This time around, I think I’ll save me some opening lengthy opening words. I do believe the title of this review and the issue’s cover say enough on their own. Farewell chapters tend to be pretty strong on both narrative and emotional engines, and this one is no different. As usual, there will be a dash of several events and ‘POV characters’, but the bulk of it lands on the ethereal shoulders of our beloved disembodied babysitter, Izabel.
From start to finish, this issue is a parade of ghostly awesome. OBVIOUSLY, spoilers ahead, and perhaps a few tears…
“Be a good girl tomorrow… but not TOO good.”
Usually, a rotting host of war-fallen zombies in stark detail makes for a frightful impression. But even before Kurti sees through the illusion, we already know this is Izabel casting her ghostly magic. She is definitely one whose colourful choice of words would compromise her own scheme, with amusing results. Although, Izabel’s attempt ultimately failed, the real shock for the Phang dwellers is the fact that horns, wings, robots and ghosts would travel together. An uneasy alliance for sure, but an alliance nonetheless.
A peculiar thing to note here is how an outside assessment can outline certain features in a character or collective. If we take into consideration how badly the war has hit Phang, it should be no surprise that the rodent family’s first thought upon seeing Alana, Marko and company is The Last Revolution. We all know how that went down: ruthless pragmatism for THE GREATER GOOD, villainy and comeuppance.
However, the crew’s latest iteration exhibits a very similar setup in terms of diversity and role as outsiders. Yet they’re also not entirely estranged from their reality as pieces in the war chessboard, if Petrichor and Sir Robot are anything to go by. In fact, these two even criticize Alana and Marko for opting out of the war between their worlds.
In the end, however, none of that really matters to Phang’s hungry populace. Craven deserters, conscientious objectors, terrorists; they don’t manifest into more meaningful roles to heal the damage done. The displaced and the dead will continue to be so. That’s why Marko doesn’t speak against Hazel’s quick willingness to help these people, which is as much of an inconvenience as a good gesture. On her part, Alana still thinks it more sensible to simply refuel and get going — for Hazel’s sake. Thus, we’re again at that slight impasse between them. Neither Marko nor Alana are actually in the wrong here. It all really boils down to ensuring either a child’s physical or moral integrity. Sometimes, it may not be possible to achieve both.
In the end, they agree to help out a bit and then be off. After all, how long could that actually take? Cue the obligatory cut into the future that comes with tempting fate in a narrative. What should have been a few hours ended up six months. By now, Alana is quite heavy with child and pretty familiar with the rodenty brats as well. I swear, some people have a way of generating extended family. It’s like they sneeze on you, and suddenly you’re their children’s godfather… but I digress.
Lending credit to Hazel’s narration, this is a downright precious period. Hazel has lots of friends her age to play with, and Jebarah, the collective’s matron, gives a heartful present to Alana and her coming baby. Now, they’re one tribe.
This is all cool and sweet, but it doesn’t do away with the problems in Phang, with the battling and all. Marko and Petrichor got that front covered, which allows them some time to talk. Marko is Marko, so it’s no surprise he feels more than content with their staying in Phang. But the passing of six months has definitely not endeared Petrichor to the notion. In fact, her experiences as a soldier have made her suspicious of the Phang’s tribe. At the time, we have no reason to actually think these people could do any wrong. But, again… tempting fate, Murphy’s Law, dread is just one breath away from real; all these things, plus the short lifespan of all good times in Saga have us waiting for the doom to unfold.
As for Hazel proper, she has become a little of a pest. She’s at that little-asshole age, which inevitably etches a dent in her relation with her babysitter. For all her awesomeness, Izabel (or anything ever) can’t do much against nature. With little to occupy herself with, she decides to aid Sir Robot’s quest for fuel. His son’s birthday is coming and he fully intends to make it, as you do.
However, her favour to scout for Sir Robot doesn’t come from any actual esteem towards the fallen Prince. This is a favour she’ll do for Hazel’s parents. The cynical robot doesn’t understand this reaction to basically being an indentured servant. But Izabel is full of a gratitude.
It’s thanks to them that Izabel is the first in her family to leave their planet. As far as she sees it, they have overpaid her services — by showing the universe. I personally find this little exchange to be one of those truly remarkable moments in this comic, even if there’s no great art through beautiful splash page or careful panel composition. It’s a matter of sheer dialogue and the counterpoint effect between two very different characters. Only a strong motivation can imbue unlikely partnerships with coherence and credibility. And though things aren’t quite as sweet as they once were, love is still the main motivation here. We’ll keep this in mind for what’s to come in a bit.
Now, things have been going swell in Phang. But the inner workings on the galaxy still conspire towards strife, one way or another. For instance, we join The Will once more on his perennial quest; not for vengeance, but for redemption this time around. On the search for his old friends, he actually meets Gwendolyn’s wife, a woman called Velour. She does reveal the whereabouts of Gwen, Sophie and Lying Cat, but not much else. This will probably add him to the dynamic taking place in Phang. He may no longer be hallucinating, but a Freelancer is always a wild card. We’ll see how this plays out.
We join Izabel back in Phang to end this review. She’s doing her scouting gig for Sir Robot at the Robot Kingdom’s Royal Embassy. Though supposed to be deserted, she runs into a cute little boar. This thing’s cute, a little too cute. And in Saga, cute animals mean… Freelancers’ sidekicks. Meet The March, a two headed sinister-looking one, and his boar Bootstraps. Their business in Phang is the search for Marko, which plainly says — the hunt is still on. Although The March has no interest in Hazel, they’re savvy enough to know she must have hitched a ride via newborn child. They see all too easily through Izabel. so she opts to float away.
This would traditionally be no problem for our favourite pink ghost. She can go through walls and do all kinds of neat stuff — so it should be instantly alarming that The March has managed to ensnare Izabel with their whip. If that wasn’t bad enough their scimitar promises to work likewise. Now, the stakes are clear: it’s a talk or die situation.
Now, I beseech you dear reader, do ask yourself: Do I think Izabel would sell out Hazel, Alana and Marko to save her non-existent ass? Would she break my heart like that? Well, no, she won’t sell them out… but she’ll still break your heart. Izabel’s answer is sharp and snarky, as we’d expect, regardless of the menace she faces.
The March stabs her, causing an agony dreadfully evident in her expression before she dies. There are no further words spoken, except for Hazel’s narration in retrospective. It’s true that everybody outgrows the necessity to have a babysitter, but the best ones — much as the dearest friends — will stick with you forever. The final image in this issue is a splash page of Hazel painfully clutching her own chest. She doesn’t know it yet, but she felt it; Izabel’s death stung to her very soul, literally. Goodbye Izabel. We loved you.
I did tell you it was going to be a bleak arc, didn’t I? It’s not over yet, lovelies. The ride, however harrowing, is still an experience you won’t want to miss.
Saga Issue #38 Credits
Writer: Brian K. Vaughan
Artist: Fiona Staples
All images are courtesy of Image Comics