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A Promising New Start with the Thirteenth Doctor




After many long months of waiting, Series 11 of Doctor Who is here and Jodie Whittaker is the Doctor. Before I get into any sort of spoilers: if you ever considered watching Doctor Who but was intimidated by the 55 years of history, 270+ stories (800+ episodes) and many different eras, well, this is your chance. Chris Chibnall, our new showrunner has stated several times that this series is intended as a jumping on point for anyone unfamiliar with the show. Based on “The Woman Who Fell to Earth,” he’s absolutely right. This feels like a fresh start while also still capturing the essence of Doctor Who, with all its sci-fi, wacky Britishness, and human core. This is the best chance to get introduced since “The Eleventh Hour”—heck, it might even be the best chance since “Rose” in 2005. Go watch Thirteen’s debut now while you can still avoid spoilers.

Doctor No. 13 – They’re a woman now!

And now for the spoilers. Although this is a review for the first episode itself, I feel like the most talked about aspect of it is Jodie Whittaker herself and the first impressions we got from the Thirteenth Doctor. Yes, the Doctor is played by a woman now and the cultural, as well as in-universe significance of that is not to be underestimated. But for now, she’s just the Doctor and she plays that role perfectly. From her falling to Sheffield to a beautiful explanation of what regeneration feels like and right up to the first time she says “I’m the Doctor,” Whittaker embraces every aspect of the character.

Her physical comedy offers a lighter side to an otherwise quite dark episode, reminding us of previous incarnations like Tom Baker’s Number Four or Matt Smith’s Eleventh Doctor. But make no mistake, Whittaker’s Thirteen is her own character. She balances references to other incarnations and new facets of the Doctor’s personality just as well as the episode does overall. She’s the Doctor not just because she says so and we hear the iconic theme when she appears; she’s the Doctor because she embodies all the qualities that we love in this Time Lord. She seems simultaneously ancient and childish, she’s eternally impressed by the smallest of details and yet is the only one to get the bigger picture. She has her downright rude moments, like erasing everything from Ryan’s phone, but she saves the day because she will always help those in need.

It’s important to consider that though this was Thirteen’s first episode and therefore the first impression we’ll carry with us for the rest of her run, a regeneration episode is always just the beginning. Like she said herself, she’s still changing and everything is new to her, too. She’s going to grow into the role of the Doctor—both Thirteen the character and Whittaker as an actor. As far as debuts go, this was a strong one that only makes me more excited for what’s to come. We’re going to get to see Thirteen find herself and further the legacy of the Doctor, and I for one cannot wait for that.

Companions, friends, Sheffielders all around

The first thing I noticed about this new era of Chibnall was the relatively late introduction of the Doctor herself. The buzz around the new series was mainly centered around this new female Doctor, and yet we don’t follow immediately from where “Twice Upon a Time” ended. The reason why I said this might be the best starting point since “Rose” and not “The Eleventh Hour” is because the latter did pick up from “The End of Time” as the Doctor regenerated and only got to our new companion, Amy Pond, later. This, in a way, set the tone for Steven Moffat’s era as showrunner: first and foremost the focus is on the Doctor(s) themselves.

Here, though, all three of the Doctor’s new traveling companions are introduced before she is. Or friends, as the Doctor herself calls them and as the promotional material has been calling them. Just the fact that we have a whole TARDIS team of four now—for the first time since Nyssa left Team Five back in 1983—is a huge deal. “The Woman Who Fell to Earth” does a decent job of introducing Ryan, Graham, and Yasmin and fleshing them all out in a short amount of time.

It came as a surprise that the friends almost all know each other. Yaz and Ryan went to the same school and Graham is the second husband of Grace, aka Ryan’s nan. This gives the team an interesting dynamic where Yaz and Ryan will see different sides to each other, Ryan and Graham will inevitably grow closer and finally call each other family, and perhaps there will be a few surprises with the Yaz-Graham relationship as well. And that’s not to mention the Doctor herself, who’s bound to challenge all of them in ways they’d never thought possible.

There’s going to be plenty of opportunities to talk about the three of them in the upcoming weeks and I’m hopeful that we’ll get more character-focused episodes. That being said, some initial thoughts:

Ryan’s dyspraxia was handled well and I loved his vlog being the framing device. He seems like he’s still trying to find his place in the world but is probably the most like the Doctor in many ways.

Yaz wants more from the world in the Rose Tyler kind of way and it looks like the Doctor will be the one to introduce her to what’s out there. She might fall victim to idolizing the Doctor a little too much but at the same time seems like the type to call her out when needed.

Graham is going to be the least happy about the accidental abduction that happens but could probably use an adventure just as much as the younger companions. He’s a more grounded character who seems like the oldest of the bunch and that could provide a nice contrast to the Doctor, who’s so ancient at this point that I doubt even she knows.

Series 11 is going to have no two-parter and all of the episodes are going to be more or less standalones, we know that, but hopefully this doesn’t mean that the characters will hardly evolve. This episode was a promising introduction to the Doctor and her new friends and some intriguing arcs have already been set up. In fact, this what I enjoyed most about the episode: characters and their bonds.

Monster of the week and the case of fridging

Now that the characters are down, let’s talk about the episode itself. And by that I mean let’s talk about other characters in the episode, like Grace and our villain of the week, “Tim Shaw.” It is here with these two where “The Woman Who Fell to Earth” becomes less impressive. Don’t get me wrong, Grace was a genuinely interesting character with a lovely relationship with both Ryan and Graham, and it looked like she would make an amazing companion to the Doctor. Shame it was pretty obvious from the start that she wasn’t destined to ever see the TARDIS.

The problem with Grace is her predictable and rather unnecessary death. We knew she wasn’t going to make it because, unlike the other three friends Thirteen makes, she was missing from all the promotional material. We knew it and it still got to me, but probably not in the way that Chris Chibnall wanted. Her funeral and the way Ryan talked about her were emotional scenes and I was sad to see her potential wasted, but the death itself felt cheap. It would be nice to say she died saving others but she didn’t need to die. The Doctor could probably have dealt with the Gathering Coil, so while Grace’s sacrifice was a grandiose gesture, it ultimately feels puzzling. Of course, the real reason why she had to die was so Team TARDIS wouldn’t get overcrowded, and, more importantly, so that the focus would be on Ryan’s and Graham’s grief and their eventual bonding over it. Not cool, Doctor Who, not cool.

The other, less problematic issue was the villain himself. Tzim-Sha was sufficiently scary and presented a real threat, and I loved the way the Doctor handled the situation. He wasn’t a particularly memorable or unique monster of the week, though. Not that the best monster should come first. I expect the series to produce some more nuanced villains as the episodes go by. That’s why part of me appreciates the fact that it’s going to be all new monsters in Series 11; there’s only so many twists you can do on the same old Dalek story after all. Part of me is also sorry that we won’t see Thirteen battle some old foes just yet, but I suppose we might get some of that in a later season. “Tim Shaw” wasn’t the best start but a worthy first enemy for Thirteen. Plus, his presence resulted in “Eat my salad, Halloween.” Only the very best from the BBC.

Tim Shaw?

A New Hope

“The Woman Who Fell to Earth” is a good start to a fresh new era and though I’m still only cautiously optimistic, I might just be truly excited about new Doctor Who episodes for the first time in five years. Jodie Whittaker as Thirteen is a delight to watch and she shatters any doubts anyone might have had about her Doctor. The characters are the overall strongpoint of the episode, with not just the Doctor but the companions and friends also getting a good introduction. Although the perspective has shifted so that not everyone is from London (or Cardiff) but rather Sheffield, this is still very much Doctor Who and a new, promising version of it. It’s too early to say what the whole series will be like, but the first episode builds a strong foundation.

Images courtesy of the BBC

Well hello, my name is Szofi, which is just a variation of Sophie. Currently a university student living almost 1000 miles from home and building a life there.

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Away In A Manger: Black Lightning 2×09, “Gift of Magi”





Black Lightning, Anissa, and Jennifer with the phrase Get Lit

Well, my friends, we’re nearing the end of Black Lightning S2, and I think it’s time to declare a sophomore slump. Anyone here with me? Let’s get into this week’s episode and discuss.

Jen and Kahlil are still on the run, but Kahlil was cut with one of Cutter’s Special aka Poison knives, so he’s quickly succumbing. The pair find a barn, where there’s a lot of soft lantern light and Kahlil can curl up in the hay. At first they swap cute-funny stories about when they first met, but soon Kahlil can’t manage talking let alone breathing well, so Jen goes out to steal some antibiotics from a hospital. (They don’t yet know that it’s poison, they assume his wound is infected). Jen is getting really good not only at controlling her powers, but using them for specific tasks, and I’m here for it although I really wish it wasn’t in the context of this storyline.


She manages to get the antibiotics and injects Kahlil with it, but it doesn’t work. She grows increasingly desperate, and as Kahlil’s death seems imminent, she goes outside for some air and a good cry. That’s when she goes back to her brain-salon, where she sees Perenna (her brain-version of Perenna, not the real one) and a twin version of herself. Mind-Perenna tells Jen that she already has everything she needs inside of her; it’s very Inside Out. Together with her brain creations she figures out that Cutter is actually *right there* watching them through binoculars. She manages to capture her and tie her up, tasering her with her hands as a form of torture in order to get her to tell her what she did to Kahlil. It’s not long before she figures out it was a poison knife, and cuts Cutter with it so that she’ll be forced to show Jen where on her person the antidote is. Turns out, it’s in that very obvious vial on her necklace!


Jen goes to a dark place when she’s torturing Cutter, which is kind of hard to watch. Again, I’d be more interested if this whole thing didn’t revolve around Kahlil. Anyway, Jen gives both Kahlil and Cutter the antidote and they’re on their way again. But only after they declare their undying love for each other.

I’m happy to report that no one left Kahlil’s aunt for dead in her house, as Black Lightning, Thunder, and Gambi have set up camp there to help her recover from what turned out to be one of Kahlil’s pain pills and try to figure out how to find Jen. They know Kahlil is hurt so they check hospitals, and end up being in the same hospital as Jen at the same time!

So close, yet so far

Jefferson and Anissa figure out Jen was there because she left a trail aka scorch mark in her path, but the fact that she keep eluding them is driving Jefferson to be irrational and reckless. Gambi and Anissa manage to keep him under control, but Lynn is losing it too. When she’s not crying in the wreckage of Jen’s room that she destroyed, she’s trying to get Kahlil’s mom, and then his dad, to give her clues as to where they might be.

Of course neither of them can help, but along the way she grabs a gun from the Inner Sanctum aka Gambi’s basement so that’s concerning, considering her emotional state.

My heart breaks for this heartbreak

In a parallel storyline, Tobias has set his sights on a kid named Todd, an academic prodigy who has just been rejected for a research grant in favor of the white kid whose rich dad just funded a new wing of the university. It’s unclear what Tobias wants Todd to do, and Todd seems dubious at best until Tobias deposits $100,000 into his bank account. Money is the root of all evil, amirite? I mean, capitalism is. But that’s a discussion for another place.

An invitation I hope to never get

Lastly, this episode ends with a scene in which a mysterious someone murders everyone in a bar in Texas before getting a phone call from his boss telling him that his next job is in Freeland. I feel like we’re about to meet a bigger bad than Tobias, but time will tell! Just someone end this Kahlil-Jen nonsense and give us our family back kthanks.

What do you think is in store for the final episodes? Are you happy with this season so far? Black Lightning is going on hiatus until the end of January, so I’ll be back then to see where we’re at. Enjoy what’s left of the year, friends!

Images courtesy of The CW

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Winter Hiatus Blues





Even in December with the broadcast networks hiatus for scripted series starting, and pilot season underway, there’s so much to discuss!

The continuing behind the scenes drama of Les Moonves’ ouster from CBS, ABC’s entertainment president Channing Dungey stepping down, NBC’s Greenblatt moving on, and FOX setting up for its new leadership once the merger goes through…every big 4 network has a lot to deal with between now and the TCAs in early February. The exec panels will sure be a time… Especially if ratings come up at all.

Ratings Race

As of this Tuesday, and as always, I’m talking about scripted ratings: FOX is number 1 with a 1.13 average followed by NBC, ABC, and CBS. CW of course is last with .35. Last month, four of the five networks had six shows at or above their overall average.

Now, ABC has eight shows, the CW has five, and the rest have six.

Across the five networks, only a third of new shows are performing above the average on their network. The Connors (considered a new show), FBI, The NeighborhoodLast Man StandingNew Amsterdam, and Manifest. The highest rated new show on The CW, Legacies hovers right below the network’s average.

Interestingly, across the board, long running shows are still high rating performers (or what’s high now) for the networks. The exception to this is SVU at a tenth below the average.

Their “success” indicates that we probably won’t lose any of the longest running shows anytime soon. Still, the network with the largest average season length (including shows yet to premiere) is FOX at 5.3 followed by CBS at 4.5. Removing the shows already cancelled and predicted as canceled doesn’t make an impact because of The Simpsons‘ whopping thirty seasons! (Unrelated but with the announcement for Crisis on Infinite Earths, DCTV isn’t going anywhere either.)

Of course some of this will shift when the rest of the new slate premieres begin in January. I do not envy the folks in charge of scheduling spring shows, especially as more time slots are lost to winter reality or competition shows.

Scheduling Shenanigans

You can put whatever new show after strong shows and still have a dud in the ratings race.

On The CW, ableist In The Dark has had zero promotion beyond the scheduling announcement that it starts after Supernatural. Their other new show Roswell: New Mexico or Roswell: TVD received the coveted post Flash slot plus actual promo. Except for The 100, their other spring shows already received cancellations, so ratings definitely don’t matter.

FOX  only has two newbies to premiere, with The Passage starting after The Resident and Proven Innocent taking the 9PM slot after Cool Kids. I don’t know that people watching an hour of comedy will stick around for a procedural, but anything can happen these days.

ABC on Wednesday revealed that in a vote of confidence (or in hopes to increase viewers or to get Whiskey Cavalier onto the schedule earlier) is moving the last bit of A Million Little Things behind Grey’s leaving current slot holder Station 19 off the schedule until March. Considering AMLT  hit a .7 last week… The Fix is the only other newbie to get a spring slot, starting in March in The Good Doctor‘s place. Grand Hotel is now a summer show. ABC what are you doing?!

NBC and CBS have yet to fully unveil their new schedules so more on that in January! However, pilot development is in full swing and reboots (and spin-offs) continue to rule the pack.

Pilot Predictions

Predicting what pilots will make it to series this early is silly, but I do think that a chunk of the reboots in development will definitely make it to air. If they’ll get renewed is another question. Even though this year, only Charmed received a back 9 order (Last Man Standing was ordered with 22 episodes). Last year, all the shows that received fewer than 9 episodes in the fall except for Good Doctor were cancelled. So now in May, that trend continues, or the new trend is that any back order indicates a renewal.

Which is why even though I think it’s silly to bank on so many reboots in development, I know that networks are still going to do it. I won’t list all of the shows in development because there are a lot and many will die by January. The CW has three alone! And NBC already has a series order for Law and Order: Hate Crimes or as my friend calls it, “SVU but grittier” making it the seventh L&O series.

By late January, early February, the big entertainment sites will have lists of all the pilots in contention and then we can really get into the details. Until then, what shows are y’all waiting to see for the first time (or again)?


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‘Legends of To-Meow-Meow’ Cranks the Insanity up to Eleven




It’s that time year of again. The Arrowverse crossover, but the Legends misplaced their invites. While Kara, Barry, and Oliver were getting acquainted with Batwoman and dealing with body switching, the Legends were dealing with their own alternate reality issues. Or should I say the Custodians were dealing with their own issues. Or, should that be the Sirens? Or the Puppets?

Yep, this was one of those kinds of episodes. ‘Legends of To-Meow-Meow’ didn’t just surpass the insanity of every other episode this season. It multiplied it, as Charlie and Constantine broke the timeline more with each attempt to fix it.

At first, Charlie hits the town on her own, going to Las Vegas to stretch her newly returned powers. Going out as Marilyn Monroe, she runs into a prison buddy, a leprechaun. She barely has the chance to warn him about faulting his powers when Mick, Nate, and Ray strut in dressed like they just walked out of an 80’s action show. Which they did, apparently, as they introduce themselves as the Custodians of the Chronology and we get ‘A-Team’ style opening credits. They kill the leprechaun without hesitation, which is a big clue for Charlie that not everything is right.

Legends already planning their own spin offs.

She returns to the Waverider with cat-Zari to figure out why the team is suddenly so murder-happy. She transforms into Sara, planning on just ordering them to stop. But it doesn’t work because in this timeline, without help from Constantine, Sara was killed by the unicorn at Woodstock. The team attacks her, recognizing her as a shapeshifter. Charlie makes a quick retreat from the ship, taking cat-Zari along to find John.

He’s being kept imprisoned at the Time Bureau. Because he was the epicentre of the timeline shift, he has memories from both timelines and his brain isn’t keeping up very well. When they find him, John turns Zari back into a human. Only to turn her right back when she’s against his and Charlie’s idea to save Sara instead of fixing their alteration. Charlie breaks John out, with some help from Mona and a very emo Ava. Some of the Lege- Custodians die in their fight out, but everything will be fine once they save Sara. At least that’s what Charlie and John tell themselves.

They travel to Woodstock, blasting the unicorn into rainbow gloop before it can gore anyone. But this time, when they return to their time Nate, Ray, and Mick are the ones with the memorial plaques. Plus, without the guys around, Sara, Ava, and an android?Gideon have formed a Charlie’s Angels style team that assassinates fugitives. Charlie attempts to infiltrate the team as Amaya, but her cover is blown almost instantly. She does learn the boys were killed by the Fairy Godmother. The fairy is also the reason Zari’s a cat.

I’d watch this show.

John and Charlie go to Salem for their next patch job. Charlie transforms into the Fairy Godmother to trick Prudence into releasing the fairy before she can kill the boys. It seems to go off without a hitch until she returns to the jumpship. Good news, Zari is no longer a cat. Bad news, she’s now a puppet.

So is the entire team, as John learns when he boards the Waverider. They aren’t just puppets. They’re puppets that sing their own intro and have a historical figure of the day. Since the Fairy Godmother didn’t kill Mick, he became her new charge. She turned the team into puppets before Mick took her along on a crime spree.

Charlie and John keep trying to Band-Aid the timeline, but each fix ends with someone else dead in the new timeline. Yet, even when they get to a point where no one has died, John’s mind has so many timelines clashing in his mind he collapses from the strain.

He finally agrees with Zari that they need to fix the timeline properly and stop Dez from leaving. When Charlie refuses to help they leave her behind, but she’s not giving up without a fight. She transforms into Ava, heading to the Waverider to clue the team in on the magical ongoings in New Orleans. But there’s something still wrong with this timeline. All the Legends are alive. No one is made of cloth. But they still have a ‘shoot first ask questions never’ policy when it comes the fugitives. Gideon picks up on the three Constantines at that point in time. The team assumes the extras are shapeshifters, sending Mick and Ray to blast them.

Charlie finally realizes it wasn’t just John’s absence from the team that caused the changes. It was her absence. Without her, the Legends don’t learn fugitives aren’t all unicorns with a taste for hearts or Fairy Godmothers that sing about murder.

…And with true love’s kiss, the curse was broken.

In New Orleans, this-episode’s-John stops Desmond after last-episode’s-Constantine broke up with him. He tells him he’s sorry for all the pain he’s going to cause him and wipes his memory just before still-in-a-relationship John can return. As Mick and Ray fire on this-episode-John, past-John and Desmond share a kiss which becomes the point from which the timeline fixes itself. Reality is right once again, where the only puppet person is the possessed Professor Stein and the Legends aren’t mythical creature murders. Ava and Mick even heal their rift from the last episode, finding some common ground.

John comes clean to Sara about their misadventure. He even tells her about Neron. Sara promises to help him take down his demon. So all’s well that ends well. Except, there’s no word on what happens to Mona after she met the business of the Kaupe’s claws. Nor is Hank happy the Kaupe escaped, which he learns about in the middle of a golf game with someone… something wearing Desmond’s face.


Was this the strongest’s episode of Legends? Probably not. It sacrificed some substance for the sake of 80’s spoofs and sing-alongs. But that’s not to say this episode wasn’t good. Far from it. The alternate timelines were laugh out loud funny and the Puppets of Tomorrow song is going to be stuck in my head. They were so good I’m willing to overlook characters like Ray, Nate, Sara, and Ava feeling so drastically different in their respective spoof realities. I’ll chalk up to the discrepancies in their characterizations to time being so broken.

It could have easily become frustrating watching John and Charlie patch broke timeline after broken timeline while they ignored the obvious answer. But it never got to that point because every step of the way you knew John was doing this to keep Desmond alive. John Constantine, always the tortured soul, willing to let his mind be torn apart by multiple timelines before he gives up on his love again. It’s a tragedy the timeline being fixed has to come at the cost of Dez’s soul. But maybe it isn’t lost forever.

The scene between John and Desmond pulled at the heartstrings. As did the moment when Charlie finally realized she was the missing the link for the Legends. It’s always a good moment when a Legend finds their place on this mismatched, rag-tag team. It’s hard not to compare this episode to ‘Here I Go Again’, when Zari found her place on the team. Which is a glowing compliment when that episode is one of the best of Legends entire run.

The brief callbacks to the earlier episodes was a nice way to tie off the first half of the season as well. The Unicorn was only eight episodes ago. Yet, monsters, magic, and pure insanity feel like they’re always been a part of Legends of Tomorrow. Well, pure insanity has been a fundamental part of Legends since season two.

It just shows how this series isn’t afraid to shake up its own formula. Thus far it’s worked every time, with each season being better than the last. It’s still early to call season’s four place for certain. Season’s three back half had some heavy ringers, but so far this season is on the right tracks to be the most memorable one yet. They’re sure to come back strong when they return in April.

Only Legends Could

  • “You missed calls from Barry Allen, Oliver Queen, and Kara Zor-El,”
    “Sounds like the annual crossover,”
    “Yeah, that’s going to be a hard pass,”
    This whole exchange is amazing. Easily wins favorite lines of the episode.
  • You can tick off Sara Lance’s annual dalliance with death. Sara dying, almost dying, or faking dying should be a running gag at this point, but for some reason, I can never find it funny.
  • Everyone just understands cat-Zari. No explanation needed. Much like when Nate understood pig-Ray.
  • The CW tradition of bad wigs continues with emo Ava. (Kate Kane, by some miracle, avoided the curse.)
  • In the Siren’s reality, Sara’s wielding Mick’s gun and Gideon has Rip’s.
  • I want more of DC’s Puppets of Tomorrow.
  • There’s a timeline where Nate and Hank die from a Garden Gnome.
  • Why yes, Legends did give us the true love’s kiss fixes everything. And yes, it was a kiss for a mlm couple. Legends never ceases to amaze.
  • I got a flirty vibe from Charlie and Zari at the end. Time will tell where that goes.

Images courtesy of the CW

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