Wynonna Earp Season 2, Episode 10, “I See a Darkness”
The one that’s a telenovela in the best possible way. Near deaths! A secret wife! A secret twin sister! Amnesia! This episode has it all. The only thing it’s missing is a secret love child, and that’s only because everyone knows that baby Earp is (probably) Doc’s lovechild!
Seriously, though. Words cannot express how delighted I was by everything in this episode. I laughed. I cried. I screamed “What the fuck?!” multiple times. All in all, a top shelf episode of Wynonna Earp.
The episode opens with Mercedes attacking Nicole, whom she mistakenly believes has the third seal. Waverly busts in, quoting Ripley from Alien and busting out her sweet escrima moves. In the ensuing fight, Mercedes realizes they don’t have the rings after all, but not before biting, and poisoning, Nicole. Wynonna asks a favor of Nedley while at the hospital visiting a faceless Mercedes. She hears Waverly in the hall as Nicole is rushed in; she’s not breathing. Waverly recognizes one of the nurses as Greta, Mattie Perley’s (the white witch known as the Blacksmith from S1) twin sister. She then lets slip that Rosita’s a revenant and tells Wynonna and Dolls the Widow Mercedes was looking for the third seal. When Waverly goes to get air, Dolls tells Wynonna Nicole only has 2-3 hours to live. Wynonna demands they find a cure, whatever it takes.
“Neither of us knows where the third seal is, Mercedes, but we are available for nose jobs.”—Waverly
Outside the hospital, Waverly runs into the Widow Beth, who promises an anti-venom in exchange for the third seal. Nicole asks Wynonna to pull the plug should she succumb to the venom because Waverly would forgive her. Wynonna agrees. Waverly and Nicole exchange apologies. Nicole confesses that she loves Waverly more than anyone just before the doctor induces a coma. Team Earp discuss Jeremy creating a cure. Dolls goes to get more venom from the Order, and Wynonna to find a test subject, with Doc’s help of course.
“No matter what happens, I need you to know that I have never loved anyone the way that I love you.”—Nicole, to Waverly
Doc plays poker with a revenant named Stevie who seems awfully keen to go into the Shorty’s basement. Wynonna interrupts. Doc’s no longer quite so amenable to helping her take down the Black Widows as he was last week now that he’s mortal, but agrees once he hears Nicole is dying. The widow Beth taunts Waverly, who then runs into Nedley asking for the key to Nicole’s place so he can pick up her cat, Calamity Jane. He informs her he spoke to Nicole’s next of kin. Waverly finds out what this means when she returns to Nicole’s hospital room and meets Shay, Nicole’s wife.
“If you’re trying to pass for normal human, maybe don’t jump women in broad daylight.”— Waverly, to the Widow Beth
Dolls confronts the Order to get more venom, but they’ve already burned the Widows’ victims, including Juan Carlo. Ewan offers to take care of unborn baby Earp and returns the plate weapon as an act of faith so Team Earp can take out the Widows. At the hospital, Shay and Waverly exchange awkward pleasantries. Shay explains that she and Nicole had a whirlwind Vegas wedding that cooled off. Meanwhile, Wynonna confronts Rosita at Shorty’s and ‘finds’ a test subject for Jeremy’s anti-venom experiments. Dolls picks up Waverly at the hospital. Jeremy feels super guilty for testing the anti-venom on Rosita.
“Every step is like an adventure in discomfort. Miracle of life my ass.”—Wynonna
At Nicole’s apartment, Doc major side-eyes Wynonna using Rosita as a test subject for the anti-venom; just because she can’t die from it doesn’t mean she can’t feel the pain. He then finds blood that leads them to Calamity Jane, and the realization that Mercedes must have kidnapped Nedley when he came to pick up the cat. Mercedes, meanwhile, tortures Nedley for information on the seal while he uses the only weapon available to him: a big fat load of sarcasm. At BBD, Waverly stops Jeremy’s experiments on Rosita and explains the deal the Widow Beth offered. Dolls tells her to take the deal and blame it on him, only he doesn’t know where the seal is. He then offers himself up as a test subject instead of Rosita.
“What are you a witch? A pokemon? You think this is my first demon rodeo? You know we had an actual demon rodeo?”—Nedley
Mercedes continues to torture Nedley for information; Nedley continues to snark (never change Nedley). At the hospital, Shay says Nicole truly loves Waverly. Unwilling to say goodbye since Nicole is close to death, Waverly leaves to find Greta, Mattie’s sister, aka “The Iron Witch”. Greta agrees to help, but for a price. Waverly agrees to anything, and the spell Greta casts leads Waverly to Doc’s ring, hidden in Nedley’s mug. Doc and Wynonna flirt track Nedley and the Widow Mercedes to an abandoned barn. They kick the shit out of her, then take her prisoner to extract venom directly from her glands. Wynonna jaunts over to the hospital with the anti-venom to discover Nicole is already better. She realizes Waverly must have done something and questions her. Cut to the Widow Beth with the ring walking into what looks to be the burned out church, ready to resurrect her husband.
“My tracking skills are quite virile.”—Doc
While Greta finds Waverly at Shorty’s to exact her payment (the marzaniok demon in the trophy), Dolls shows Wynonna the ‘weapon’ the Order returned to them. At Shorty’s, Doc tries to stop Greta’s spell, but disappears when he touches the trophy. Meanwhile, Wynonna disappears just before she can tell Dolls how to use the plate as a weapon. Greta tells Waverly she made Wynonna disappear. As Waverly screams for Wynonna. Jeremy busts in, asking her who “Wynonna” is. Waverly can’t remember, and the two leave to plan a wedding. The episode ends with Doc once again trapped in the well.
Favorite One Liner: “Kill ‘em hard, Wynonna. Town’s had enough of this shit.”—Nedley
I Gotta Say…
This feels more like the Wynonna Earp I adore. Last week’s episode was a bit rough around the edges, but this week’s was dynamite. Snark, fast paced action balanced with emotional heft, excellent fight choreography set to suspenseful music, meaningful character interactions. This is Wynonna Earp at it’s finest. It honestly might be one of my top five episodes of all time.
I dig the Johnny Cash reference—“We got married in a fever”, the first line of the Johhny Cash/June Carter duet “Jackson”—John Callaghan included in the episode. Especially since the title itself is a Johnny Cash song. I suddenly feel the need for a WayHaught (or Waynaught) vid set to “I see a Darkness” stat. There were a few other nerdy easter eggs sprinkled in the episode, as well, and I loved every one.
On the acting front, Meghan Heffern is killing it as the Widow Beth. The level of creepy bubbliness she embodies reminds me of Aquamarine from Steven Universe in the best possible way. Dani Kind continues to impress me with her depth and range; it takes a lot of skill to evoke that much rage without it turning melodramatic, and she nailed it.
While we’re on the topic of acting prowess, Melanie Scrofano’s scene talking to comatose Mercedes. Top shelf, man, top shelf. She’s simultaneously fierce mama bear and hero with a chip on her shoulder. It’s beautiful to see a female protagonist given such an emotionally meaty and nuanced part to embody.
Also, Haught damn. Nicole may have been in a coma much of the episode, but her brief scenes with Waverly touched me in my core, and Kat Barrell knocked it out of the park. Of course Nicole would say that the DNA test matters, because she’s a Suffering Empath who puts others emotional needs before her own. Likewise, Waverly’s heartfelt apologies and dismissal of Nicole’s lie stems from the same place. They’re both so concerned about the other’s emotional well-being, and I just want them to be happy.
Nicole’s confession of love, echoed later in the episode by Shay, is both a lovely confession on its own and a subtle hint at what’s to come with Shay. For a part of Nicole’s backstory that comes completely out of nowhere, the writers did an excellent job setting it up just enough that I accepted it at face value. Nicole has been pretty quiet about her life, family, and history. A secret shotgun Vegas wedding might be the stuff of telenovelas, but that doesn’t mean it’s out of place. In fact, I kind of loved the weirdly understated melodrama of it all. (Yes, that sounds like a contradiction, but it works, doesn’t it?)
Speaking of telenovela style reveals that didn’t feel out of place at all, Mattie Perley has a twin sister! She was honestly pretty awesome as an unexpected antagonist, and I hope she sticks around. I was sad to see Mattie go and would love to have another Perley sister on the show again.
And lets not forget the telenovela-style memory wipe/amnesia! God, I love this show so much. Only Wynonna Earp can serve up so much melodrama while maintaining a sense of gravity and levity alongside it. When I call it a telenovela, I mean that as a compliment. I grew up watching them with my mom, who speaks fluent Spanish and would help translate for me while I used them to learn Spanish for school. So trust me, this is a good thing.
Back to good character moments. Waverly’s emotional breakdown in the hospital was one of the best acted scenes of the episode. Dominique Provost-Chalkley serves up a heaping slice of feels. Her begging for them to act like they’re winning for once, then freaking out about breaking Jeremy’s mug felt so raw and real. “What if he can’t fix it, Wynonna?” just about killed me. We all know it isn’t about the mug, yet we all have experienced what it’s like to project while we’re grieving and in shock. The littlest things become conduits for our pain, like a transformers mug.
As far as the overarching plot, this was such a good way to do an ‘impossible choices’ situation. Waverly’s willingness to trade the ring for Nicole’s life instead of wait on a cure from Wynonna is of those times that a tired trope for straight couples is refreshed/subversive when applied to a queer couple. Waverly fighting to save Nicole’s life functions as a cipher for her fighting for their right to exist as a couple. And yet, the show doesn’t make it overtly about that. The result is a story that both normalizes the love they share and Waverly’s desperate exchange to save her lover’s life—a common trope for straight romance—and challenges the idea that queer women must die for Drama™.
That’s not to downplay the theme of difficult choices reflected in almost every character’s arc this episode. The plot played out as a series of Sophie’s choice/Catch-22 situations of which Waverly’s was one. But that’s part of the beauty of it. It’s both one among many ‘impossible’ choices characters had to make and a choice that thumbs its nose at Hollywood’s recent spate of queer female character deaths. At the same time, it also reflects the struggle queer women have in fighting for their right to exist and be taken seriously. Yet, it does so without going to the other extremes of either sanitizing/infantilizing their story or overdramatizing it. It has the appropriate emotional weight for what it is.
The final blow was the Gift of the Magi-esque reveal that Waverly’s deal with the Iron Witch wasn’t necessary. It works so well as a plot device here. The outcome (Clootie coming back) could be reasonably predicted, but the route to get there this episode was a magnificent, emotional, heartbreaking rid because of the multiple Catch-22 scenarios.
While Nicole being bitten is the precipitating event, one could argue the tangled web of Sophie’s choices starts with Wynonna. Her “whatever it takes’ mentality at the beginning drives Dolls to urge Waverly to take the deal with Beth. That same mentality also leads Wynonna to being willing to subject Rosita to physical torture to save Nicole’s life. Her choice affects Jeremy, who must then live with his own choice to go along. There’s never a straightforward ‘way out’. Everyone is making what they believe to be the best, or shall I say least shitty, choice based on the options available to them. That still doesn’t make them good choices. They’re reasonable choices under the circumstances, but they’re also choices that hurt people and have real, negative consequences for the characters and their relationships.
I just love how tangled up everything is. This is one of the best executions of “no good choices” I’ve seen in a long while. The best part is, the show didn’t have to tout itself as specifically addressing that in universe to draw attention to how Clever™ and Nuanced™ it was being (unlike another show I watch). They told the story and let the audience come to it’s own conclusions; this episode did a hell of a lot of showing and did very little telling, and it paid off big time.
The only part that confuses me is why Wynonna now wants to keep Clootie from rising. Last week, she was all about resurrecting Clootie and killing him. She delivered a whole speech to Doc about it, and he agreed to help her, which is why he gave her his ring. Her desire to protect the ring and his initial standoffishness about helping her don’t fit neatly with last week’s characterizations. Still, it isn’t a big deal. If I didn’t overlook a beat somewhere that would explain this, I can chalk it up to last week’s episode being a bit rough overall.
I will end with how much I love Nedley. He’s the dad friend who is sometimes awkward about life choices, but always loving and supportive. I adore his sass, and he had some of the best one liners this episode, hands down. But his steadfast belief in Wynonna even after all the trouble she caused in her youth? That’s heart.
I see you, Andras Callaghan
- 3 women fighting, and not over a guy, bless this show
- I see that Alien reference
- Waverly saying komodo dragons are cool to make Jeremy feel better even when she’s losing the love of her life just kills me.
- I see that mug pun, and I 100% endorse it.
- Jeremy’s Silence of the Lambs joke, A+
- Waverly got so many hugs this episode, and I’m so glad. She needed them.
Tune in next week for Emily Andras being a troll with the title, “Gone as a Girl Can Get”. There will be Black Widows and demons and Wynonna no longer being pregnant?! But the real question is, WHO IS GETTING MARRIED?? If it’s Waverly and Champ, I might die. But I’m here for a WayHaught wedding!
Oh, and thanks to Kori for the review title! It’s perfect.
Images Courtesy of SyFy
Black Lightning Episode 1-5 In Review
This week, Black Lightning is on a hiatus so here are some thoughts on the show so far. New episodes return next week.
As a whole, Black Lightning is one of my favorite shows on TV right now, and of the 381 (I have a list) shows I’ve watched in my 24 years. It does so many things well, and what I don’t like is situated in a very specific context. For example, I love how the show hammers home that there are consequences to everything.
Consequences and Bad Guys
Last week’s episode ended with Jefferson as Black Lightning knocked out in the water when his suit gave him problems in a fight with Joey Toledo, Tobias’ right hand man. It was a bleak moment, but highlights how everything feels grounded! From the fights between Jefferson and various baddies, the deaths we’ve seen, and to Tobias doing anything, nothing is cartoonish. There are consequences to actions.
Sure dropping a lackey into a tank of piranhas is a bit much…but Tobias is terrible and terrifying and his traumatic childhood is not used as an excuse for his current actions. Rather they situate Tobias and Tori as adults (whose ages we don’t actually know) trying to control their world. I wonder if Tori has her own crime syndicate in Miami? Oh hey, that would be a cool webseries…
The dedication to showing consequences of people’s actions does have me worried with the portrayal of Khalil’s future arc. I understand the impetus behind his arc. Unless the writers flip the script, it’ll highlight how easy it is for people like Tobias and his lackeys to prey on young men without other options.
And I do not mean to simplify the many reasons why a young man may choose to deal drugs or why there is violence across so many American cities. But Khalil’s existence now for Tobias is as a scapegoat to turn BL into the bad guy. Again, disability in DCTV is merely a plot point for villains or temporary.
On the flip side, Anissa as an out and proud activist lesbian is awesome!
Ladies Loving Ladies
Once the season ends, I’ll write a full length piece on Anissa, Chenoa, and Grace. Even with only three episodes to really pull from, the writers established a lot about Anissa and Freeland. We saw in week 2 how she had a key for Chenoa’s place, and her parents knew her name, but that’s as far as that one year relationship had gone. Their sex was mindblowing, sure (which how incredible to finally see two Black woman make love as an affirmative thing), but Anissa wasn’t committed to Chenoa. Understandably she was pissed at the Ruby Red Lipstick Bar (I love that Freeland has a lesbian bar) and said some hurtful things to Anissa.
I wish we had (or maybe we will) seen Chenoa one last time, but the moment Anissa laid eyes on Grace, it was pretty clear we were getting the slow-burn there. And this is what’s so great about the show, by five episodes both Anissa and Grace have been affirmatively labeled by the show as a lesbian and bisexual woman. No need to assume and no need for obnoxious fandom labeling conversations.
However, with Grace as a super recurring character, who knows when we’ll see Chantal Thuy next and how she’ll factor into the next portion of Anissa’s development into Thunder. And if she receives a series regular promotion, whether or not she joins the Pierce family+Gambi shenanigans.
Pierce Family Passion
I LOVE ONE FAMILY. Look, representation is not revolutionary and won’t meet any of our material needs on a global scale. Instead, representation is required and our media should look like us. But I’d be remiss to say that centering a show on a Black man who loves his family isn’t a huge freaking deal!!!
Specifically because of the racist sentiment that Black fathers aren’t around for their kids. This doesn’t consider that a) 1.5 million Black men are “missing” or b) the Black men that are fathers, they are the most involved with their children of any other group of dads!
So watching Cress Williams as Jefferson Pierce, completely in love with his ex-wife and two daughters is stunning and I am so glad the show is about the Pierce family now instead of Jefferson years ago. Their passion for their home and each other is one of the bigger successes of the show.
(Though I’d love a flashback of him first realizing his powers since it would have been in response to a very emotional moment).
Who is he? We know he and Alvin Pierce were super close, he’s Jefferson’s surrogate father, and from an interview that the girls think of him as a grandpa. Yet we’ve only seen him interact with JefferLynn and Tobias! And he knows Tori? I want to know everything about him and really hope the next eight episodes reveal more. As the only white guy the writers invite us to care about, Gambi is important. He’s got this amazing boutique and clearly knows his technology. (Is he making Anissa’s outfit?)
But he’s hiding more than Tobias from Jefferson, like what I assume is his understanding that Anissa was on camera in episode 3. Likely more secrets related to Alvin Pierce too. Plus just how does he afford all his tech? The show is so good with details that it seems suspect we’ve yet to see more of that aspect…
Otherwise, Gambi is a really interesting lens into the show’s statements about so many issues.
The show has effectively made multiple statements not just about police brutality, drugs, or violence. Even the brief mention of the Tuskeegee experiments is significant with Greenlight and its entry into Freeland. I think its usage of Gambi as BL’s greatest champion as a hero pulled out of “retirement” as compared to Anissa and soon Jennifer’s journeys is really compelling.
I honestly don’t have the expertise to write a lengthy piece on the show’s usage of Malcolm X, MLK Jr, or others like Harriet Tubman but I think Anissa’s Malcolm vs. Jefferson’s MLK Jr. vs Black Lightning’s Malcolm is clear just from the show’s dialogue.
The scene between Anissa, her parents, and the Henderson’s is a great example. Is Black Lightning a vigilante who is hurting the police attempt’s to fight the 100 gang or everything else? (How is Henderson actually feeling about his inability to stop the 100 gang long-term?) Or is he stepping in where no one else will and making a difference? Does nonviolence actually work, or nah? How do we meet the material needs of oppressed groups, here black people?
The latter questions are debated at length and I don’t think Black Lightning is trying to conclusively answer them. Though the former two are definitely at the core of the show.
The same goes for the writers’ strong use of religious imagery in implicit and explicit ways.
Book of Black Lightning
Abrahamic religion and their prophets are explicitly referenced from the episode titles to the show dialogue. Abrahamic religion is a huge part of the show. The titles all tell a story, even the non “Book of” titles like “Resurrection” and “Black Jesus” have their own. We even saw a Methodist church for Lawanda’s funeral! It makes sense because the Akils are actually Muslim. I hope we get some Black Muslims too in the show.
Jefferson is Black Jesus (resurrection), then Black Lightning is Moses (the latter was reluctant at first to lead). Obviously Judaism, Christianity, and Islam have differences in their telling of Moses’ story but it’s pretty apparent what’s happening here. Lady Eve is Pharaoh and I’m not quite sure on who Tobias is yet, but I’ll figure it out by season’s end when I’ll write a long article about everything else we get this season.
- When will Syonide get to talk extensively? One Syonide in the comics has a girlfriend and I would love to see the show’s take on that.
- Someone find the scripts for me because each episode feels like it’s cramming a usual script and a half’s worth of stuff into one 45 minute episode.
- I hope this show doesn’t get 22 episodes this fall. I find it works better as a short season show.
What do y’all want answers to or have thoughts on? Next week, the show returns to Jefferson looking for Alvin’s murderer and so much more.
Image courtesy of The CW
Rise and Fall: The Chi’s “Penetrate a Fraud” Is Joy, Heartbreak, and Fear
Welcome back to Lena Waithe’s The Chi, where this week we see some characters start to rise from pain while others fall all the way into it.
Let’s start with Brandon, who hit a low point last week when Jerrika showed up to the block party with another guy. Then Brandon confronted Ronnie, telling him he hopes Coogie’s murder haunts him for the rest of his life before walking alone into the darkness. This week, things are looking a little better for our tender-hearted guy. A big reason for that is Sarah, his boss’s wife/all-around manager of things at the restaurant. There is a serious mutual crush happening, and in this episode she gives him an opportunity to prove himself: he’s going to be in charge of the food for a very large and fancy wedding anniversary catering gig. He pulls it off without a hitch and Sarah thanks him, saying the restaurant isn’t doing as well as everyone thinks and they really needed a good night like this one.
Side note, my parents ran a restaurant for more than 10 years, and it is so true that even popular upscale places are in a constant struggle to keep their heads above water. It is a very unforgiving industry, and this little corner of the storyline hit home for me. Plus, my mom was the Sarah, basically doing every little thing and never stopping, so I appreciate her as a character.
Anyway, the other immediate event in Brandon’s world is the revelation that his mother and Greavy got married at the courthouse without telling him. They’re planning a backyard barbecue celebration that night and were hoping he could do some of the food. Brandon is angry, still resentful of Greavy, and storms off. But Greavy goes after him and is a little softer toward him, saying that it would mean a lot to his mother if he were there, and also that he’ll do right by her.
In the end, Brandon, high off of a successful night that will likely mean a lot to his career, takes Sarah and the leftover catering food to his mom’s house. The joy Laverne feels that her son shows up is such a perfect illustration of how much mothers love their children. Brandon ends up making a really nice speech about the new couple, and it’s nice to see everyone in that string-lights-and-Heineken-filled backyard so full of smiles. Oh and then Brandon and Sarah kiss, so, that will be interesting next week.
Meanwhile, some other mothers are having an unexpectedly great day of their own. Ethel takes Jada to get their nails done as a thank you for patching up Ronnie’s gunshot wound/saving his life. They end up bonding and we learn that Jada has not been prioritizing dating or her sexual needs, since she has approximately 100 million other things on her plate. But after her conversation with Ethel, Jada comes home to an empty house, lights candles along the edge of the bathtub, and masturbates with the shower head. I am so here for Jada taking care of herself. Also I will always associate showerhead masturbation with that scene in The Runaways where Joan Jett—aka a still-not-publicly-out Kristin Stewart—tells her bandmate to think of Farrah Fawcett in order to get off. Iconic.
The reason Jada came home to an empty house is that Emmett has been extremely busy with his and Amir’s burgeoning shoe business. Amir “borrows” $5,000 from his uncle Habib, and he and Emmett follow a tip Emmett got about some rich white person who wanted to unload a shoe collection. Turns out it’s a day-drinking divorcee who wants to sell her husband’s garage full of sneakers. The two jump on it, thinking they’ve scored the shoes for half, if not less, of what they’re worth.
Emmett gets to work putting the word out to his network of sneakerheads and sets up the van full of shoes in an underpass, where he sells almost all of them. Until one guy rolls up, looks at the shoes, and tells Emmett they’re knockoffs (something to do with SKU numbers). Then he accuses Emmett of “penetrating a crime” on him and pulls a gun on him and Emmett Jr., who is in his arms. Emmett Jr. basically never stops crying; is that what real babies are like? Anyway, luckily the guy doesn’t actually shoot but Emmett is sufficiently freaked out. It remains to be seen how this will unfold with the “business partnership.”
As we continue down our path of characters’ best days to worst days, Ronnie is still halfway dead, stumbling around town bleeding through his clothes. He goes back to Common’s mosque, where he is told he’ll be welcome to come in and talk, but despite looking tempted, he doesn’t do it—yet. Ronnie is also trying to find someone who will unlock Jason’s phone. He finds Jason’s girlfriend. Ronnie didn’t know he had a girlfriend, or that she is pregnant, or that Jason knew she was pregnant and so did Tracey. Or that Tracey didn’t want Jason to see her, or that Jason wanted to quit basketball. There was a lot Ronnie didn’t know, but Jason’s girlfriend unlocked the phone for him, so now he can look through pictures.
But guess who else wants to look at the phone: Detective Cruz. He brings Ronnie in for questioning, and backhandedly proposes they help each other: Cruz won’t push too hard to pin Coogie’s murder to Ronnie, and Ronnie will give Cruz Jason’s phone. I guess so he can figure out what happened and get back in the department’s good graces before anyone exposes the fact that he’s the reason Ronnie knew about Coogie having robbed Jason’s body. Cruz doesn’t seem to find much on the phone—mostly a lot of selfies—but he sees that the last call made was to 911. So that’s interesting.
Lastly, we have the boiling-point tensions between Trice, Reg, and their crew and Q and his. Q stole Trice’s dog (the same one Coogie used to feed) and has been taunting him with her for weeks. Now, he uses her as a distraction, taunting Trice into conversation while Q’s two guys sneak into the house to see what Reg, Trice, and co. have in there. Trice tells Q to go back to Cuba, so we now know where he was before coming back to Chicago. Q points out to Trice that he never got back to him about who might have killed Jason and why. He’s clearly hung up on something with Tracey; maybe he’s Jason’s real father? I don’t know.
Regardless, Q’s guys report back on the specific kinds of military guns Reg and co. stole a lot of last week. And at the end of the episode, the three of them straight-up kill everyone in the house and steal the guns. I don’t know if Trice or Reg were there, but I’m concerned for Jake?!?!
That’s it for this week, let’s hope next week we get to see the kids and the lesbians again, because I miss them and this episode ended on an extremely dark note.
Images from The Chi Courtesy of Showtime
Legends of Tomorrow Gets Stuck in a Time Loop
Starting off intensely, we see Zari racing against time to get Gideon to execute some simulation program that she wants to keep a secret from the team. Things don’t go as planned because the Legends come back from a mission that involved Napoleon Bonaparte and disco clothing. While Nate and Amaya leave the bridge to discuss the fact that they just had sex during a mission, Sara gets pissed at Zari when Gideon stops working and she finds out about Z’s secret simulation.
Taking the captain position hard, Sara argues with Zari about it, despite Ray’s concern about her mood given Constantine’s warning. Zari reveals that she wanted to find loopholes in history so she could exploit them to avoid the dark future she knows as 2042. As Zari goes to fix the ship, she is hit with some neon fluid from a tube. As she tries to see if Gideon is back online, the Waverider explodes…
…and we’re back to Zari arguing with Sara.
Zari tries to figure out what’s going on, first talking to Mick, then snooping on Nate and Amaya’s post intercourse conversation, and finally Ray to no avail. In the end, the ship explodes again and we’re back to Sara, who ends up twisting Zari’s arm by accident. She ends up being taken to the med bay where she gets sedated and thus back again with the day starting over. Her next move is to try to explain the whole thing to the crew, but it still doesn’t work for multiple attempts.
Until Nate believes her and tells Zari to talk to him again and quotes “Groundhog Day,” which leaves me wondering why pop culture can’t update its timeloop references. Say “Edge of Tomorrow” or even “Happy Death Day” if we want current. Nevertheless, as soon as she wakes up again, she goes to Nate. The two theorize that the explosion comes from within the ship instead of some outside force. Some other stuff happens, but in the end, the ship explodes.
Zari’s newest attempt starts with her teaming up with Nate to go after Rory. It takes a few other attempts, but they eventually figure out that, despite his initial suspicious behavior—doing his laundry—Mick’s was only hiding his novel. They go check on Ray, who ends up revealing, rather easily, that Constantine had told him to kill Sara when Mallus takes over. The duo decide to go after Sara now, fearing that she may be possessed and exploding the ship. Ray shrinks Zari and himself in order to spy on Sara.
What they find is rather the opposite: just a flirtatious facetime conversation with Ava — to quote the poet, “This is a gays only event, go home!”. The two talk about their own experiences being bossy and how Sara has faith in Zari, but she ends up dodging one of Ava’s attempts to go over to the ship and hang out. Sadly, Sara ends up crushing Ray and Zari, as she thought they were a fly.
Once again, Zari goes to Nate, but she’s feeling quite tired. Nate suggests they have fun with it given the lack of consequences, so cue the fun montage. Eventually, the fun runs out and Zari tries to kill herself, but fails. This time though, Sara manages to believe Zari’s story and enlists the whole team to look for bombs. The Legends try the trash compactor and find Gary, the Bureau agent. Mick takes a device from his hand and destroys it, thinking it was the bomb, but instead, it was what originated the time loop: Gary had boarded the Waverider because of an alert that the ship would explode so he had created the one-hour loop which would give enough time for the time to defuse the bomb. So now, the device is broken and the team has five minutes to find the bomb before they truly die.
Using the Chekhovian move, Sara finds the bomb inside a disc play. If I understant it correctly, Napoleon had gotten his hand on a CD player with ABBA’s “Waterloo” in it, which he had used to win the war? Something campy like that, for sure. Seeing as the bomb will explode, Zari locks herself with the bomb in a force field so she can say her last words to the team which, as expected, is mostly advice she picked up from her time during the time loop.
As the timer stops, Zari finds herself in the company of humanoid!Gideon, the same one that kissed Rip Hunter that one time (I’m glad they end up finding ways to bring Amy Pemberton on board!). Gideon tells her that, in real life, Zari is healing at the med bay, but her mind is with Gideon at her matrix. Turns out Zari’s simulator had not only worked but done all the job regarding the timeloops to show that Zari needs the Legends’ help in order to find the loophole to save 2042.
As she wakes up, Zari gets Ray to confess his secret to Sara so she can prove that she indeed was inside the matrix. As Sara and Zari have a chat, it circles between their will to save people and a nice little loophole that may just give Z a chance to spare her brother’s life.
Capping off the episode, we finally meet Firestorm’s replacement after the CW confirmed it a few weeks back: Rip Hunter tracks down Wally West in China to ask him for help to save the universe.