Connect with us

Television

Supergirl Premiere Is Quite An Adventure

Published

on

fandomentals-supergirl-transp-back-10

Supergirl Season 2 Reviews: Episode 01, “The Adventures of Supergirl”

Premiere night!!!

There’s so much to see! Superman is here and Lena Luthor, plus a new villain and Project Cadmus. Plenty of Supergirl/Superman action and bonding throughout, and Kara makes some major life choices with Cat Grant’s mentorship. The DEO gets a brand spanking new building, too (It’s so shiny). The change to the CW doesn’t seem to have affected the tenor or writing of the show. The premiere lived up to our expectations, and felt like the same show we gushed over last season, er, last week. And now we’re back together again and ready to talk about all the excellent things that happened last night (and that One Other Thing). Get ready for some fangirling. We’re excited. But in the spirit of objectivity and fairness, we’re not without critique.

Quick Recap

Introducing Katie McGrath as Lena Luthor.

After a voiceover recap of Season 1, the episode starts with the final scene from the finale: the Kryptonian pod crashing. The nameless, comatose man in the pod gets taken to the DEO, which has some swanky new digs (a skyscraper in the middle of downtown National City). Kara is trying to figure out what to do with the opportunity Cat gave her to choose her own job; Cat pushes her to look inward. Cat’s new assistant has a ‘Kira’ kind of day (making mistakes with salad dressing). Venture, a new spaceship, launches but has trouble. Enter super dorky Clark Kent and his very undorky chiseled jawline to help save the day as Superman, after Kara gets there first. (Side Note: they’re the freaking cutest team ever! She tells random strangers she used to change Clark’s diapers. LOL. We love them. Superhero Kryptonians are puppies, it is confirmed.) Ahem. Supes visits the DEO to check on the mystery man from the Kryptonian pod. Winn is a nerd so excited to meet Supes that he almost passes out. Alex thinks Clark smells nice (he seems like an Old Spice kind of guy). J’onn and Superman have a strained greeting that Alex, true to form, doesn’t fail to comment on.

Next is bring your cousin to work day! Cat is flirty adjacent (and apparently thinks Clark, Superman, and Lois Lane have a ménage à trois). We learn Lex is in prison, but Lena, his sister, was suspiciously not present on the Venture launch despite having booked a seat on the shuttle. We also have a new villain—who was behind the Venture explosion—who has just acquired some high powered drones. Clark interviews Lena Luthor, who wants to rename and rebrand Luthor Corp in National City and make it a force for good. Kara shares how overwhelmed she feels by her options (with James, with Cat and Catco) with Clark, who encourages her to follow her heart. Alex confronts J’onn about “Operation Emerald”, the operation that put a wedge between him and Superman. J’onn had been on the team to first discover kryptonite on earth, and instead of destroying it as Superman urged, he chose to kepteep it for safekeeping. Winn figures out that Lena was the target of the Venture bombing just in time for her helicopter to be attacked by two of the drones. Superman goes to save the civilian population from more drones while Kara rescues Lena. Kara and James have a heart-to-heart-ish talk about her not knowing what she wants. Cat mentors her about diving in and not being afraid.

Brenda Strong plays an excellent villain.

Finally, the name of the new villain is revealed: John Corben, an assassin hired by Lex to take out Lena. Superman confronts J’onn about keeping the stock of kryptonite. Corben bombs Lena’s corporation renaming ceremony; the Supers save the day, with help from Alex and Lena. Corben is shot, but doesn’t die. With some prompting from Lena, Kara decides she wants to be a reporter (which Cat saw coming a mile away). Kara tells James they should just be friends, because she is unable to juggle so many obligations at the same time. Winn leaves Catco to join the DEO. Clark tells Kara he’s proud of her and offers to stay on for some family time. A mystery woman (Brenda Strong, Queen Nia, from The 100) from Project Cadmus offers Corben the chance to become Metallo.

Best Quote: “You’re standing on the shore afraid to dive into the new waters and you’re afraid because you don’t want to say goodbye to the mild-mannered, love-lorn Kara Danvers the sweet and dutiful assistant to Cat Grant. You are standing there looking out at your options: the icy blue river, the fast flowing water, and the choppy sea and they all look very appealing to you because you’re dying to go for a swim but you know that water is going to be cold and journey is going to be hard and when you reach the other side you will have become a new person. And you’re scared to meet that new version of yourself. Now we all get used to our own personas or used to our own comfort zones, but trust me. In order to live, we must keep daring, keep diving.”—Cat Grant, to Kara

Thoughts & Feelings

Let’s start by saying that this definitely felt like the same show from last season, which was a primary concern for us going into the network change. The biggest noticeable difference between Season 1 and Season 2 is the pacing. Season 1 was rather deliberate and slow, juggling only 2 to 3 plot balls at any given time. Season 2 comes out the gate juggling 5 to 6 plot balls while riding a skateboard, meaning that individual plot points aren’t getting as much screen time as we are accustomed to. This may not be a bad thing, but it so will depend on how they pace out each of these plots across the season. Frantically juggling too many plot balls often results in dropping all of them, and this storytelling problem has taken down many shows of recent memory. However, it’s difficult to make a definitive statement about whether or not this is a good change judging from just one episode, but it’s something to keep an eye on going forward.

 

Something else that was noticeable was how the show just jumped right into the Season 2 plots without wasting time wallowing in the Season 1 arcs. The show does very little handholding in transitioning to a potentially new audience, and this is understandable considering how tightly the first season wrapped up. The one plot point pulled over from the last season was the Season 1 cliffhanger, which was surprisingly the plot point that got the least attention in the pilot episode. While it wasn’t exactly the number one priority to resolve this cliffhanger within the first episode of Season 2, we hope they don’t keep it on the back burner too long. It gives off the impression that the show is trying to distance itself from its predecessor, which does not inspire hope within the returning fandom.

Once again, it’s hard to make a definitive statement about the pacing with only one episode as reference, but we can say that Season 2 seems to be aiming for much faster plot development. We are willing to extend the benefit of the doubt to the writing team, but this is something we are keeping an eye on, since the deliberate and slow pacing of the first season was something that made the show really stand out.

Moving on to the new characters introduced in the pilot, we of course have to start with the Man of Steel’s small screen debut. Clark gets a great ‘running down an alley while changing costume’ sequence. He is both well cast and well written, in our opinion, so he slides into the show’s established cast very well. He is definitely his own man, but his camaraderie with Kara is well demonstrated and lives up to the subtle seeding from the first season.

Clark and Kara together is everything we’d hoped for and expected. Everything. They have such a sweet, loving, mutual, respectful relationship. Clark is supportive and treats Kara as an equal even though he’s been a superhero for longer. He jokes with her, gives her advice, and acts all around like the best older brother Kara could want. While we’d have liked more Alex and Kara time, we appreciate what they gave us enough to forgive them. Alex and Kara’s relationship is side-lined in favor of building up Clark and Kara’s, but not to the detriment of the sisterly bond. We know it’s still there, just in the background for a while.

As we were hoping last week, Clark definitely comes across as Kara’s teammate, not her superior. She gets the ‘heavy lifting’ job saving the venture and corrects Lena Luthor when she ignores Supergirl’s presence at the rescue. She comes up with the plan to save the building while Clark acts as the muscle. But they’re a true team, a partnership of equals. You don’t get the idea that her having moments of brawn and problem solving is pandering at all. It helps that Superman’s so genuinely excited for her when she succeeds and takes his cues from her, as befits a visiting superhero and cousin. They give us all the feels. And that final scene, where Superman asks Kara if he can stay so she can tell him more stories about Krypton and his family? *Hearteyes*

Second in our new character lineup is Lex Luther’s sister, Lena Luthor. Hot damn Lena Luthor. We couldn’t keep our eyes off of her; Katie McGrath commands your attention on screen. We can’t wait to see how she evolves in the season. She’s going to be an interesting foil for Kara. They’re both adopted, both attempting to use their family name as a force for good, and was it us or did Lena give Kara the once over in a flirty way?

We appreciate how she contrasts with Lord, too. She’s proved herself less distrustful and more open. She shares intel willingly where he held back from reporters and the government; she appreciates Supergirl/man instead of resenting them. Put her in a room with Lord and let them duke it out please and thank you. It is also noteworthy that she seems to be playing straight-faced when it comes to her mission to redeem her brother’s business. She’s come to National City in an effort to rebrand her brother’s company, trying to polish off the tarnish left by his crimes that resulted in 30+ consecutive life sentences. While there’s equal set up here for a villain arc, we’re kind of hoping that they don’t take that path. Thus far we’ve received no indication that she’s going to make an about-face, and when given the opportunity to she has been distinctly leaning towards the side of good. She seems genuinely interested in taking on a trademark Supergirl redemption arc; we hope she stays that way.

At the tail end of the pilot, we get to see the origin of Metallo. Damn, we’re ready for Metallo. He’s a pretty epic Superman villain—a cybernetic assassin powered by a kryptonite core—so you won’t want to miss next week’s episode. Plus, we get the reveal that Metallo is a product of Project Cadmus, presumably to fight against Kryptonians like Supergirl, Superman, and any remaining convicts from Fort Rozz (if there are any Kryptonians left). Project Cadmus as the big bad this season thrills us. We can’t wait for it all. Plus, Project Cadmus means that maybe Superboy/Kon-El will make an appearance. Fingers crossed.

Moving on to the characters we know and love from last season, J’onn and Alex didn’t get enough screen time for us (we love them), but hopefully that will be remedied soon. J’onn’s beef with Superman sets up the threat Metallo will serve next episode and makes sense of why J’onn has never shown much interest in having Superman around. While simple and understandable, the friction between J’onn and Superman seems a little thin, and too easily resolved. We are expecting that conflict to come back later, as it definitely could use a little more solid development considering how important it is to Superman’s relationship with the DEO and J’onn himself.

Don’t go Cat! We’re going to miss you and your epic sunglasses.

Cat continues to have some of the best dialogue, mentoring monologues and snippy one liners included. We know she is going to be making a change, since Calista Flockhart will be appearing in fewer episodes this season, and they’ve seeded it already this episode. Tying it to Kara Danvers own journey of self-discovery and pursuing her passion works well, and it gives us faith that the show will give Cat Grant the graceful exit she deserves from primary hero to secondary protagonist.

On to James Olsen and the fly in the ointment, the one letdown in this action packed ball of sunshine and adorableness that was this premiere: the potential sinking of the James x Kara ship. The conversation with James and Kara was a bit awkward and unexpected, given that we know they were kissing just a day or so ago as the family dinner shown in the Season 1 finale was the opening scene of this episode. James’ reaction was on point and fit with the overall tenor of the show toward non-mutual relationships, but this felt rushed. As much as we enjoy the lack of relationship drama on this show overall, we feel like they needed to drag this out a bit.

Relying on dialogue and exposition has always been one of the show’s strengths, but in this case it’s fallen into a weakness. While we can absolutely accept that their relationship would be heavily strained by Kara’s attempt to juggle so much at a time, we feel that the show needed to let us watch it happen, rather than tell us that it would. There hasn’t been enough time for us to accept this as a foregone conclusion. Kara having a moment of “I have a lot going on, a lot is changing, and I don’t know how to handle it all. I need time,” would have made more sense and allowed for the same amount of tension. With all the build-up from last season, this lovely interracial ship deserved better than a “we’re just friends” within the first episode.

We’re not ready to call it quits on this ship yet, though. Maybe the writers are trying to slow burn more, maybe they just thought Kara had too much going on and wanted to give her more space to grow as a person before getting them back together. Maybe she’s going to be the queer one instead of Alex (Oh please, oh please. We want a bulletproof LGBT character more than anything). Who knows? It’s honestly too early to tell. We’re a bit annoyed, but not ready to bust out the pitchforks yet.

Random Thoughts

  • They have not diminished their CGI budget it seems. Damn. Though it will be interesting to see how they escalate the stakes in future seasons. Kara saved a plane, then she and Superman saved a space shuttle. What’s next? The moon? We’re hoping for the moon.
  • We keep wondering how Superman and Supergirl keep their capes under their clothes. Maybe they have a magic pocket they tuck them into that lays completely flat? Must be special Kryptonian technology.
  • The volume for this episode was really low for Gretchen in Wisconsin. The show was barely loud enough, then the commercials blared. No idea if this is something the network can fix or if it was just the fact that she uses antennae for reception (I don’t want to pay for cable, so sue me—Gretchen).
  • They addressed the fact that Superman looks so young: apparently Kryptonians age more slowly on Earth
  • J’onn named kryptonite, that’s neat
  • Helicopters don’t fare well on this show, do they?
  • Clark uses his x-ray vision much more than Kara does. It makes sense given that Jeremiah Danvers gave her glasses specifically to block that use of her powers. She grew up not utilizing it.
  • This moment:

    Cat wrote “reporter” on Kara’s resume when she interviewed her. Priceless.

  • After being saved by Superman, a man says “We’re moving back to Gotham”. LOLZ
  • Biracial family on bikes spotted! We love how diverse the background characters are.
  • Being a reporter runs in the family, it seems.
  • Cat reverts to calling Kara “Kira” when Kara is in her ‘feeling lost’ phase. Was that on purpose or a reflex of communicating with the shy, unassuming Kara of much of Season 1?
  • ARE THEY GOING TO MAKE KARA GAY. The only way we will forgive them for destroying Kara x James is if they give her a girlfriend. Anyway, now that we’ve gotten that reaction out of the way, we can wrap this episode up 🙂

In Conclusion


Images courtesy of CW

Bi, she/her. Gretchen is a Managing Editor for the Fandomentals. An unabashed nerdy fangirl and aspiring sci/fi and fantasy author, she has opinions about things like media, representation, and ethics in storytelling.

Advertisement
Comments

Television

Black Lightning Episode 1-5 In Review

Shahar

Published

on

By

Black Lightning, Anissa, and Jennifer with the phrase Get Lit

This week, Black Lightning is on a hiatus so here are some thoughts on the show so far. New episodes return next week.

As a whole, Black Lightning is one of my favorite shows on TV right now, and of the 381 (I have a list) shows I’ve watched in my 24 years. It does so many things well, and what I don’t like is situated in a very specific context. For example, I love how the show hammers home that there are consequences to everything.

Consequences and Bad Guys

Last week’s episode ended with Jefferson as Black Lightning knocked out in the water when his suit gave him problems in a fight with Joey Toledo, Tobias’ right hand man. It was a bleak moment, but highlights how everything feels grounded! From the fights between Jefferson and various baddies, the deaths we’ve seen, and to Tobias doing anything, nothing is cartoonish. There are consequences to actions.

Sure dropping a lackey into a tank of piranhas is a bit much…but Tobias is terrible and terrifying and his traumatic childhood is not used as an excuse for his current actions. Rather they situate Tobias and Tori as adults (whose ages we don’t actually know) trying to control their world. I wonder if Tori has her own crime syndicate in Miami? Oh hey, that would be a cool webseries…

The dedication to showing consequences of people’s actions does have me worried with the portrayal of Khalil’s future arc. I understand the impetus behind his arc. Unless the writers flip the script, it’ll highlight how easy it is for people like Tobias and his lackeys to prey on young men without other options.

And I do not mean to simplify the many reasons why a young man may choose to deal drugs or why there is violence across so many American cities. But Khalil’s existence now for Tobias is as a scapegoat to turn BL into the bad guy. Again, disability in DCTV is merely a plot point for villains or temporary.

On the flip side, Anissa as an out and proud activist lesbian is awesome!

Ladies Loving Ladies

Once the season ends, I’ll write a full length piece on Anissa, Chenoa, and Grace. Even with only three episodes to really pull from, the writers established a lot about Anissa and Freeland. We saw in week 2 how she had a key for Chenoa’s place, and her parents knew her name, but that’s as far as that one year relationship had gone. Their sex was mindblowing, sure (which how incredible to finally see two Black woman make love as an affirmative thing), but Anissa wasn’t committed to Chenoa. Understandably she was pissed at the Ruby Red Lipstick Bar (I love that Freeland has a lesbian bar) and said some hurtful things to Anissa.

I wish we had (or maybe we will) seen Chenoa one last time, but the moment Anissa laid eyes on Grace, it was pretty clear we were getting the slow-burn there. And this is what’s so great about the show, by five episodes both Anissa and Grace have been affirmatively labeled by the show as a lesbian and bisexual woman. No need to assume and no need for obnoxious fandom labeling conversations.

However, with Grace as a super recurring character, who knows when we’ll see Chantal Thuy next and how she’ll factor into the next portion of Anissa’s development into Thunder. And if she receives a series regular promotion, whether or not she joins the Pierce family+Gambi shenanigans.

Pierce Family Passion

I LOVE ONE FAMILY. Look, representation is not revolutionary and won’t meet any of our material needs on a global scale. Instead, representation is required and our media should look like us. But I’d be remiss to say that centering a show on a Black man who loves his family isn’t a huge freaking deal!!!

Specifically because of the racist sentiment that Black fathers aren’t around for their kids. This doesn’t consider that a) 1.5 million Black men are “missing” or b) the Black men that are fathers, they are the most involved with their children of any other group of dads!

So watching Cress Williams as Jefferson Pierce, completely in love with his ex-wife and two daughters is stunning and I am so glad the show is about the Pierce family now instead of Jefferson years ago. Their passion for their home and each other is one of the bigger successes of the show.

(Though I’d love a flashback of him first realizing his powers since it would have been in response to a very emotional moment).

Grandpa Gambi

Who is he? We know he and Alvin Pierce were super close, he’s Jefferson’s surrogate father, and from an interview that the girls think of him as a grandpa. Yet we’ve only seen him interact with JefferLynn and Tobias! And he knows Tori? I want to know everything about him and really hope the next eight episodes reveal more. As the only white guy the writers invite us to care about, Gambi is important. He’s got this amazing boutique and clearly knows his technology. (Is he making Anissa’s outfit?)

But he’s hiding more than Tobias from Jefferson, like what I assume is his understanding that Anissa was on camera in episode 3. Likely more secrets related to Alvin Pierce too. Plus just how does he afford all his tech? The show is so good with details that it seems suspect we’ve yet to see more of that aspect…

Otherwise, Gambi is a really interesting lens into the show’s statements about so many issues.

Political Statements

The show has effectively made multiple statements not just about police brutality, drugs, or violence. Even the brief mention of the Tuskeegee experiments is significant with Greenlight and its entry into Freeland. I think its usage of Gambi as BL’s greatest champion as a hero pulled out of “retirement” as compared to Anissa and soon Jennifer’s journeys is really compelling.

I honestly don’t have the expertise to write a lengthy piece on the show’s usage of Malcolm X, MLK Jr, or others like Harriet Tubman but I think Anissa’s Malcolm vs. Jefferson’s MLK Jr. vs Black Lightning’s Malcolm is clear just from the show’s dialogue.

The scene between Anissa, her parents, and the Henderson’s is a great example. Is Black Lightning a vigilante who is hurting the police attempt’s to fight the 100 gang or everything else? (How is Henderson actually feeling about his inability to stop the 100 gang long-term?) Or is he stepping in where no one else will and making a difference? Does nonviolence actually work, or nah? How do we meet the material needs of oppressed groups, here black people?

The latter questions are debated at length and I don’t think Black Lightning is trying to conclusively answer them. Though the former two are definitely at the core of the show.

The same goes for the writers’ strong use of religious imagery in implicit and explicit ways.

Book of Black Lightning

Abrahamic religion and their prophets are explicitly referenced from the episode titles to the show dialogue. Abrahamic religion is a huge part of the show. The titles all tell a story, even the non “Book of” titles like “Resurrection” and “Black Jesus” have their own. We even saw a Methodist church for Lawanda’s funeral! It makes sense because the Akils are actually Muslim. I hope we get some Black Muslims too in the show.

Jefferson is Black Jesus (resurrection), then Black Lightning is Moses (the latter was reluctant at first to lead). Obviously Judaism, Christianity, and Islam have differences in their telling of Moses’ story but it’s pretty apparent what’s happening here. Lady Eve is Pharaoh and I’m not quite sure on who Tobias is yet, but I’ll figure it out by season’s end when I’ll write a long article about everything else we get this season.

Last Thoughts

  • When will Syonide get to talk extensively? One Syonide in the comics has a girlfriend and I would love to see the show’s take on that.
  • Someone find the scripts for me because each episode feels like it’s cramming a usual script and a half’s worth of stuff into one 45 minute episode.
  • I hope this show doesn’t get 22 episodes this fall. I find it works better as a short season show.

What do y’all want answers to or have thoughts on? Next week, the show returns to Jefferson looking for Alvin’s murderer and so much more.


Image courtesy of The CW

Continue Reading

Television

Rise and Fall: The Chi’s “Penetrate a Fraud” Is Joy, Heartbreak, and Fear

Sarah

Published

on

By

Welcome back to Lena Waithe’s The Chi, where this week we see some characters start to rise from pain while others fall all the way into it.

Ronnie, never able to escape this corner.

Let’s start with Brandon, who hit a low point last week when Jerrika showed up to the block party with another guy. Then Brandon confronted Ronnie, telling him he hopes Coogie’s murder haunts him for the rest of his life before walking alone into the darkness. This week, things are looking a little better for our tender-hearted guy. A big reason for that is Sarah, his boss’s wife/all-around manager of things at the restaurant. There is a serious mutual crush happening, and in this episode she gives him an opportunity to prove himself: he’s going to be in charge of the food for a very large and fancy wedding anniversary catering gig. He pulls it off without a hitch and Sarah thanks him, saying the restaurant isn’t doing as well as everyone thinks and they really needed a good night like this one.

Side note, my parents ran a restaurant for more than 10 years, and it is so true that even popular upscale places are in a constant struggle to keep their heads above water. It is a very unforgiving industry, and this little corner of the storyline hit home for me. Plus, my mom was the Sarah, basically doing every little thing and never stopping, so I appreciate her as a character.

Anyway, the other immediate event in Brandon’s world is the revelation that his mother and Greavy got married at the courthouse without telling him. They’re planning a backyard barbecue celebration that night and were hoping he could do some of the food. Brandon is angry, still resentful of Greavy, and storms off. But Greavy goes after him and is a little softer toward him, saying that it would mean a lot to his mother if he were there, and also that he’ll do right by her.

In the end, Brandon, high off of a successful night that will likely mean a lot to his career, takes Sarah and the leftover catering food to his mom’s house. The joy Laverne feels that her son shows up is such a perfect illustration of how much mothers love their children. Brandon ends up making a really nice speech about the new couple, and it’s nice to see everyone in that string-lights-and-Heineken-filled backyard so full of smiles. Oh and then Brandon and Sarah kiss, so, that will be interesting next week.

!!!! This won’t end well but in the meantime, I’m happy for them.

Meanwhile, some other mothers are having an unexpectedly great day of their own. Ethel takes Jada to get their nails done as a thank you for patching up Ronnie’s gunshot wound/saving his life. They end up bonding and we learn that Jada has not been prioritizing dating or her sexual needs, since she has approximately 100 million other things on her plate. But after her conversation with Ethel, Jada comes home to an empty house, lights candles along the edge of the bathtub, and masturbates with the shower head. I am so here for Jada taking care of herself. Also I will always associate showerhead masturbation with that scene in The Runaways where Joan Jett—aka a still-not-publicly-out Kristin Stewart—tells her bandmate to think of Farrah Fawcett in order to get off. Iconic.

HERE FOR IT.

The reason Jada came home to an empty house is that Emmett has been extremely busy with his and Amir’s burgeoning shoe business. Amir “borrows” $5,000 from his uncle Habib, and he and Emmett follow a tip Emmett got about some rich white person who wanted to unload a shoe collection. Turns out it’s a day-drinking divorcee who wants to sell her husband’s garage full of sneakers. The two jump on it, thinking they’ve scored the shoes for half, if not less, of what they’re worth.

Emmett gets to work putting the word out to his network of sneakerheads and sets up the van full of shoes in an underpass, where he sells almost all of them. Until one guy rolls up, looks at the shoes, and tells Emmett they’re knockoffs (something to do with SKU numbers). Then he accuses Emmett of “penetrating a crime” on him and pulls a gun on him and Emmett Jr., who is in his arms. Emmett Jr. basically never stops crying; is that what real babies are like? Anyway, luckily the guy doesn’t actually shoot but Emmett is sufficiently freaked out. It remains to be seen how this will unfold with the “business partnership.”

As we continue down our path of characters’ best days to worst days, Ronnie is still halfway dead, stumbling around town bleeding through his clothes. He goes back to Common’s mosque, where he is told he’ll be welcome to come in and talk, but despite looking tempted, he doesn’t do it—yet. Ronnie is also trying to find someone who will unlock Jason’s phone. He finds Jason’s girlfriend. Ronnie didn’t know he had a girlfriend, or that she is pregnant, or that Jason knew she was pregnant and so did Tracey. Or that Tracey didn’t want Jason to see her, or that Jason wanted to quit basketball. There was a lot Ronnie didn’t know, but Jason’s girlfriend unlocked the phone for him, so now he can look through pictures.

But guess who else wants to look at the phone: Detective Cruz. He brings Ronnie in for questioning, and backhandedly proposes they help each other: Cruz won’t push too hard to pin Coogie’s murder to Ronnie, and Ronnie will give Cruz Jason’s phone. I guess so he can figure out what happened and get back in the department’s good graces before anyone exposes the fact that he’s the reason Ronnie knew about Coogie having robbed Jason’s body. Cruz doesn’t seem to find much on the phone—mostly a lot of selfies—but he sees that the last call made was to 911. So that’s interesting.

Lastly, we have the boiling-point tensions between Trice, Reg, and their crew and Q and his. Q stole Trice’s dog (the same one Coogie used to feed) and has been taunting him with her for weeks. Now, he uses her as a distraction, taunting Trice into conversation while Q’s two guys sneak into the house to see what Reg, Trice, and co. have in there. Trice tells Q to go back to Cuba, so we now know where he was before coming back to Chicago. Q points out to Trice that he never got back to him about who might have killed Jason and why. He’s clearly hung up on something with Tracey; maybe he’s Jason’s real father? I don’t know.

Regardless, Q’s guys report back on the specific kinds of military guns Reg and co. stole a lot of last week. And at the end of the episode, the three of them straight-up kill everyone in the house and steal the guns. I don’t know if Trice or Reg were there, but I’m concerned for Jake?!?!

I-miss-my-dog face.

That’s it for this week, let’s hope next week we get to see the kids and the lesbians again, because I miss them and this episode ended on an extremely dark note.


Images from The Chi Courtesy of Showtime

Continue Reading

Television

Legends of Tomorrow Gets Stuck in a Time Loop

Matthew

Published

on

By

legends

Starting off intensely, we see Zari racing against time to get Gideon to execute some simulation program that she wants to keep a secret from the team. Things don’t go as planned because the Legends come back from a mission that involved Napoleon Bonaparte and disco clothing. While Nate and Amaya leave the bridge to discuss the fact that they just had sex during a mission, Sara gets pissed at Zari when Gideon stops working and she finds out about Z’s secret simulation.

Taking the captain position hard, Sara argues with Zari about it, despite Ray’s concern about her mood given Constantine’s warning. Zari reveals that she wanted to find loopholes in history so she could exploit them to avoid the dark future she knows as 2042. As Zari goes to fix the ship, she is hit with some neon fluid from a tube. As she tries to see if Gideon is back online, the Waverider explodes…

…and we’re back to Zari arguing with Sara.

Zari tries to figure out what’s going on, first talking to Mick, then snooping on Nate and Amaya’s post intercourse conversation, and finally Ray to no avail. In the end, the ship explodes again and we’re back to Sara, who ends up twisting Zari’s arm by accident. She ends up being taken to the med bay where she gets sedated and thus back again with the day starting over. Her next move is to try to explain the whole thing to the crew, but it still doesn’t work for multiple attempts.

Until Nate believes her and tells Zari to talk to him again and quotes “Groundhog Day,” which leaves me wondering why pop culture can’t update its timeloop references. Say “Edge of Tomorrow” or even “Happy Death Day” if we want current. Nevertheless, as soon as she wakes up again, she goes to Nate. The two theorize that the explosion comes from within the ship instead of some outside force. Some other stuff happens, but in the end, the ship explodes.


Zari’s newest attempt starts with her teaming up with Nate to go after Rory. It takes a few other attempts, but they eventually figure out that, despite his initial suspicious behavior—doing his laundry—Mick’s was only hiding his novel. They go check on Ray, who ends up revealing, rather easily, that Constantine had told him to kill Sara when Mallus takes over. The duo decide to go after Sara now, fearing that she may be possessed and exploding the ship. Ray shrinks Zari and himself in order to spy on Sara.

What they find is rather the opposite: just a flirtatious facetime conversation with Ava — to quote the poet, “This is a gays only event, go home!”. The two talk about their own experiences being bossy and how Sara has faith in Zari, but she ends up dodging one of Ava’s attempts to go over to the ship and hang out. Sadly, Sara ends up crushing Ray and Zari, as she thought they were a fly.

Once again, Zari goes to Nate, but she’s feeling quite tired. Nate suggests they have fun with it given the lack of consequences, so cue the fun montage. Eventually, the fun runs out and Zari tries to kill herself, but fails. This time though, Sara manages to believe Zari’s story and enlists the whole team to look for bombs. The Legends try the trash compactor and find Gary, the Bureau agent. Mick takes a device from his hand and destroys it, thinking it was the bomb, but instead, it was what originated the time loop: Gary had boarded the Waverider because of an alert that the ship would explode so he had created the one-hour loop which would give enough time for the time to defuse the bomb. So now, the device is broken and the team has five minutes to find the bomb before they truly die.

Using the Chekhovian move, Sara finds the bomb inside a disc play. If I understant it correctly, Napoleon had gotten his hand on a CD player with ABBA’s “Waterloo” in it, which he had used to win the war? Something campy like that, for sure. Seeing as the bomb will explode, Zari locks herself with the bomb in a force field so she can say her last words to the team which, as expected, is mostly advice she picked up from her time during the time loop.

As the timer stops, Zari finds herself in the company of humanoid!Gideon, the same one that kissed Rip Hunter that one time (I’m glad they end up finding ways to bring Amy Pemberton on board!). Gideon tells her that, in real life, Zari is healing at the med bay, but her mind is with Gideon at her matrix. Turns out Zari’s simulator had not only worked but done all the job regarding the timeloops to show that Zari needs the Legends’ help in order to find the loophole to save 2042.

As she wakes up, Zari gets Ray to confess his secret to Sara so she can prove that she indeed was inside the matrix. As Sara and Zari have a chat, it circles between their will to save people and a nice little loophole that may just give Z a chance to spare her brother’s life.

Capping off the episode, we finally meet Firestorm’s replacement after the CW confirmed it a few weeks back: Rip Hunter tracks down Wally West in China to ask him for help to save the universe.


Images Courtesy of The CW.

Continue Reading

Trending