Connect with us


Killjoys Returns to Tellen



Image courtesy of SyFy

This week on Killjoys: The Hullen capture Jaq, but thanks to his training from Dutch, he’s able to rescue himself. D’av tells Johnny why he really “left” their family at sixteen for the Army. Dutch nearly flies into a sun. Zeph is deeply annoyed that Dutch almost made her watch her die.


When we open, Dutch and Johnny are in orbit around Tellen (Johnny & Dav’s home planet) and planning D’av and Jaq’s extraction. Dutch, still smarting from her argument with D’av, opts to stay behind. As Johnny prepares to leave, Lucy informs them that a silica storm is closing in on D’av and Jaq’s location.

Dutch stays on Lucy and waits for Johnny’s signal to come pick them up. While she does, she gets a chance to process some of her feelings about her argument with D’av via Zeph. Zeph also needs to do a little processing of her own about Pip’s worsening condition. The two skirt around the issues that are bothering them, focusing on understanding Khlyen’s magic particle. Zeph figures out that it’s a spore of some kind. However, the spore is decaying fast now that it’s been removed from the cryopod. Since Zeph is on the Armada, she walks Dutch through using a centrifuge.

Despite decaying rapidly, the spore regenerates so quickly that a centrifuge doesn’t provide enough force to separate the spore into its component parts. If they leverage a nearby sun’s gravity, though, that should do the trick. The problem with this idea is that it requires Dutch to take full manual control of Lucy, which only Dutch can deactivate via a voice command. So if, say, she passes out from the g-forces, Lucy could fall into the sun.

So, of course, Dutch passes out. Zeph, now on mute, has to figure out how to affect Dutch’s environment as a muted hologram. She’s able to trigger the fire suppression system by melting one of the consoles, and Dutch wakes up, turns off the manual override, and all is well. Zeph scolds Dutch and tells her that she can “let in a little light” and accept help from people. And also maybe not put people on mute when they say an idea is risky.

Down on the planet’s surface, D’av and Jaq are looking for “something” that belonged to D’av’s mother. They run into none other D’av and Johnny’s dad. Grandpa Jaqobis takes them back to the family bunker, where they have to wait out the silica storm—and Grandpa Jaqobis’ manipulative stories and toxic masculinity. Tempers wear thin, and Grandpa Jaqobis’ slightly-more-pleasant facade drops, especially once D’av reveals that the “something” he’s looking for is 50,000 joy left by D’av’s late mother and hidden for them by Johnny. Grandpa Jaqobis found it and drank it all away.

Johnny finds D’av and Jaq just as the Black Root arrive. Amidst the increasingly ugly arguing, they’re able to capture one of the Black Root. But when D’av and Grandpa Jaqobis go out to take down the remaining Hullen so that Johnny and Jaq can get off-planet, Grandpa Jaqobis refuses to follow D’av’s lead and gets captured.

Back in the bunker, D’av tortures the captured Hullen to find out what they want with his son. The Hullen refers to Jaq as the “Firstborn,” and then his team leader activates a chip embedded in his spine that fries his brain stem, killing him. The remaining Hullen contact D’av and Johnny and offer their father in trade for Jaq.

Things look like they might get better when an old girlfriend of Johnny’s shows up. She offers to get Jaq to the rendezvous with Dutch, and they can rescue their father. Charlie, unfortunately, has been bribed by the Hullen, and D’av, Johnny, and Jaq are all captured. The Hullen leave D’av and Johnny handcuffed together with Grandpa Jaqobis in a locked room, and open the air filtration system to the outside, leaving them to, essentially, suffocate on particle-contaminated air.

Using a combination of Dutch’s training and his ability to “remember” the future, Jaq escapes the Black Root. Johnny cuts himself, D’av, and their father free from the cuffs using a small laser saw that he lifted from their dad’s tools. Jaq opens the door to the room, with a bag full of guns, and they all escape.

Later, Johnny and Jaq look at the stars from Lucy’s cockpit, giving D’av and Dutch time to talk. Jaq confesses that he feels like his presence prevents D’av from fighting effectively. He shows Johnny the pendant Kendry gave him as a parting gift, and asks if he’d be safer with her.

D’av and Dutch have a very careful conversation in the galley. D’av confesses that it was incredibly difficult to not fall back into toxic patterns with his father. Dutch, who won’t look at him, says that that’s what him leaving felt like—like he didn’t trust her not to fall back into the toxic patterns she’s familiar with. D’av affirms that he’s not “giving up on them,” and the two congratulate themselves on having an adult conversation.

And then Dutch doubles over, with some kind of intense pain on her back. D’av opens up the back of her top, and finds a brand burning itself into her skin.


Killjoys’ biggest strength is its character work, in no small part because the show doesn’t shy away from the complexities of either its heroes or its antagonists. The plot-heaviness of the episode still means a lot gets skimmed over or alluded to, but the close quarters of the setting means that we get treated to some of the intricate layering that makes the show intriguing.

Jaqobis family drama

Probably the most intellectually interesting part of the episode is all the different versions of the same story that Jaq (and the audience) hears: The night that D’av left to join the Army. According to Grandpa Jaqobis, D’av had “behavioral issues,” so he packed him off to the Army. In Johnny’s version, Johnny had hidden out in the woods from their father until late, a frequent occurrence—and when he came home, D’av was gone.

According to D’av, though, their father had a habit of beating Johnny when he got drunk. One night, D’av intervened, and a physical altercation between him and their father occurred. His father, who was the sheriff at the time, gave him a choice: Go to jail, or join the Army. D’av chose the latter.

Even until the end of the episode, Grandpa Jaqobis finds a way to give himself credit for everything good about his sons. D’av “became a man” because he sent him to join the Army. The fact that his sons turned out to be decent human beings is because of him rather than in spite of him. In the end, he tells himself, “I did the best I could.” Satisfyingly, D’av replies that he didn’t.

Let Dutch have more friends, but also, let them be girls?

Dutch and Zeph’s interactions this episode were a gift, as always.

Dutch can become rather isolated from other regular female characters on the show. She interacts with plenty of guest stars, but very few regulars (who don’t end up dead). This has been especially true for the last several episodes, where Zeph and Dutch have separate arcs taking care of their respective boys. Hearing them argue with and encourage each other this episode was lovely. Their interactions radiate respect and concern for the other, despite the two radically different personalities, skillsets, and outlooks they have.

Like Johnny, Zeph keys into Dutch’s emotional state pretty well. She’s generally good at not pushing Dutch’s buttons, either, but this episode, she’s a little short on patience with antics that might cost her friends their lives. In the moment, this rubs Dutch the wrong way. After the action, though, Zeph admits that Pip’s prognosis is not great. She’d really like some of her friends to survive.

Dutch, while she’s not so great at handling others expressing positive emotions towards her, reaffirms her faith in Zeph’s abilities. And to the extent that she’s able to, she’s more than willing to learn how to use a centrifuge, hurl herself against a sun’s gravity, or do other similarly reckless things, in order to help.

Following up on “The Argument”

This episode mostly laid to rest the reservations I had about the show portraying D’av as “right” and Dutch as “wrong.” Jaq’s training from Dutch is key to his own rescue; he actually kills one of the Black Root Hullen in the process. D’av lasts all of ten minutes before torturing the captured Black Root Hullen, and Jaq hears everything through the door. Whatever Dutch might have done, aside from forcing Jaq to participate in the torture, D’av wound up doing anyways.

At this point, there are two more episodes left in the season. But more than anything else right now, these characters need to sit down and talk.

The problem is the conversation at the end of the episode boils down to Dutch saying, essentially, “It felt like you didn’t believe I could escape the toxic patterns I grew up with.” And I have to say—isn’t that exactly what happened?

Even if we file this arc under the header of “toxic patterns” instead of “abuse,” Dutch did fall back into the “toxic patterns” she grew up with. It might smart, but D’av had a choice to make, and Dutch was awfully adamant that learning how to torture someone should be part of Jaq’s training. And while D’av has an entire episode dedicated to unpacking his father issues, Dutch still hasn’t had a real conversation about it.

This conversation was relationship triage. But the fallout of this arc needs a lot more than just, “You’re not breaking up with me, right?” And they’re running out of time to deal with the subject in a satisfying way.

The other possibility

I wasn’t really sold on this theory until the very end of this episode, but—Dutch’s mannerisms in her last scene with D’av, before the surprise metaphysical branding, felt strongly like a mix of both Aneela and Dutch. I had a good two minutes of false starts before the actual pain set in for Dutch.

Given how closely Dutch’s mysterious new wound followed upon this, there may be more subtle sharing going on. If so, that would make an apparent revision of how Dutch views her own experiences into something more internally consistent.

Dutch’s “How dare you” in response to D’av’s statement that she was abused as a child is believable as Dutch. It’s also reminiscent of Aneela’s “How dare you speak his name” in the Season 3 finale. That Aneela practically worshipped Khlyen, and she blamed Dutch for his death.

Any spillover between the two of them isn’t so much a complete inhabiting as it is a melding. Dutch has already acted as a surrogate for Aneela’s presence with Kendry. This may explain some of her odd behavior this season, and her uncertainty as to how to reach out. Aneela is and always has been a lonely character.

Next week on Killjoys: Everybody’s back together and going undercover to rescue the kids held on the RAC. There’s no possible way this could go wrong.

Image Courtesy of SyFy

Click to comment

Leave a Reply

Notify of


When Does Hiatus Kill a Fandom?





As I sit down to write this, Steven Universe is on day 111 since the last time a new episode released. That puts it squarely in third place among Steven Universe hiatuses, with a near certainty that it will tack on the couple weeks necessary to move into second place. To make things even more frustrating, the most recent episode, “Legs From Here to Homeworld,” has still yet to air on TV. Tack on another 14 days since “Reunited” aired, and it has been 125 days since Cartoon Network has shown a new episode of Steven Universe.

A look at the various hiatuses quickly reveals a more disheartening trend: the abandonment of anything resembling a regular schedule for the show. Since the massive Steven Nuke airing almost all of season 3 over the course of one month, new episodes have been reduced to irregular, unpredictable spurts of 1-5 episodes that come and go far too soon. They’re usually grouped together in clear story arcs, but not always. In a couple examples, one or two episodes would come and go with no idea when the next was to arrive. We have no idea when these episodes will air and usually receive little warning before they do.

Any fan of this wonderful show can tell you how common these hiatuses have become. We’ve grown used to the frustration of irregular airing schedules. We take our dose of content, watch it wear off quickly, and wait impatiently for more.

steven universe legs from her to homeworld nephrite

I’m very impatient for more of Nephrite.

I’ve typically handled these hiatuses calmly. I lament the lack of a regular schedule as much as anyone. Steven Universe is one of the best shows currently airing and I always want more of it. Still, I tend to accept the hiatuses because I know they’ll be worth it. When we do get new episodes, I lean more towards gratitude than frustration. The frustration is always there, but SU tends to always be good enough for me to place it on the backburner.

Except now I’m not so sure. I can’t explain why this particular hiatus threatens to finally sever my patience with the show. However, I can’t deny that it is. For the first time, I’m wondering if it’s all worth it. The constant uncertainty has worn me down. I’ll most definitely be there when the next batch of episodes air. After that? I truly cannot say for certain. I don’t know if I want to bother with yet another long wait for another 1-5 episodes followed by yet another long wait.

Long waits are hard enough. Long waits filled with intense uncertainty about the future might just be too much. I don’t know if I can invest any more energy on this show and this fandom if things don’t change.

Uncertainty stands behind the real frustration with Steven Universe and any other property like it that stresses a fandom to the breaking point. After all, every show eventually has long waits between episodes. 8 months or more typically pass between seasons. Years pass between books in a series. A video game sequel will take 5 or more years these days, and you know that going in. So long as the prerequisite updates and trailers let us know the process continues, we accept the wait.

The problem with Steven Universe comes from knowing little to nothing. We don’t know that the new season will start in 8 months. New episodes could release next week and we might only find out three days beforehand. We have no idea where the Crewniverse is in producing these episodes, no idea how many might be ready, and no idea when Cartoon Network will air them or why they currently won’t. Sometimes a voice actor will mention recording for episodes far ahead of the most recent episode, or post a photo on Instagram or Twitter mentioning recording sessions with unexpected cast members. Or maybe a storyboarder will hint at their progress. That’s all the hint we get.

I know it seems petty to talk about how this affects the fans. I mean, if we’re so frustrated, I can’t imagine how it feels for the people actually working on the show. They’re the ones dealing with our constant questions sometimes crossing over into harassment. When’s it going to be done? How far are you? When do we get new episodes? What’s going on? I can’t imagine what it’s like to feel joy in creating a product, only to have the fans badger you and sap the joy from the process. Not to mention that they sometimes have no idea why the scheduling occurs like it does, or will be told one thing only for the higher-ups to do something else.

I’m not going to pretend this frustration doesn’t exist, though. Uncertain hiatuses have an inevitable way of sapping the joy from us and leaving only bitterness. When you’ve analyzed everything about a new episode/season, gone back through previous seasons to do the same, created all the new memes you can and rehashed all the classics, what’s left? All that remains is impatience breeding frustration breeding bitterness.

The Steven Universe fandom has a somewhat earned reputation as a crappy fandom. Online bullying incidents leave a sour taste, and the most controversial topics of the story often devolve into personal insults. You quickly learn what topics to avoid among the SU fandom. Every seeming misstep has a portion of fans flocking to dismiss the entire show, whether there was truly a misstep or not. Impatience leaves fans dismissing entire plotlines from the beginning rather than giving the Crewniverse any benefit of the doubt.

While there’s an element of the toxicity that can’t be written off as hiatus-related, there’s no doubt the hiatuses make things worse. My worst experiences within the Steven Universe fandom came during the 164-day hiatus between “Lars’ Head” and “Dewey Wins” that took up much of 2017. Between the length of the wait and debates over season 4, the fandom was at its worst and this carried into season 5’s eventual return at the end of the year.

This hiatus was the closest I ever came to quitting the fandom. The anger and vitriol was unrelenting and made me wonder why I bothered. Why subject myself to interacting with these fans if I get so little pleasure out of it? Why go to online communities excited to talk about this show we love if it never feels like we actually love it?

And now, finally, after only 2 seasons in the past 3 years, an unknown wait for the last episode of season 5 still ongoing, and the very likely possibility that we’ll get yet another hiatus once this last season 5 episode airs, the question finally entered my mind. At what point do these hiatuses ruin my investment in Steven Universe? At what point do fans of all ages just stop caring?

Once again, impatience enters the picture here through my experience with the fandom. When “Dewey Wins” ended that 164-day hiatus in 2017, a lot of SU fans hated it. A lot of SU fans hated the entire Steven Bomb. We enjoyed it here, as we always do. However, these episodes were the long-awaited follow-up to a story arc involving the main antagonists of the series. Fans wanted immediate follow-up after such a long wait. When instead we got a (very effective) focus on Steven’s friends and family in the aftermath of the danger he faced, it upset people.

This happens a lot now with Steven Universe. All these hiatuses break up the story in a way that kills story flow for a lot of people. It creates even more bitterness when you wait so long for new episodes, only to not have those new episodes focus where you wanted them to.

The Crewniverse is faultless here; they don’t order these episodes based on release schedules they can’t predict. They don’t know that 4 months will pass between the penultimate episode of a season and the finale. When you go back and watch these episodes without the breaks, they flow naturally. All the frustration and complaints about the uneven story don’t apply like you thought they did when they first aired. The episode orders make much more sense. It’s no longer a 6-month wait to find out what happened to Lars. It’s one hour of other episodes you enjoy.

Unfortunately, binge-watching doesn’t work in the moment for anything except shows no longer airing and Netflix. When fans only get 3 hours of content a year, have to wait months in between said content, and don’t feel like the wait is worth it, it encourages us to stop caring until we know something big happened. Until then, why bother watching? This isn’t like other shows that air episodes for 3-4 months and then vanish for a year. Those shows give you 5, 10, 15 hours of content at least. And you know when they’ll come back. There is a consistency.

The problem with waiting comes if the network sees failing interest in Steven Universe because we wait for big moments. Right now, SU seems to be in a pretty good place. It has a movie, a guaranteed new season, and a nice PR push coming out of San Diego Comic Con this year. Back when it happened, it felt like the show was at one of its strongest points. The momentum was greater than we’d seen in a long time.

Then it came to a screeching halt.

I suppose most of my complaints might only exist for geeky adults like me, and not the children Steven Universe exists for. Maybe they don’t care about the breaks. However, that might ultimately be a problem. A kid may enjoy Steven Universe, but kids have short attention spans and plenty of other stuff to entertain them on Cartoon Network or Nickelodeon or the internet. How many kids are going to pay attention to the increasingly inconsistent schedule and be sure to watch new episodes of SU?

Let’s be honest, it is that audience Cartoon Network ultimately and rightfully cares about, not me. That worries me even more as a geeky adult who thinks Steven Universe is one of the best shows currently airing and a strong contender for best animated show ever. I’m not going to insult kids or act like they can’t follow the story because of the breaks. They are perfectly capable of doing so. Thing is, why would they? They have plenty of other options.

Of course, so do adults. With so many other shows to watch, including animated shows, at what point does the erratic scheduling make both kids and adults stop caring and just move on? When do we walk away and wait for the show to end, and then catch up afterwards? And what happens if we endanger Steven Universe in the process? Has the erratic scheduling already begun this process?

Pictured: Cartoon Network and Steven Universe fans.

You’re left with a question that leads to the old familiar question about what came first, the chicken or the egg. Why does Cartoon Network not only schedule SU this way, but also show so little in the way of reruns? Do they schedule this way because of falling interest, or did interest decline because of the scheduling? Thing is, while certainly not at a high point, the ratings for Steven Universe haven’t exactly fallen off a cliff. It’s still one of the most-watched and best-selling properties Cartoon Network owns.

So why in the world is it scheduled like this? Why are SU fans left in the dark? How long before a dearth of new content ultimately kills the fandom, as a dearth of content inevitably does for any fandom?

So here I am, for the first time, wondering if it is all worth it. I don’t worry that the story will disappoint; the Crewniverse has never let me down here. What I wonder about is bothering with all the frustration involved in being an active fan of Steven Universe. For the first time, I wonder why I invest so much of my love for fiction in a fandom becoming increasingly unpleasant. I wonder whether I really want to pay so much attention to a show airing 2-3 hours of content a year.

Barring unexpectedly bad decisions with the story or characters, I will always love Steven Universe. It’s likely that upon its return, all my reluctance to engage will vanish quicker than Garnet poofed Peridot. Then, of course, it will end. I’ll be right back where I was, waiting months for, at best, 4 or 5 episodes. Now that the questions have begun, I doubt they’ll go away.

So here I am, wondering at what point my answer to the question, “is it worth it?” will eventually shift from yes to no. Many others have already shifted. And I wonder how many more will, and how quickly others like me will follow, leaving one of the best shows I’ve ever seen alone in the vacuum of space: abandoned, cold, and inevitably doomed.

Images Courtesy of Cartoon Network

Continue Reading


Riverdale Throws It Back With The Breakfast Club Homage




The Riverdale parents… We love ’em, we hate ’em, we love to hate ’em. This week, “Chapter Thirty-Nine: The Midnight Club” gives us an insight into their teen lives and their involvement with the Gryphons and Gargoyles.


After Gryphons and Gargoyles (G&G) manuals popped up at every Riverdale High locker, adults are taking extra futile steps to prevent the kids from playing. At home, Betty finally confronts Alice about the game with some evidence – the coroner she and Jughead bribed found a file about a similar case (mysterious death, blue lips) around the time Alice was in high school. Alice finally complies and agrees to finally come clean.

Welcome to the flashback! Prepare for lots and lots of 80’s hits!

Gradually we meet our main players, before they became the adults we know now: the rebellious Alice, who just found out she’s pregnant; FP, the star football player, lying about his family’s Southside origins; Hermione, a pristine daughter of an immigrant mother, looking for a way out; Penelope, a mousy overachiever; Sierra, a political activist; and Fred, a musician athlete, with a heart of gold (so no changes here).

After one day all of them, for various reasons, get in Saturday detention, the teens decide to take this time and actually get to know each other, to share their dreams, fears, and struggles. We found out that Sierra McCoy/Tom Keller romance isn’t a new development at all. The couple was madly in love in high school, and they had to hide their relationship from their bigoted parents. Hermione is already dating Hiram Lodge, who she hopes is gonna be her ticket out of Riverdale. Fred Andrews, on contrary, plans to stay here forever, because he loves this town, but also needs to take care of his sick dad. One of the bigger revelations comes from Penelope, who as it turns out, was adopted by the Blossoms from the infamous Sisters of Quiet Mercy orphanage to be groomed to become their son’s wife. Yikes.

Bughead what? Varchie who? McKeller is the only straight couple we root for.

A fight breaks out amidst confession time, and the kids get additional three Saturday detentions. Forced to spend more time together, they actually start to get close and become sort of friends. One Saturday, while trying to get her, um, Gamelad out of the teacher’s drawer, Hermione finds a mysterious board game, Gryphons and Gargoyles. Having nothing better to do, the parents gang decide to play it.

They get sucked in pretty fast and agree to continue playing even after completing the detention. They form the Midnight Club, getting together late at night at school, dressing up in silly costumes to fit their chosen characters. Somewhere in the process, Alica and FP start sorta dating, as well as Fred and Hermione. One night the gang bumps into another team of players, that includes Hiram and Tom, and decide to join forces and play all together.

One day, all players get letters from the alleged Gargoyle King in their lockers, inviting them to the Ascension party. Everyone thinks one of the Game Masters set it up, which we later find out isn’t true. To the party, Hiram brings Fizzle Rocks, the 80’s version of Jingle Jangle, and everyone, except secretly pregnant Alice, take them. The drugs-infused shenanigans ensue, and Alice breaks from the others in the process. On her way back to the classroom, she starts seeing very weird things: from creepy writings and Fresh Aid filled chalices in the bathroom to the Gargoyle King himself in the halls. While running away from the creature, she almost runs into principal Featherhead who, she assumes, learned of their trespassing. She manages to get unnoticed and runs home.

The next day, Alice tries to find out what happened to the rest of the Midnight Club, and Hermione tells her Fred’s dad passed away while they were at the Ascension party. In another news, principal Featherhead is missing.

After the funeral, Alice confesses to the rest she saw Featherhead that night. Penelope insists they keep it a secret because being high and trespassing on the night the principal went missing isn’t the best look for them. A week later, the principal is found dead, with blue lips, at the school’s broom closet.

Alice confronts the Midnight Club and demands to know what happened after she left. But the rest turn on her instead, stating she’s the only one who actually saw Featherhead that night, and conveniently left early. Also, everyone denies wearing the Gargoyle King costume, the one Alice saw in the hall. After plenty of arguing, the gang decides to burn the game manual and scatter the rest of the game elements across the town, so it can’t be traced to them.

With the game destroyed, the Midnight Club is officially over. Everyone goes their separate way: Fred gives up on his musical dreams and starts working at his dad’s construction company; Sierra and Tom break up in hopes to reconnect when the timing is better; FP caves to his abusive father and finally joins the Serpents; Penelope clings closer to Blossoms for stability and protection; Hermione returns to Hiram; and Alice herself tones down the bad girl act and catches herself a fella named Hal Cooper…

After her mom finishes the story, Betty still has plenty of questions. Mainly, who poisoned the chalices that got Featherhead killed? Alice doesn’t know the answer but is pretty sure it’s someone from the Midnight Club. When Betty wants to dig deeper, Alice begs her not to get involved. She explains how intoxicating and therefore dangerous G&G is. Betty promises not to play but she won’t stop the investigation.

The next day, Betty arrives at the bunker to tell Jughead about the Midnight Club but instead, she finds him, Cheryl, Toni, Sweet Pea, and Fangs playing the game. Clearly not well, he insists it’s all making sense now and soon he’ll ascend and meet the Gargoyle King.


What an episode! I had high hopes for this one and for the most part, it did not disappoint! Sure, it didn’t really move the plot, and didn’t answer that many questions, but boy oh boy was it fun! This episode is the exact type of quirkiness I need from Riverdale! It may be silly, but unlike the rest of the episodes, this one was silly intentionally, and therefore I don’t get as mad.

First and foremost, I just gotta mention young Alice! Ugh, the stylist’s mind! The styling overall was very cute. The only one I didn’t love was Penelope – this supposedly mousy, goody-two-shoes character didn’t exactly much well with Madelaine Petsch’s stiletto nails and Kylie Jenner lips (yes, I know Madelaine’s are real).

The soundtrack choices for the episode were a little too on the nose, but every single one of those songs is a bop so I’m not complaining. If it ain’t broke and all that.

I enjoyed exploring the parents’ dynamics we didn’t really see before; FP unsuccessfully hitting on Hermione was hilarious. I honestly didn’t expect McKeller feels to hit me this hard, but they sure did. I don’t know why, but for some reason knowing the fact they had such a genuine love in high school and had to wait all these years to get back together was very touching.

On the other hand, I was very disappointed we didn’t see Mary. Where was she?! As much as I enjoyed getting few of my questions answered about the freak show that is the Blossom family, I felt like Mary would’ve been a much better fit for this plot than Penelope. And Madelaine could’ve played the other redhead mom just as well. Maybe even better.

I also felt like the parents falling into their “adult” roles felt a little too contrived. I’m not really mad, cause I understand they had just one episode to put this all in, but still, some decisions felt kinda unearned. I don’t really get why FP decided to join the Serpents after all, and Fred’s decision on completely giving up music seemed a little overdramatic.

Also, just an observation, but it’s interesting how at the end the boys – FP and Fred – gave up their dreams of better life and ended up following in their fathers’ footsteps; while the women – Alice, Penelope, and Hermione – all ended up basically attaching themselves to a more powerful/successful men, to achieve that “better” life.

The last thing, I saw some people complaining about how unrealistic it is that all the parents went to school together and dated each other, and now their kids are at the same school, dating each other. Let me tell you, as a person not from a small town, but from a secluded, tight-knit neighborhood that very much much feels like a small town, this is not far fetched at all. You’d be surprised.

So what do you think? Is yet another Riverdale parent a murderer? Who is hiding under the Gargoyle King costume?

Next week, Jughead continues losing himself in the game, and the juvie plot is back! Yay…

Images Courtesy of CW

Continue Reading


Manifest-ing Ratings on Broadcast





Manifest cast poster

It’s time to take stock of where fall’s 18 new shows have landed in the ratings landscape. Which is to say few shows rate above their network’s scripted average. Less than half of the new shows rate above the network’s scripted averages with only nine back 9 orders.

No network has yanked a show off the schedule for its poor ratings. Still, a handful of shows are currently succeeding per their network’s standards, and more importantly in publicly available commercial ratings. The question is whether these shows can hold onto their semi-successful ratings alongside the winter and spring premieres to come.

I’ve written before about the importance of C3 and C7 which measures playback of commercials live and within three, or seven days of airing via DVR playback. Within the first two proper weeks of this fall, only five new scripted shows made it on the top 25, alongside 15 other scripted shows. NBC’s Manifest and New Amsterdam were fifth and sixth. FOX’s Last Man Standing revival came in twelfth, and CBS’ FBI and The Neighborhood were nineteenth and twenty-fifth. However, drops in most shows in the last month, only the networks and advertisers know how well C3/C7 ratings fare.

Back 9’s or the Lack Thereof

NBC’s drama ratings net them three and nine more episodes respectively with New Amsterdam getting the back 9. CBS ordered more episodes for four of its shows. The first back 9 of the season went to FBI. Comedy The Neighborhood also has nine more episodes. CBS  gave both Magnum P.I. and God Friended Me seven more episodes. I don’t think the latter has the best chances of renewal. Especially because GFM dropped two tenths in its second true time-slot airing without any football overrun. (Similar to Wisdom of the Crowd.)

Elsewhere, ABC ordered four more episodes for A Million Little Things  (stuck at 0.8). They also gave one more for The Connors and seven to The Rookie. Comedies Single Parents and The Kids are Alright received back 9s.

Finally, FOX only premiered three comedies this season. The Cool Kids has a full season joining LMS (already had 22). Unfortunately for Lil Rel, FOX revealed last week that his show is not on the spring schedule effectively canceling it.

The CW only finished premiering its three new fall shows two weeks ago. Any back orders should come after this article is published. Charmed is its only new drama above the network average and it’s a CBS Studios show, so it’s not going anywhere. Legacies is doing fine but All American has increased in the ratings, so anything could happen.

So far half of the new shows received the full back 9 including . Others received anywhere from one to seven episodes. Last year, only CBS and CW ordered back 9s and all but one (The Good Doctor) of the shows with shorter orders died. ABC and NBC both fared better this year than last but I doubt more than two of the short order shows are renewed.

I do think shorter episode orders become the norm with back 9 orders going mostly to comedies and less serialized dramas like procedurals. Of note, the shows that received less than nine episodes except for The Connors are averaging less than the network’s scripted average.

Network Averages

As of November 6, only eight newbies are rating at or above their network’s average.

Two months since shows started premiering, very few have held onto ratings that put them ahead of the new show pack. In fact, no network has more than six of their shows rating at or above the network’s average. Yet after years and years of broadcast ratings dropping ten percent each year, the first two weeks of this season were flat compared to the same time last year. Of course, the last few weeks have likely changed that. Come May the numbers may indicate that the yearly fall endures.

Based on the data available, more than half of the fall newbies will likely receive renewals, but most of their final season averages in May won’t excite anyone. Plus with 15 newbies yet to premiere, anything can change.

(Data is from ShowbuzzDailySpottedRatings, and TVSeriesFinale.)

Update: A few hours after this article was published, The CW ordered a back 9 for Charmed (season two through four, here we come) and three more episodes for All American and Legacies (uh, spring shows decide fall shows’ fate)? NBC also announced I Feel Bad will not have more episodes, effectively cancelling the first scripted show this fall.

Image courtesy of NBC.

Continue Reading