You Have To Let Them Bleed by Annie Neugebauer is a carefully curated descent into intimate horror. So when I had the opportunity to read this collection early, I was chomping at the bit. These stories understand that fear is not always a spectacle. Sometimes it is a lived condition. Let’s talk about it.
Neugebauer, a two-time Bram Stoker Award finalist and nationally award-winning poet, brings together nineteen short stories and eight poems that function less like a traditional collection and more like a gallery of moments caught in still frames. Each one to be arranged, examined, and reconsidered.
You Have To Let Them Bleed is described as “macabre and marvelous, worth displaying in their shadow boxes”. Like objects preserved behind glass, Neugebauer’s horrors feel suspended in time, carefully composed and disturbingly beautiful, making them impossible to ignore. The reader does not feel rushed. Instead, we are invited to linger and notice the emotional residue clinging to each piece. This is horror that asks for attention and rewards it.
A distinguishing trait of You Have To Let Them Bleed is its emotional focus. In this set of stories, Neugebauer is less interested in monsters and external threats. She is interested in the quiet, corrosive fears that shape human behavior such as abuse, obsession, regret, and violence. Many of these tales center on characters trapped in situations they may have never chosen for themselves, grappling with forces that strip them of agency. Both supernatural yet deeply mundane, You Have To Let Them Bleed is a body of work that feels unsettling not because of shocks, but because of its recognition of something familiar.
The collection’s range is impressive and remarkably cohesive in its execution. The stories include a pickup artist who gets under your skin, a junk drawer that opens to reveal something incomprehensible, a familiar feeling fairy tale with a twist, a senior water aerobics class that is just … wrong. Any of these ideas could veer into gimmickry. Neugebauer avoids that pitfall and puts the reader in her surreal scenarios with emotional rawness. The supernatural elements serve as extensions of the characters’ lives rather than distractions from them.
One of the recurring themes in You Have To Let Them Bleed is the state of knowing something is deeply wrong but being unable to act. Some horror lies less in the possibility of attack and more in the time wasted in anticipation. Fear becomes its own prison and quietly consumes the character’s life while offering no release. Neugebauer captures this element with striking precision, allowing the tension to build through absence before escalating the terror.
Power dynamics and emotional complexity also play roles throughout the collection. Neugebauer interrogates the cost of survival and ways trauma shapes those who endure it. Revenge can be complicated and incomplete. We may not get a clean resolution. These are all very real facts. The refusal to provide the reader easy catharsis is one of this collections greatest strengths.
Neugebauer’s prose reflects her background as a poet, but in its disciplined storytelling rather than being merely ornamental. Her language is sharp, attentive to rhythm and imagery, and not afraid of quiet moments. Grotesque scenes are rendered with measure, emphasizing atmosphere versus excess. The effect is cumulative. Each story leaves a small mark and, by the end of You Have To Let Them Bleed, the weight of these marks are difficult to shake.
The inclusion of the poems throughout reinforces the book’s cohesion. Rather than interruptions, they act as thematic echoes, helping to distill the emotional concerns between the stories. Together with the poems, they create a rhythm that feels intentional and underscores the sense that the collection is a unified artistic statement rather than a simple gathering of works.
Neugebauer’s horror frequently exposes the violence embedded in everyday interactions and reveal how predation can be easily go unnoticed until its too late. Her characters are never reduced to symbols. They are complex, flawed, and painfully human. Even moments that feel absurd become quietly devastating. Neugebauer demonstrates an understanding of how horror can emerge from simply not paying enough attention and when things become easy to overlook. These stories resonate because, despite imperfection, they refuse to condescend their characters.
By the time You Have To Let Them Bleed concludes, the reader has wandered through a “labyrinth of fear”, as the synopsis says. But this labyrinth is not designed to be merely escaped. It invites reflection and asks us to confront the emotional truths at its center. What Neugebauer offers us is not comfort, but rather deep honesty.
You Have To Let Them Bleed is a collection that trusts its readers. It does not rush toward resolution. Instead, it examines the spaces where horror overlaps with human emotion. These stories bleed because they must and, in doing so, they leave a lasting picture that settles into the shadows of our minds.
Thank you so much to Bad Hand Books for the ARC. You can preorder this collection directly from their site and it includes a signed book plate. Horror fans, you do not want to miss this. You Have To Let Them Bleed was an easy five star read for me. Go snag this preorder. It officially publishes March 17, 2026 wherever you buy your books!
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