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Mxyzptlk’s Antics And the Gift of A Sanvers Valentine’s Day

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Supergirl Season 2 Reviews: Episode 13, “Mr. & Mrs. Mxyzptlk”

The long awaited and anticipated Valentine’s Day episode featuring Sanvers and the sometimes adorably, sometimes dangerously wacky antics of Mr. Mxyzptlk (Mr. Mxy from here on out, or just Mxy). I’m a huge fan of him already and want to see him again at some point. Sadly, Elizabeth can’t join me this time, as her city is currently sliding into the ocean (not really, but it sure sounds like it). So, I am a lonely gem without her fusion; at least I have something fun to talk about!

Quick Recap

Can I just say how GOOD Kara looks in a Vera Wang?

Mr. Mxy proposes to Kara. Mon El objects and Mxy sends him to the DEO in his undies. J’onn gives an epic side eye, but walks on by without asking questions. Kara rejects Mxy, but he believes she is playing coy and he can woo her with grand gestures of his devotion. At the DEO, J’onn composes a V-Day note to M’gann (Awwwww!). Kara decides in the middle of the DEO that this is a great time and place to have a conversation with Mon El about their relationship. At Chez Danvers, Alex learns Maggie is an epic V-day Hater. Lyra, an alien from Starhaven, saves Winn from bullies at the bar, and they hit it off geeking about her culture. Out on the streets, Kara literally catches a bullet for a thief fleeing Mxy then confronts him about his dangerous behavior. Mon El advises killing Mxy but Kara says no.

Kara comes home to an apartment full of flowers (just like last week, which was totally a platonic gesture) from Mxy. Alex wants to be super cheesy and romantic about V-Day, but she’s worried about Maggie’s resistance. Kara advises re-creating the holiday for just the two of them. ‘Parasyte’ shows up and beats up both Kara and Mon El for a bit before Mxy appears dressed as Superman. Kara realizes Mxy sent ‘Parasyte’ so he could swoop in and save the day. Kara tells Mon El to leave (and he actually listens!). Mxy tells Kara unless she marries him, things will get bad for Earth.

Mon El is mad that Kara is defending herself and tells her she’s not a good judge of what she can handle. Kara is mad that he didn’t tell her how to get rid of Mxy beforehand; Kara tells him he’s jealous and he gets pissy. They have a pretty big (and kind of loud) fight in the middle of the DEO that ends with Kara telling him it was a mistake. Mon El steals a weapon from the DEO. Alex follows Kara’s advice, but Maggie gets upset because she doesn’t feel heard. Alex encourages Maggie to not stuff her feelings. Maggie opens up about how her parents weren’t actually supportive of her being gay. She was forcibly outed by a friend she liked who didn’t like her that way and kicked out of her parents house when she was 14.

Delightful.

At the bar, Winn has set up a fancy date for him and Lyra, but she just wants to have sexy times (what is it with Winn and sexually aggressive women? Ngl it’s pretty hot). Meanwhile, Mxy duels Mon El for Kara’s hand, and goes full Hamilton, complete with costumes and pistols. Mon El uses the weapon to cut off Mxy from the 5th dimension, but Mxy crushes it. Kara shows up just in time to save Mon El from being shot with lead (foreshadowing?). She offers to marry Mxy the next day at noon in the Fortress of Solitude. Mon El apologizes for being a dillweed, but Kara has made up her mind about Mxy. Maggie shows up at the DEO looking for Alex to apologize to (that took guts); Kara tells her how much V-day means to Alex.

Champagne in hand, Mxy waits for Kara at the Fortress, where she shows up drinking orange juice (for some reason?). She rejects him and he brings the ice sculpture of Jor El to life to attack her. After shattering the sculpture, Kara encloses them in the fortress and detonates the core to explode and kill them both. He begs her not to kill herself because the world needs her. She eventually relents and he types in the abort code, which, incidentally, is his name spelled backward. (THAT’S OUR GIRL). He disappears to the 5th dimension without having found love.

Lyra and Winn have a nice second date. Alex comes home to find a box with her name on it from Maggie, who has set up an epic Valentine’s Day prom night for them both. Maggie apologizes for fixating on her wounds instead of on the woman she cares about. They dance; I cry happy tears. Mon El shows up at Kara’s and apologizes for acting like an ass. Kara admits she tricked him about saying they weren’t meant to be together and they make out on her couch.

Best Quote:

“On some planets, to write something down is to truly say it.”—J’onn J’onzz

Thoughts & Feelings

No better place to start than Mxy summing up what many in the Supergirl fandom have been saying about Mon El as a romantic interest for Kara (ourselves included)

“The other suitor? I didn’t see you there tall, dark, and blandsome. You’re barely there, let alone my romantic rival. Invisible is a good look on you, let’s play to your strengths.”

In fact, one of the cleverest aspects to the Mr. Mxyzptlk plot this episode was how it seemed very much like a meta commentary on early complaints regarding Mon El specifically and unearned romantic arcs more generally. “You can’t just put me in a wedding dress!” argues Kara as Mxy blithely ignores her protestations that she’s not interested. Mxy is ‘persistent’ in his grand gestures, believing that his very persistence will ‘wear her down’ because she’s ‘confused’ and ‘doesn’t know her own feelings’. He reminds me of Wolf from 10th Kingdom a bit.

The commentary reaches acute levels when Mxy dresses and styles himself as another Superman, just as Mon El did in “We Can Be Heroes”. Like Mon El did with James, Mxy argues Kara needs an equal to her powers. He calls Mon El a thug and claims Kara is ‘slumming it’, which sounds once again like the writers co-opted a fandom complaint. Mxy believes grand gestures, including trying to be a hero (though admittedly in a threatening situation of his own making), and deciding she is fated to be his mate will be enough to convince her to love him, much as Mon El did early in the season.

He’s actually a pretty decent foil for Mon El, if one that’s significantly more powerful, and more destructive when he doesn’t get his way. They both arrogantly believe they know what is best for Kara and refuse to listen to her when she asserts herself. Yet, again, they differ significantly in how they handle rejection. Mon El backed off and tried to date someone new. Mxy threatens to destroy the world. Even Mon El, with all his entitlement, was never that bad. He might be an arrogant dude bro, but Mon El never responded to romantic rejection by trying to physically attack Kara. That’s not to defend Mon El either; it’s more to point out the interesting juxtaposition in what they share as romantic interests and where they differ.

It’s also worth pointing out that the depiction of Mxy’s reaction to rejection in no way read as an endorsement. Supergirl is not trying to say this is an appropriate reaction for men (or anyone) to have when their feelings are not reciprocated. Mxy is 100% in the wrong and Kara makes that clear with how she handles him.

Mxy’s mixture of puckishness, amorality, and arrogant superiority reminds me of one the most interesting antagonists of the Star Trek universe: Q. Like Mr. Mxyzptlk, Q has tremendous power to warp human reality, vast experience in the universe, a high IQ, and a propensity for mischief. They’re both equally capable of practical jokes and destructiveness, and have a playfully antagonistic relationship with their respective heroes. The comparison with Q informs (but does not justify) Mxy’s more problematic character traits, like his willingness to destroy Earth to win Kara. Both Q and Mxy suffer from big egos, near limitless power, and boredom, but they’re less villainous than flippant. It’s the “you walk through the grass without realizing how many insects you step on” phenomenon.

Kara knows how you feel, Picard.

He’s also good fun. The Hamilton scene was A+, especially the longer it went on. These two men really are going to duel with revolutionary era pistols in frilly shirts aren’t they? Yes, yes they are. I loved the ending to the episode as well. So classic Superman in its execution, but with Kara’s own rather chilling twist on outsmarting Mxy instead of out-muscling him. I swear Kara must have had ice in her veins in that scene and not just she destroyed an ice statue of her uncle Jor El. Speaking of Kara outsmarting Mxy, I appreciate how much attention was given to Kara’s agency and intelligence this episode. She’s has a couple of idiot ball moments this season (she really never figured out James was Guardian until 2×10?), so it was nice to see her outwitting a highly intelligent inter-dimensional being all on her own.

I also love Kara standing up for herself with Mon El. She’s done it before (multiple times) when he’s refused to listen to her, or lied to her, or just generally acted like a walnut, but after last week, I was slightly worried that she might be starting to overlook the fact that he hadn’t changed all that much. I’m happy to see Kara setting boundaries around her new relationship in terms of what behavior she will find acceptable from him and what she won’t.

And to be honest, Mon El’s protectiveness is patently absurd at face value. Kara is both stronger than he is and has a wider array of superpowers. Why does he ever feel the need to protect her at all?

She’s nowhere near Damsel.

Physically, Kara is literally the safest and most well protected person just being herself. Mon El may be acting out or flailing because he doesn’t know how to cope with caring about someone as much as he does Kara, but the “I’m just protecting your honor” bit is already a tired trope for non superheroes. Much less when Kara is literally bulletproof and can shoot lasers from her eyeballs.

There wasn’t nearly as much Sanvers as I expected, but I realized upon further investigation that it was in large part due to overhyping from sources other than the CW. The network never promised a Sanvers-centric episode, but some entertainment outlets did, and that was the narrative that made the rounds on social media sites. Had I not seen those sources, I know I would have felt less initially disappointed. As it is, I’m far less upset now that I know my sources were incorrect, not the show.

What we did get, though, was just lovely. Ever since Maggie Sawyer appeared, she’s had pretty thick walls around certain parts of herself. While she was never glowing about her past, tonight we learned that even some of her positive statements were lies. Her parents were not affirming of her being gay. They kicked her out of the house when she was 14, and she had to live with an aunt for three years (taken largely from Renee Montoya’s backstory, by the way). It’s a gut-wrenching story, and one that’s all too true even in our day and age. Just one more way that Sanvers is one of the realest representations of wlw I’ve ever seen.

And the entire conversation showcased how far Alex has grown and how comfortable they are in their relationship. Alex has grown enough to recognize when Maggie is shutting her down, and is willing to push Maggie to be as honest as she pushed Alex to be. It takes tremendous trust on both sides for this kind of conversation to happen. Maggie being willing to open up instead of further shutting down highlights how much she’s grown in her ability to trust Alex with things she’s probably never talked about with anyone before.

Her instinct after that is to apologize, too, which yet again is a mark of maturity and overall relationship health. Moreover, rather than getting defensive when Kara gently pushes her about Valentine’s Day, Maggie turns thoughtful. She takes Kara’s advice to heart, and does everything she can to make the woman she’s crazy about feel special. When you think about it, there’s tremendous power packed into the terse narrative surrounding Sanvers, and I adored every second of it on my screen.

As Elizabeth and I have said before, one of the best things about Sanvers is its down-to-earth domesticity. Alex making Maggie her favorite breakfast, even though she thinks it’s gross. Her gushing about Maggie to Kara, listing off all of the things Maggie loves as she tries to decide how to make Maggie’s Valentine’s Day special. Alex coming out in lingerie (OMG), as part of Maggie’s special Valentine’s Day. The dancing. They’re happy together and healthy as a couple. They listen to each other, are open, and have a strong communication dynamic that is both supportive and appropriately challenging.

It’s actually jarring to see Maggie and Alex with their open, honest communication juxtaposed with Mon El and Kara yelling. Especially since the latter had more than one loud argument versus Alex and Maggie’s single disagreement that Maggie immediately wanted to apologize for. Additionally, Maggie and Alex steer clear of insulting each other and being accusatory, something Mon El and Kara can’t seem to be able to do. Did Mon El really need to tell Kara she’s full of herself and doesn’t know what she can handle?

There’s also a jarring irony to Kara encouraging Maggie to make changes for Alex when Mon El has not changed some of the things that upset Kara the most about this attitude. He’s apologized, which is a good first step (and one I am frustrated didn’t happen sooner), and I expect actual character growth, not just me being told he’s different. From here on out, I expect to see him listening to Kara and respecting her agency and her ‘no’. I expect less over-protectiveness, less overbearing egotism, and less patronizing arrogance.

I AM here for screencaps of Mon El yelling, though.

It’s funny, because as I write this out, these are precisely the things that James Olsen has been struggling with as well, and yet that relationship fizzled out. Oh wait, the writers did that. I am still bitter about the fact that James was sidelined only to be replaced with a white character with similar personality flaws this season. And now Mon El/Kara have gotten more actual screen development than Kara/James. It’s unintentional I’m sure, but the sidelining of a man of color in favor of a white male love interest squicks me out, big time. Both Elizabeth and I have been saying so since our first review this season. And now that Kara/Mon El is happening, I’m not any less uncomfortable than previously, especially with how weakly Mon El’s character development has been written.

I’m trying to see both sides. On the one hand, Sanvers is beautiful and amazing. On the other, I wish Maggie’s discussion of her forced outing to her parents and her first real crush had been given more narrative space to breathe. At least two of the Kara/Mon El scenes were redundant. And yes, I know Kara is the protagonist. I’m not arguing to make this the Sanvers show instead of the Supergirl show. I’ll be blunt, which will get more narrative oomph for the input: greater exploration of Maggie’s backstory (which audiences have been desperate for), which is a moving, painful, and real story that many young women face. Or, one more scene of Kara and Mon El fighting about how arrogant he is and how he thinks she’s full of herself and needs to accept his protection or advice.

But why, when she can do this?

Part of my struggle isn’t so much with Kara and Mon El fighting this episode, though it was discordant given Sanvers’ relationship health. It’s the pattern of this relationship overall. Kara and Mon El don’t just ‘bicker’ or have disagreements that they work out by communicating honestly, like Maggie and Alex do. They dredge up old hurts, re-open old wounds, repeat the same frustrations over and over again. Kara thinks Mon El is overprotective, patronizing, arrogant, and disrespectful of her agency and personhood. Mon El thinks Kara is self-centered, self-important, and doesn’t know what’s good for her. But only one of these perspectives is borne out by the narrative, and it isn’t Mon El’s.

So I’m left with what I think is supposed to be them ‘bickering’ on even footing (“butting heads” because they’re strong personalities), but only one of the characters actually has a valid point about the other’s behavior. And he only now started listening. It’s hard to imagine what Kara finds attractive about a man who repeatedly rejects her agency. It’s clearly something, otherwise she wouldn’t be so ready to make out on her couch, but I’m scratching my head at what it could be.

Randomness

  • Oh tiny bitter Maggie and her “manufactured holiday for patsies” line.
  • “Things were a lot easier on Daxam when I objectified women and didn’t care about anyone.”—This better be a cultural marker, because I didn’t find it funny.
  • “Once you’ve been adored by the all-powerful Mxy, there’s no going backsy” “Your one true pairing as the kids say.” Mxy had quite a few punny/culturally amusing side jokes. I approve.
  • Mxy had champagne, Kara had orange juice, together they’re a mimosa?
  • Mon El’s Kryptonite line was kind of weird. 1) He has a “Kryptonite” and it’s lead, and 2) Kryptonite isn’t just a ‘weakness’, it’s an extremely painful, torturous experience for Kara to come in contact with it. I’m pretty sure he didn’t mean “you have the potential to kill me.”
  • I caught that Nasty Woman reference. A+
  • I dig Lyra/Winn and approve of Winn’s attraction to strong women.
  • NGL, Lyra looks like a vampire from Buffy.
  • Speaking of Lyra, why is she ‘British’?
  • Okay, but like, ALEX WAS WEARING LINGERIE FOR MAGGIE.
  • J’ONN SENT M’GANN A SPACE VALENTINE.
  • I hope James is doing okay on V-Day all on his lonesome, with no one to check in on him.
  • The ongoing saga of Alex’s disgust with Maggie’s eating habits gives me life.
  • Shout out to Cat Grant!
  • Also a nice shout out to Starhaven.

In Conclusion

Overall, this was what I’d like to call a warm blanket episode. Was it emotionally heavy? No, but it was a delightful romp sprinkled with some great character moments. Most of all, Kara got to shine as her strong, powerful, intelligent self. She was seriously channeling the metal as fuck In Ze women (her mom and aunt) in that final scene with Mr. Mxyzptlk. Her feelings about her mother and aunt have been justifiably mixed since Season 1, but’s nice to see that there is some Alura In Ze in Kara deep down. She just needed a mischievous 5th dimensional being to bring it out in her. Just showing up in her supersuit drinking orange juice all casual and then rejecting Mxy before setting of the core’s self-destruct? Hard. Core.

Other characters had great moments as well. I adore how casually J’onn just accepts Mon El in his undies. Either he can read Mon El’s mind (but he can’t read Kara’s) or his bar for Mon El’s behavior is just that low. Also, J’onn writing M’gann intergalactic love notes is everything I ever wanted from my favorite Martians. Space Dad is the best Space Boyfriend #RelationshipGoals.

Speaking of which, Winn with his new girlfriend! I love how eager Winn was to show her off and honestly gave zero fucks about anyone seeing him in a relationship with an alien. Then you have the layers of racial coding onto her experience as an alien. She thought she would just be an exotic ‘experience’, for example. I’m happy for Winn. He deserves it.

They’re so cute together.

Last night’s episode was also the first real moment that Mon El seemed to actually recognize his need to change. And he apologized, more than once. Do I wish it had happened five or six episodes ago? Yes. But I still appreciate it here, even if it does feel misplaced. Now he starts thinking about the consequences of his behavior, and apologizing for being an ass, and actually emoting. But why this late in their relationship? And why only in response to a romantic rival? It would have been nice if he’d figured this out when it was about Kara herself, and not tinged with jealousy over Mxy.

I’m hoping that the show is building up to something with the tiny hints we keep getting from Mon El about what life was like on Daxam. It can’t be a coincidence that both he and M’gann come from societies that did not show affection. He’s mentioned public shaming being common, and slavery was not just normal, but condoned. His objectification of women and entitled attitude stems from his culture. It is entirely possible that the show is leading up to yet another “hero rises from the ashes of trauma and a fucked up culture/home” narrative like we’ve gotten with M’gann and Lena. I won’t judge it until I see it in it’s entirety, of course. But, if this is where his arc is headed, I’m interested in taking a step back once it’s done to see how it hangs together.

And let’s not forget the lovely, genuine wlw romance that is Sanvers happening right before our eyes. There is just so much to it, that even their small scenes sparkle in a way that the main plot can’t outshine. My Sanvers shipping heart is full to overflowing. What a treasure of a love story.

Tune in next week for Danvers Family Conflict, aka Heartbreak. Go ahead and punch me in the face right now, it will probably hurt less.


Images Courtesy of The CW

Bi, she/her. Gretchen is a Managing Editor for the Fandomentals. An unabashed nerdy fangirl and aspiring sci/fi and fantasy author, she has opinions about things like media, representation, and ethics in storytelling.

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Television

The Expanse Starts Anew

Barbara

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The Expanse delivered the seventh episode of its third season, “Delta-V.” After the excellent episode last week, it was a big disappointment.

Recap

We open with Chrisjen announcing peace between Earth, Belt, and Mars as they face the new danger of the protomolecule. A random racer dude is watching the news, irritated that it got more priority than the message of him breaking a record. Then, he gets a break up message from his girlfriend. These two things lead to him attacking the Ring, which, if I understood it correctly, is a joined UN and Martian work station focused on studying the protomolecule.

Meanwhile on the Rocinante—at least I assume she is back to her old name—the crew now consists only of Holden, Amos, and Alex, plus two documentarists who are filming their daily life after paying a hefty fee for it. Mostly, they’re trying to piss everyone off with their presence. They also secretly film Alex as he has a personal conversation with Bobbie, who is back in service on Mars.

On another ship, the Navoo, Naomi is with Camina, Fred’s ex-assistant and now the captain of this ship. They received Anderson Dawes’ choice for the first officer. Diego arrives with him, too, and Naomi is pissed to see him. Dawes’ officer does some posturing and some pseudo-wise speeches.

Then a pilot gets high, loses control of his skiff and dies. Naomi tells Camina about a dealer she saw him with, and Camina threatens to space him and his supplier. Dawes’ officer stops her and they decide to go through with more usual legal methods instead. They offer amnesty for a day for everyone to hand over any drugs they might have. Camina is not too thrilled about this and states that ‘this is not them,’ meaning Belters. Naomi is more inclined to take this chance at transforming the Belt.

For some reason, the documentarist and her camera man are both very keen to try and get information out of Amos by sleeping with him. They also outright tell him so. Oh, and accuse him of being a mob boss, or the son of one maybe.

There is also a woman planting bombs on a ship. I didn’t quite catch what ship it was, but when she is discovered, she swallows something that makes her into a super soldier and kills the man who discovered her. Elsewhere, the racer bro from the beginning of the episode gets smashed to pieces on the protective shield of the Ring.

Finally, the man who came aboard the Rocinante turns out to be spying. This is hugely astonishing, because he did not seem sleazy at all, what with the way he was sexually harassing Amos before.

Review

This episode was exhausting.

The break in the narrative signaling the show has moved on to adapting the next book is even more obvious than it was in season two—and it was very obvious in season two. But in this case, last episode had all the markings of a season finale and this one, a season beginning, including a time skip. Given how drastic a shift it is, I don’t understand why they didn’t film the season in two halves with a mid-season finale. It just…doesn’t work, this way.

Additionally, nothing that happens makes any sense, and not in the good ‘it’s a mystery’ way.

For example, please tell me why did Holden allowed documentary filmmakers aboard his ship? Was it just to feed his huge ego? If so, why did the other two agree to it? And, did they just accept any random documentarists without doing a background check on them? Because, even disregarding the guy being a spy, they are both extremely unprofessional and creepy. They also completely lack any ethics or decency. They’re also just plain stupid. ‘What do I have to do to gain your trust?’, the lady asks confusedly at one point. Well, maybe not acting like a complete asshole would be a good start? Be they spies or legit journalists, building rapport is actually considered good for both. They’re about as efficient at this as SHIELD in MCU is.

The situation aboard the Navoo made somewhat more sense, I suppose. At least there we understand that there is pressure being exerted from Dawes, so we see why his officer was taken on board. But there is never any setting of boundaries that would clear up the situation. No rules are set down. I couldn’t help but think of Star Trek: Voyager, where the Captain is similarly forced to take on a first officer that does not truly respect her and is hostile to her. I understand the Belters don’t have her Starfleet training, but still. Camina is no amateur. There should have been something more.

I’m also a little bothered by the show seeming to agree with Dawes’ officer and Naomi that things should be done “the inner way.” Not that the absence of due process is fun. But the Belt should be allowed to develop its own form of justice system, without necessarily having to copy that of the people they see as their oppressors. I’m not at all certain doing so is a good strategy. They want to keep their soldiers’ loyalty. Appearing to copy the inner planets will not get them that.

The bomb-planting woman had me simply confused. I expect we will gate more context later, but for now I have no idea what any of that means.

As for the racer bro, I expect he, too, will become important later, but for now it was extremely hard to muster any interest in his story at all. What I thought when he was on my screen was ‘why are they making me watch this?’ That’s never a good sign.

Oh, and also, as happy as I was to see Ana would not be simply dropped from this story, her scenes in this episode were completely pointless.

But to take a break from all the negativity, what gave me joy were Bobbie and Alex keeping their friendship even though they are no longer on the same ship. I also squeed at Naomi and Camina side by side again. I’m irritated, now, that Naomi renewed her relationship with Holden last episode. I ship these two girls hard, and I’d love to see them together.

Even more than that, though, I’d love to see the episodes get better again. Let us hope that, like the beginning of the season, this beginning of another book was just a fluke when it comes to quality, too. Let us hope next week will live up to the standards of episodes like last week, which truly was one of the best.


All images courtesy of SyFy

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Highway to the Phantom Zone

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Krypton pic

Spoiler Warning for Krypton 1×10: “The Phantom Zone”

Welp, here we are folks. The season finale for Krypton. How will it turn out? Will it continue the streak of disappointments, or will it go back to relative quality of the earlier episodes? Let’s find out!

Brainiac arrives on Krypton, looking out over the no longer domed city of Kandor, and declares that it’s time. Which, I mean…yeah, it better be time! You took down the dome man, there’s nothing protecting Kandor from the toxic atmosphere and the raging eternal blizzards! If you don’t bottle it now, everybody will be dead and this whole thing will have been a massive waste of time for you!

Down in the chaos, Seg and Nyssa try to figure out how to get people inside and away from the toxic gas that makes up the atmosphere. Lyta and the General catch up to them, awkwardly dodging the question of where Jayna is. Seg tells them that the cultists hid Doomsday from him, and the General brushes it aside. He has a new plan, one that requires Seg to take him to the Fortress of Solitude. He’s going to bring Val back.

Apparently, Val isn’t dead. See, the Kandorian method of execution, at least in Val’s case, was essentially pushing the victim off a cliff. Val took advantage of this and built a device to transport himself into the Phantom Zone, a dimension outside of space and time. He took advantage of not aging to keep an eye on Brainiac and to study him. The General met him in there, however, and stole the device Val planned to use to escape the Phantom Zone, since the General felt that he would be a better candidate to save Krypton than a frail old man. Now that Doomsday is off the table as an option, the General considers Val their last, best hope and goes back to the Phantom Zone to retrieve him.

He does so, prompting a rather heartwarming reunion between Seg and Val. It’s undercut somewhat by the fact that throughout this scene we can see Superman’s cape, and it’s almost entirely gone, most of the shield consumed. Still, that’s a minor detail that frankly provides nice context more than anything else. It’s a genuinely touching scene, and Cameron Cuffe does an excellent job in silently reacting to the return of his grandfather. However, much to everyone’s shock, Val declares that their hopes were misplaced. In his mind, there is no way to stop Brainiac.

We then cut to…Dev, in a strange building. He contemplates his rather cool looking robot arm (Dev is now in good company, alongside Bucky Barnes and Cable) before pulling on a long-sleeved jacket and glove to hide it. Once dressed, he hears thunder, and looks out a window to see Kandor slowly being consumed by the storm. Aaron Pierre does an excellent job in this scene, just using his body language and facial expressions to convey Dev’s state of mind. No dialogue, just music and body acting. I’ve never been hugely impressed with Aaron Pierre in this role I admit, Dev hasn’t really caught my attention previously, but this…this is an excellent scene.

Outside, we cut to Jax, and her little group proclaiming it the end of days. For some reason, she is the character we get to see react to Brainiac announcing himself to Kandor and beginning the process of bottling the city. Which…why? I get that my strong dislike of Jax is subjective, but she only appeared three episodes ago, hasn’t had much screen time, and has never faced off against Brainiac personally. I get that most of the main cast isn’t in Kandor right this minute, but why not have Dev reacting? We were just with him, and he was previously possessed by Brainiac.

Either way, we return to the Fortress, where everyone is arguing. It turns out that Val’s knowledge of the Phantom Zone allowed him to view a multitude of possible futures, and in every single one they lost and Brainiac took Kandor. Brainiac’s victory is so assured, in fact, that he’s already working on scouting another planet while he abducts Kandor. Seg takes this news fatalistically. He believes his grandfather and is honestly more concerned with the fact that anybody in Kandor when Brainiac takes it will be trapped in there with Doomsday. He’s not happy about the probability of Kandor being taken, and the destruction of Krypton that will follow, but he’d rather take on things one issue at a time.

Lyta isn’t having any of that and declares that there is no future where she goes down without a fight. Which is a nice sentiment, but Lyta, you couldn’t stop Brainiac when he was in a fleshy body and he was in a place where you could breathe in something other than poison. All you have is a rifle. Val attempts to dissuade her by telling her what it’s like being in a city that’s been taken by Brainiac. You are paralyzed in whatever position you were in when your city was taken, never aging but never moving. This is…odd. As far as I’m aware, this is never what being inside Brainiac’s captured cities has been portrayed as before. And frankly, it doesn’t make much sense from a scholarly position either, unless Brainiac is only interested in architecture and biology and not sociology or psychology as well.

It does lead to us finding out where Adam is however. Yeah, remember how he appeared in some strange place, in front of a woman doing the mannequin challenge? It turns out that he’s in one of Brainiac’s bottled cities. More to the point, it’s one from Earth. There are contemporary cars, and people in jeans holding cell phones, and signs in English. Which leads me to assume that he’s traveled in time as well as space, since if this was an Earth city from the time Krypton is taking place it’d be a city from the 1800’s.

Even after learning about the freeze, Lyta still isn’t convinced, and stalks off. Nyssa, who hasn’t spoken since Val returned, follows her, pointing out that she knows of a tunnel in the catacombs that leads to Kandor, and offering to let Lyta follow her back. She refuses to tell Lyta why she wants to go back into Kandor, and the two head off. The very next scene shows the guards readying themselves to flee the city. Dev attempts to restore order, but they won’t listen. And then Lyta shows up, already back in her uniform. She punches the most vocal of the guards, telling them that they never give up or surrender, quoting her mother. The woman she said filled her with fear her whole life, the woman she tried to kill in the last episode. Huh.

Down in Black Zero HQ, Jax prepares her people to evacuate. They’re going to flee into the wasteland on foot, heading for the nearest city-state. They won’t all make it she admits, but some of them will. And they’ll be bringing the Codex with them, the genetic template for all the Houses of Kandor.

Nyssa has already made it to the Genesis Chamber, though, and is retrieving the pod that contains her and Seg’s child, Cor-Vex. Apparently, the computer that runs the Genesis Chamber is sentient, because when it attempts to run her through red tape, Nyssa pulls a gun on it, which leads to her request being fast tracked.

As Seg and the General race through the catacombs. the General offers up a way to save Kandor. He wants to hand over Val, who has something that Brainiac can never get on his own: knowledge of the future. Seg opposes this plan, so the General points out that, in his timeline, Seg died fighting Brainiac, attempting to convince Seg to give up his grandfather to save his own skin.

Back in Kandor, Nyssa encounters Jax inside the Genesis Chamber. Given her hatred of Daron, Jax is not happy to see her. It’s okay for Jax and Black Zero to flee the city, but it’s not okay for Nyssa to. Jax isn’t moved by Nyssa’s pleas for her child either, but decides to show Nyssa something.

Over in the military guild, Lyta and Dev issue orders to the remaining guards, who fly out to conduct an air strike on the generator building where Brainiac is. Before they can even fire however, Brainiac waves his hand and all their hovercraft are destroyed. Lyta is understandably devastated that she sent dozens of people to their deaths. Dev attempts to comfort her, pointing out that since it was previously punishable by death to even suggest that aliens exist, they have no way of knowing how to fight them. He also tells her that Jayna would have done the same thing.

So, this show really needs to decide if it thinks Jayna was an abusive parent or not. Because sometimes, last episode included, she was portrayed as such, albeit a regretful one who realized that she’d been abusive and wanted to make amends. Other times, like now, she’s portrayed as a role model for Lyta and a good parent. It’s frankly frustrating. I’m not asking the show to make Jayna a villain, but pick a narrative for her and stick to it!

We then go back to the Genesis Chamber, where Jax sends the henchman who accompanied her off with the Codex before asking Nyssa what she remembers of her mother’s death. Nyssa’s mother died in a hovercraft accident and it turns out that…ooh boy, that might trigger some nasty memories if Nyssa learns that Jax forced Daron into a similar accident.

Regardless, Jax offers up an additional bit of information—Nyssa was in the craft with her mother, and while the crash killed her mother instantly, Nyssa lived, albeit with a severed spine. Her brain still functioned however, and Daron had it transferred into a new body. I have thoughts about this, and the way they portray it, but I’m going to hold off until season 2 airs. This is Nyssa’s last speaking scene of the episode, and she’s with someone whom she not only doesn’t know, but one who has an express and vested interest in making this feel like a very bad thing. I’ll wait until we see how it’s addressed more to deliver a verdict.

Outside again, Seg and the General continue their evacuation, but the General decides that enough is enough, he’s going to offer Val to Brainiac. Seg tries to stop him, first physically and then verbally, but fails. The General tries to pull a ‘the needs of the many outweigh the needs of the few’ on Seg, to which Seg responds that giving Brainiac access to the knowledge of multiple futures would possibly destroy the universe. The General says that he doesn’t care so long as Krypton survives and heads off. He finds Brainiac in short order and makes his offer. The being is surprised, first by his boldness, then by how strong his love for Krypton is, and accepts his offer.

And the offer was made none too soon it appears, for we cut to Dev and Lyta assisting with the evacuation. But as they do, the dome Brainiac was building around Kandor is completed, and they all freeze in place.

But all is not lost, as Seg and Val prepare for Brainiac’s arrival. When Brainiac does show up, the General right behind him, Seg pulls a gun on Val and threatens to shoot him if Brainiac gets closer. Brainiac merely knocks Seg aside with telekinesis, chiding him first for thinking that he’d believe that Seg would kill his grandfather, and second for thinking that Brainiac would be fooled by the Val hologram. Seg recovers from being slammed into the rock walls of the Fortress remarkably quickly and reveals that he wasn’t trying to trick Brainiac about Val. Rather, he was tricking him into standing on the platform of the Phantom Zone portal (someone explain to Seg what a trick is please). Seg activates the portal, and Brainiac is sucked into it. Before they can close it though, Brainiac’s tentacles grab Seg and start to pull him in.

The real Val steps up and grabs Seg, trying to pull him to safety. It’s a losing battle sadly, and as they struggle, Seg sees Superman’s cape. It’s repairing itself, threads materializing and weaving themselves together in an impressive image. It doesn’t make a lot of sense, seeing that stopping Brainiac prevents the destruction of Krypton and thereby stops Kal-El from becoming Superman, but it’s a good visual. Seeing that he’s succeeded gives Seg the courage to let go, telling his grandfather to start believing in a brighter tomorrow before he’s sucked in.

Val, of course, quickly tries to reopen the portal, determined to save his grandson. The General however, is worried that doing so will let Brainiac back in, so he shoots the controls to the portal before declaring that his father’s sacrifice will never be forgotten. As he does so, Superman’s cape changes, shifting from red and gold to black and red, the sigil of House El becoming the sigil of House Zod. This is a chilling image, this symbol of hope becoming something from a Space Nazi costume but…why? It’s implied that this changes at least in part because Seg is gone, which means that he only has one child, Cor-Vex, who will presumably be raised by Nyssa. So why wouldn’t the cape have the sigil of House Vex? Maybe something will happen in the next season to explain it.

We fast forward to one month later. The General has taken control of Kandor and is giving a speech, flanked by Dev and Lyta, all dressed as Space Nazis. He reveals that he is conscripting the Rankless into the army, and we see Kem back finally. He doesn’t speak (nobody but the General speaks for this penultimate scene, it’s more of a montage) but he looks sullen as he takes his new uniform. Then we shift to Val, who the General is apparently allowing to stay in the Fortress even though Val is clearly working on repairing the portal to the Phantom Zone. Nyssa and Jax arrive, and Val is clearly happy to see his protégé again, while Jax looks close to tears. Over all of this we hear the General explain that he is going to build an intergalactic empire with Krypton as its capital.

Elsewhere, Adam is still trapped in that bottled city, and as he wanders through it he finds a monument to the General. Which, again, is chilling, but why? The General was able to come to power because Brainiac was defeated. Why would a city in Brainiac’s collection have evidence of the General’s empire? Oh, and we don’t see Jayna or Daron at all, so no idea if either of them are still alive.

Regardless, the General reveals that he has already unified Krypton, with the leaders of the other city-states gathered in his audience chamber, as he orders them, and all the universe, to ‘kneel before Zod’!

Underneath Kandor however, we see that Doomsday has awoken, as he begins to smash his containment unit, roaring as the episode ends. We only get a few seconds of him but seriously, how does Krypton, a basic cable show, have a better-looking Doomsday than Batman V Superman, a major blockbuster?

Well, that was the season finale of Krypton everybody! It was…fine. It never made me angry at least. It’s not the best episode of the season, but it did its job. If Krypton had been canceled I’d probably be a lot harsher with it, but given that a second season is confirmed, I’ll give it some leeway. It’s not a dud of an episode, it’s just not a shining gem of one either.


Images Courtesy of SyFy and FOX

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The Americans Passes the Point of No Return

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At this point, it had to happen, right? This was the next to last episode of The Americans. The battle lines are drawn and there’s no real way to avoid the inevitable. It was simply a matter of how. In many ways, “Jennings, Elizabeth” worked the same way as last week’s episode. You spent the entire time waiting for the shoe to drop and the tension lasted just long enough to make you question yourself. Then it all fell apart in the end. There’s no coming back now.

The Death of the Jennings Family

Here we are. Philip was made by FBI agents and nearly arrested. Elizabeth burned her final bridge with the KGB. Paige found out about her mother seducing the Senate intern and all but emancipated herself from her family.

It’s all over. Now we wait to see where the pieces fall.

As usual, The Americans knocked the tension of each scene out of the park. True to the show’s form, there was no explosion, no sudden moment played for extreme drama that let you know this was THE moment where life became irreparable for the Jennings family. Instead it was a series of circumstances steadily moving forward, like a car accident in slow-motion. You saw each crumple of steel and every broken shard of glass leading into the greater tragedy.

It was interesting to watch the way Philip and Elizabeth each burned a separate bridge throughout the episode, whether willingly or not. You could certainly argue that they were screwed either way. Philip’s meeting with Father Andrei screws his and Elizabeth’s cover regardless of anything Elizabeth does. Elizabeth rebuking the KGB ruins their cover as well, even if nothing happens with Philip. There was no escaping the danger once Elizabeth decided to oppose the anti-Gorbachev faction.

By burning both bridges, however, they have ruined their potential sanctuaries from the response of one side or the other.

If the FBI doesn’t make Philip, then he and Elizabeth have the option to go to them ahead of time and earn some goodwill. If not, they could at least lose themselves somewhere else in America or the rest of the world without the FBI knowing who they are and watching them. They would have time to make some preparations for avoiding KGB retribution. If Elizabeth doesn’t turn on the KGB, they could be extracted and return home. They may still be discovered but they’d have cover.

I find it very interesting that Joe Weisberg and Joel Fields settled on the way each of them burned their cover. Throughout this final season, I assumed the FBI would catch on through Elizabeth. Her work has been so sloppy and has left a trail to follow. She was THE active KGB spy in for the FBI to catch. She was also the loyal one, the unquestioning patriot who would not turn on the Soviet Union, no matter what. If you had to guess who the FBI busts, you likely guess it’s Elizabeth.

And if anyone turned on the KGB and led them to want the Jenningses dead, you’d think it would be Philip. He has been jaded for the majority of the show and basically retired since last season. If anyone would cause the KGB to harm them, it would be him, right? Philip always seemed more likely to perform some treason against the Soviet Union. He did not believe in their mission and was basically living as a real American citizen.

Instead it’s Elizabeth who murders a KGB assassin and admits it to Claudia, while Philip gets made by the FBI during a meeting. Now they have no real way out. It’s just a matter of what side catches them first.

The Americans worked this feeling of isolation and danger remarkably well throughout this episode. Between the directing and the expected top-notch acting of Matthew Rhys and Keri Russell, I found myself acting just like Philip and Elizabeth. I was scanning every background character nervously, wondering who might be an FBI agent or KGB operative. I wondered just how much Stan knew when he visited the travel agency, how much of his visit was a test, and whether Philip allayed or worsened his suspicions.

This kind of slow-burn tension is hard to pull off consistently. The Americans has always executed it well, but even it sometimes goes too slowly sometimes. That was not the case here. “Jennings, Elizabeth” was a terrifically paced episode that gradually removed every bit of support Philip and Elizabeth once had. They’re all alone. For all intents and purposes, Philip and Elizabeth Jennings no longer exist.

I was actually surprised, even after all these years, at how well The Americans incorporated just about every subplot from this season and past seasons into this episode’s downfall. Who expected a call to Pastor Tim? The travel agency, Paige, Henry, Claudia, Elizabeth’s youth, Gregory, Oleg, Father Andrei, Tatiana…it just went on and on. Was all of it perfectly subtle and sensible? Maybe not, but the fact that I didn’t once find myself wondering why something was included in this episode says something about how well they incorporated all these elements. Including some elements fans have questioned throughout the season.

For better or worse (who in the world thinks it’s for the worse?), this was a well-suited penultimate episode of The Americans. Weisberg and Fields delivered an understated earthquake of an episode, one that shifted the continents their characters resided upon for 6 seasons without relying on sudden shocks or deadly twists unnatural to their style.

The Rebirth of Mikhail and Nadezhda

A significant undercurrent of The Americans has always been the loss of identity Philip and Elizabeth went through by becoming KGB operatives. In order to do their job well, they had to let go of the people they used to be. They were Philip and Elizabeth Jennings. Everything in their life was intentionally placed as cover, right down to their children.

In the past 2-3 seasons, we’ve seen a gradual shift reclamation of the identities they once let go of. There was a culmination of this reclamation in their wedding scene last year. Their marriage was no longer a fake vow between their cover identities. Mikhail and Nadezhda made a real commitment of love to each other rather than a commitment to protect their identities. Despite their conflicts this season, they still had that connection.

“Jennings, Elizabeth” used Nadezhda flashbacks for the first time in a while to represent Elizabeth’s awakening at the end of last week’s episode. Philip’s confession last week, as well as the truth about the anti-Gorbachev faction, clearly shook her more than anything has in some time. These flashbacks were here looking back on when exactly she lost her sense of self to the mission, and why. Nadezhda has now made her choice.

Their sense of self ties directly to Father Andrei, and Father Andrei played a huge role in the dissolution of Philip and Elizabeth as a result. Directly in the case of Philip, as it was their meeting that burned him. He also played a role in Elizabeth’s change as well, I think. When she runs, she grabs her and Mikhail’s wedding rings. Those rings symbolize the identities they left behind. Whatever comes next, I think Philip and Elizabeth want to face it as themselves and not the people they were forced to become.

And at this point, they have nothing else. Everything has been stripped away. They can’t go on in their current life because of the FBI. The Soviet Union is not safe since they rebuked the KGB. One child has basically given up on them, and the other made a clear split this week. In the end, they have lost everything from their life as the Jenningses. All that’s left is the choice of who they want to be now.

What will happen to them? It looks bleak. They can’t go to the FBI. They can’t go back to the Soviet Union. I suppose they can try to run, but with both sides after them, I can’t imagine they make it far. I honestly don’t know what they can do here. None of the options feel the least bit promising. In the end, I’m not sure it matters. Once Philip and Elizabeth realize the full impact of how their lives have been erased, they’ll care more about choosing how to go out on their own terms.

They’ll want to face life as Mikhail and Nedezhda, whatever may come. Will this involve them choosing to do so separately? How hard will they try to bring Paige and Henry along with them? We’ll see. What’s more important is that they will make these decisions based on what they want, and who they really are.

Is it just in time for a sorrowful Romeo and Juliet type ending? I guess we’ll see. The finale is here. It could be a Black Sails-style type of wish fulfillment and I’ll still be sad when it’s over. As good as this final season has been, I’m not the least bit ready to see The Americans end.

Other Thoughts:

  • It’s funny, the truth about Philip and Elizabeth seems so obvious that you wonder why Stan didn’t mention his suspicions earlier. Then he starts laying out the case and it doesn’t seem obvious at all. It’s a huge stretch. He could have made a better case, I guess.
  • Poor Oleg. His trip to America was always destined for failure. I hope the pro-Gorbachev side pulls some strings so he avoids long prison time.
  • The KGB sending Tatiana to kill Nesterenko probably shows how much of a minority the anti-Gorbachev faction is. They had no one else remotely as capable as Elizabeth to send.
  • And so ends Paige’s life as a spy. Talk about being destined for failure. All Elizabeth and Claudia really taught her was how to recognize their lies.
  • Speaking of Paige, I’m disappointed that getting to her wasn’t a top priority of both Claudia and Elizabeth. They had this life-changing split and apparently neither thought to tell Paige about it.
  • One last point about the Jennings kids; I’m actually hopeful they’ll make it out of this relatively okay. Henry will likely leave his school, and Paige might suffer for her time working for her mother. Obviously both will have to deal with the consequences of having Soviet spies as parents. Still, neither looks to be in any kind of mortal danger. They can eventually move on with their lives.

Images Courtesy of FX

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