivy and Selina facing off against each other as former friends brought out interesting dynamics for them both. Ivy’s villainy still feels a bit generic compared to what I’m used to on Gotham. Killing Gotham’s wealthy because they’re not eco-friendly is a bit hard to get behind. Gotham, in general, doesn’t seem like the greenest city so where is she going to stop? But her encounter with Selina did give me shades of what I’ve been wanting from her. A reconnection to her former self, even if they’re enemies now.

It also shows Selina’s genuinely good heart. She cares deeply, even if she has a coarse way of showing it. She’s been a dealt a shit hand by the city most of her life, but she destroys the Lazarus water because it’s too dangerous.

It’s clear at this point Sophia has become Jim’s opponent for this season. It feels like she could be the main antagonist for the season, but Ivy and Jerome prevent that from being a certainty right now. She was horrifically ruthless this episode, and this is after she orchestrated the murder of her father.  It was hard seeing Lee get knocked down so far. Especially after she’d come into her own as the leader of Narrows. She tried to play by Gotham’s rules, just a little too late.

Next time promises more fun with duos, a Cat and Bat team up, some antics with the Riddler and Penguin, and a Jim and Sophia confrontation.

Images courtesy of Fox

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Faith, Trust, Pixie Dust





Quentin and gang are off to find the Sixth Key, leaving Julia and Fen to fuck around with the fairies. But what if the fairies are the “key” to everything after all?


Quentin and Alice are still fighting over what happened in the Library. Alice insists that she is still on their side. Frustrated, Quentin relents and gives Alice the Quest Book. It turns out the sixth key is in Castle Whitespire. You know, where Eliot and Margot just got overthrown? Quentin, Alice, and Josh — Kady has gone MIA — all cross over to Fillory, onto the now flying Muntjac. Eliot and Margot are still a little bit in denial over the whole dethroning fiasco. Desperate to take Fillory back, they let the others take the lead on the whole questing bit. But they drop Q and gang off at Castle Whitespire, so that’s nice. The quest to getting the next key? Some sort of puzzle involving Fillory’s two half moons. But Josh is only able to solve it by smoking some weed.

Meanwhile, Julia and Fen are still on their saving fairies bent. Julia wants to stage a full-scale revolt, but Sky has been unable to convince the other slave fairies that they actually have magic. Even if she could, there’s still a huge catch: as long as the fairies have their collars on them, they cannot do magic without dying. Hoping to get to the bottom of it, Julia reveals to Irene McAllister that she knows about the McAllister fairies. But with the twist that Julia actually wants to catch a fairy of her own. Irene agrees to give Julia one of the collars, if Julia will bring her a fairy.

Penny is ready to contrive a new escape plan. He learns from Sylvia that there’s a weird room in the library where those who are about to “move on” from the Underworld go to spill all the secrets they never told anyone. Penny corners one of these patrons when they get, convincing them that what lies on the otherside is actually a fate worse than hell. They gives up his MetoCard to “Beyond”, just so Penny can swoop it up. Until Hades makes an appearance. You know, Hades. God of the Underworld? He and Penny have a little chat. In the end, Penny hears him out, and decides to give his sentence to the Underworld Library a shot. He gives the MetroCard to Sylvia instead.

Eliot and Margot bring the Floater Queen and King Idri on board the Muntjac to bargain for their help in retaking Fillory. They’re not having it. Turns out Loria and the Floaters are marching full-out war on Fillory. So Eliot and Margot play the last card they have: magic. Once they complete the quest, they promise to teach the gifted of the Floating Island and Loria magic. Making them just as powerful as Fillorians.

Julia and Fen zip on over to Fillory to chat with the Fairy Queen. Turns out long ago, magicians hunted down fairies on Earth into extinction. Only a few, like the Fairy Queen’s mother, escaped into Fillory to build a new world. They convince her to help them free the enslaved fairies. The McAllisters clap a collar on the Fairy Queen, and put her where the hold the rest of the slaves. But as Julia and Fen search the mansion for the machine, the McAllisters claim removes the collars, they discover it is in fact only a guillotine. The magic, which binds the collars to the fairies, is a fairy deal. A deal which can’t be broken. Except by the Fairy Queen.

As the McAllisters prepare to decapitate all their slaves for their magic essence, the Fairy Queen breaks down and ends the deal. She and the fairy slaves massacre the McAllister family. Only Irene escapes. In repayment for her help, the Fairy Queen thanks Juliet. But she also warns her: the next Key is in the Fairy Realm. And it is the only thing keeping the realm intact. The fairies will not give it to them.


The pacing of this episode was wonky. I mean, more wonky than usual. It seems like a day or two surely must have passed, between Julia’s storyline and Eliot and Margot’s. Are we expected to believe that Quentin, Alice, and Josh have been slaving over the sixth Quest puzzle for a day and a night, in secret? I liked the storyline with Julia and the Fairy Queen fine, but there were just way too much fairies in this episode.

Not to mention, I seem to have missed the part where someone screamed, “Beam me up Scotty!” Because the level of convenient teleportation in this episode was insane. How was everyone getting in between Fillory and Earth with such ease? The Quest Keys? The Fillory clock? It doesn’t even matter, because the rule established in previous episodes until now has indicated that every method of world-jumping is imprecise. It’s based on Narnia, for Christ’s sake. You might find a way to cross over, but you never know when or where you will cross over. Who decided to throw that out the window?

While I enjoyed Alice’s monologue at Quentin over his double standards, it still did ring of too little too late. Yet again. I agree. Why should Quentin get to be surly or indecisive while Alice doesn’t get a pass? Because he’s the protagonist or something?

This hearkens back a bit to the original core of The Magicians as a story. A commentary on fantasy versus expectation. And the dangers of seeing yourself as the protagonist in your world. The effect that has on those you love. Except we haven’t been on that train of thought for, what, like a season? That’s my main issue with every semblance of a character arc which has been crammed in this season. Without the context, without the time put in to these characters, these character moments just crop up like classroom motivational posters. All prose and no impact.

The Magicians is burning the candle from both ends, rushing to get to the end of the Quest. Just as they rushed to defeat the Beast. To defeat Reynard. But what they could really use is a good, slow burn.

Images courtesy of SyFy

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