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Detective Comics Drops A Meta-Narrative Bomb




[Danny Elfman Theme Plays]

You know what you don’t see too often anymore? Nine panel grids. They’re the old standard, sure, but experimental layouts have become more and more common over the years. So, when you do see a nine panel grid, you’re typically gonna think that it’s for a very important reason. Most of the time, you’re correct. This is one of those times.

Fresh off of his stellar work in the equally fantastic mini-series Midnighter and Apollo, Fernando Blanco renders our opening flashback in a way that is best described as “Oh God She Just Destroyed The Grid”. Okay, not really an adjective but that’s what happened. Shiva slaughtered those Colony soldiers so fast that she broke the panels. In layman’s terms: everyone is going to die.

But, let’s back up a bit since there’s a whole lot going on here. Heh. A lot going on in Detective Comics. What else is new? Well, for starters, Ra’s Al Ghul allying with the Colony. Because that’s the implication here. Now, you have to ask yourself: why? Why would Ra’s al Ghul, the Demon’s Head, the nigh-immortal leader of the League of Assassins, a centuries old eco-terrorist group, join forces with a top secret black ops branch of the U.S. Army?

Why would Jacob and Ra’s ever see eye to eye enough to pool their resources against anything, when Jacob’s whole thing is fighting terrorists just like Ra’s? Well, the obvious answer is the one right in front of you. Shiva and her League of Shadows presents a threat so massive and so terrifying that Jacob Kane actually negotiated with terrorists. But that’s not even the best part.

No, the best part, by far, is that League of Shadows isn’t what you think they are. It’s not what thought they were, initially. You take a look at all the pieces, though, and you start to see the picture that I’m all but certain Tynion is attempting to paint. Something that is difficult to believe was unintentional. And it is an uncomfortably familiar image. Extremely so.

But we’ll get there.

The One Where Kate Isn’t Stabbed

Look, it’s like a motif with her or something. Always with the stabbing, specifically the heart. Don’t believe me? Re-read ElegyCrime Bible, 52, and Batwoman (2011). Then take a look at the solicits for Batwoman #2 (2017) and the variant cover of Detective Comics #953. So much stabbing. Anyway, our heroes are very quickly overwhelmed by the League of Shadows, taking out Batwing and Azrael in a matter of seconds thanks to, presumably, magic katanas. Bruce and Kate huddle up and finally decide to unleash their giant “I Win” button, allowing Clayface to, once again, prove he’s by far the single most valuable member of the team in a fight.

Curse your sudden yet inevitable future betrayal, Basil. I’m gonna miss you so damn much.

Meanwhile, Cass sneaks up on Shiva, and they unknowingly re-enact about twenty or so issues of her original Batgirl ongoing in just under three pages. I’d show the similarities here, but there’s really no need. It’s not like I’m trying to prove Tynion is subverting War Games all over again.

They meet, they fight, Cass gets her butt handed to her because, just like the first time around, she won’t kill. Except there’s a deviation. And it’s not just that Cass learns that Shiva is her mother in the first encounter—that was slowly revealed over a very long period of time back in the early 2000s. No, this time Shiva is not, well, as she says later herself, she’s not playing.

This isn’t a game to her the way it used to be. This is probably one of the largest swerves for those of us who know the old stories. Shiva, who used to be called Lady Shiva and I kind of liked that absurd contradiction the honorific gave her, used to operate under a very specific and masochistic goal. She was searching for a good death. Shiva would cultivate and watch the world’s greatest martial artists, wait until they were in their prime, and then strike, hoping they would be skilled enough to kill her. None ever could.

Clearly, this is no longer the case.

At best, they survived their encounter in a stalemate. Or they won because she was being mind controlled by Gorilla Grodd, but that one was pretty debatable. Mind control has a habit of impairing one’s inherent abilities since they aren’t in full control of themselves. I’m pretty sure that’s the one Bruce is referencing when he said he won. Honestly, it could be another instance but at the end of the day it doesn’t matter which specific fight Shiva threw. What matters is that she did. And that, instead of seeking her own “good death”, she apparently wants to kill everyone else.

Which is very, very bad. That constant search for the right person to kill her and assume the role of the next Shiva—yup it’s a title; her real name is Sandra!—well, that was more or less the only thing that stopped Shiva from slaughtering everyone to achieve whatever the hell she wanted. And as we saw both in the flashback and with how quickly she got the better of Bruce, unless Cass can figure out how to beat her, she’s going to get what she wants. Everyone dead.

And honestly it’s kind of awesome seeing Shiva just completely curbstomp Bruce. The fact that he doesn’t kill is a pretty huge handicap in a fight, and it needs to be addressed like this more often. But, even if he was willing to kill, Shiva would still beat him into the ground. She’s Shiva. She’s the second most deadly non-metahuman on the planet. The first being, hopefully, her daughter.

Pbbbth, hopefully? Of course she is. That’s how this works, just you watch.

Oh! And this little moment got to me:

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Do I even need to say it?

Kate Kane And The People Who Love Her And Want To Talk To Her? (And Also Duke)

That…title doesn’t sound right, but okay I guess. After Clayface reveals that Luke and Jean-Paul vanished in his arms along with the League of Shadows (those katanas have got to be magic), what remains of the team returns to the Belfry. Kate gets a call from Renee, which amusingly goes straight into her helmet. Because of course it does. She starts warning her that, hey, remember how everyone thinks that Batman killed the Mayor? That’s still a thing.

And also literally everything has gone to hell.

What I wouldn’t give to see their texting history…

Aside from getting major Gotham Central vibes, along with, ironically, War Games, this is just so adorable. It is. It really is. This is five issues Renee has popped up in since Rebirth began. Literally every time has been, in some small way, about rebuilding their old relationship into something that won’t just explode in their faces. Well, except Batwoman Rebirth. That was just flashback sex.

Anyway, after that whole thing, Kate forgets that Duke is a Black man while making a snarky comment about getting shot by the police. Because of course she does. Turns out, Duke’s been doing exactly what Jacob told them to do last issue: cross reference the Colony database with the Batcomputer to figure out how many people shouldn’t exist in Gotham. The number is, surprisingly, fifty-seven.

It’s not that I’m surprised at the number itself, but rather that it wasn’t fifty-two. Why wouldn’t it be? This is DC. It’s kind of their thing, especially with Kate and Renee running around. Duke heads off to regroup with Batgirl and the Birds of Prey in a nice bit of shared-universe nodding, and expresses some pretty heavy concern for Luke and Jean-Paul. But mostly Luke.

After he’s gone, Clayface tells Kate that her dad wants to talk to her. Which honestly begs the question as to how Clayface knows that. Was he watching the monitor? Or, just watching him in the cell? Is there a button he pressed that alerts somebody? I dunno, this is just really funny to think about.

The League of Shadows

This is where it gets scary. Not “oh that was spooky” scary, but actual, palpable fear. If I’m right, that is. Again, it is extremely difficult to believe that, considering when all of this was written, this was unintentional. And I’m not talking about Shiva’s sadistic psychological torture of Jacob in his own ops center. At least, not specifically. Though that does complement the meta-narrative.

Let’s just take it one step at a time, since it’s a lot to swallow.

I want you to look at this moment, really look at it, and consider where you may have seen this before. Where you may have heard this before. Why it’s important that Jacob be the one to say this, and why it’s equally important that Kate is the one to hear it. And not just hear it, but understand.

Jacob. You’re married to a nice Jewish girl. Would it kill you to maybe remember that? “Grab Catherine and your things and run.”

He goes on to say that Shiva is “made of evil” and that, again, she needs to run. Now, you have to ask yourself, why would Jacob, who operates exclusively in the morally grey, ever call something “made of evil”. He knows what he does. He knows what he’s done, and what he’s tried to do. He has never denied these things to Kate. So, when he says evil, I think we can safely believe he means that. It’s not hyperbole, especially considering the unprecedented fear and panic he’s showing Kate right now.

You’re looking at a Jewish man begging his Jewish daughter to run from a threat that cannot be reasoned with. From a force whose only goal is her and everyone else dead. The city has already turned against her and her people, just like Renee said. Nowhere in Gotham is safe. The only options are to fight, and almost certainly die, or run and possibly survive.

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We’re talking about a threat, an ideology really, that cannot be killed. Something that very few even believe exists, even if it did at one time, let alone willing to acknowledge. The way the League of Shadows spreads, the way that they’re depicted, the way that Bruce denies their existence—it’s all so familiar, isn’t it? And not just that. Let’s not forget that these aren’t all foreign threats. That was one the largest contentions regarding what Jacob was doing during Rise of the Batmen. The League of Shadows were everywhere and nowhere. They were in Gotham. They were hiding in America.

An old “lie”. A secret army made up of the deadliest killers on the planet hiding in plain sight whose only goal is to spread chaos, and by extension fear. And thus, hatred. And they could do it because it was bit by bit, not all at once. A build so meticulous and slow, yet clearly visible to those who looked, that the only way to stop it was to kill those responsible before they grew too powerful to stop. Like a virus before it spreads too far into a population.

And last, but most certainly not least, a group of people poised to fight this very threat that no one will listen to. That the higher authorities, nor individuals, will believe. Because they aren’t a threat to them, specifically. Not yet. But when it’s too late, and they do become the targets, as all of Gotham is right now, then they believe. Then they understand, for a time.

See? This is how it started. This is exactly how the Nazis took root,  how they gained power throughout the late 20s up to their “peak” in the 40s. And it’s how they’re still doing it. They never stopped. They never left. They hid, sure. In plain sight. They were quiet, and started small all over again. But when the moment was right, they came back in force.

Let’s Just Take A Second And Breathe, Okay?

Wait, wait, just—hold on. I know, that’s a big thing to say. And to be clear, I’m not saying that the League of Shadows are the Nazis. They’re not Hydra. It’s not an easy one-to-one comparison, and it is not supposed to be. It is, however, the same method. The same tactics. The same reactions from everyone else. It’s something that we’ve discussed on our forum, but weren’t quite sure if we were reaching too far, or if we were on to something.

And I hope I can convince you that it’s all but impossible for this to be unintentional. The Colony is lead by a Jewish man, fighting an organization that operates almost exactly the same way that the Nazis did and do. Yes. Do. Present tense.

Before you say that I’m only making this argument due to recent events, I’m not. There has been a spike of white supremacist hate crimes, anti-semitic or otherwise, in the past few months, yes. That’s true. But it wasn’t out of nowhere. It was a slow build that, again, not enough people saw. And if they did, they denied that it was really Nazis, or their modern contemporaries. And for the same reason that Bruce denied the existence of the League of Shadows; it didn’t seem possible.

There is a strong cultural misconception that Nazis only existed before and during the Second World War. This is not true. They look like anyone else. Often sound like anyone else. But now they’re not hiding because they don’t need to. Just like the League of Shadows. Again, not a one-to-one comparison, but you have to admit, it seems incredibly unlikely that this was accidental.

And really, if I am right, how is that bad? How is it a negative that Batman is fighting people that are kinda like the Nazis in pretty much every way except the specifically targeted genocide? Unless you make a case that Gotham is that equivalent, and you honestly can. Population is huge.

But, c’mon, how could this possibly be a loss? If you ask me, it can only make this better. And I’m sure some of you may be thinking “they’re doing this in response to Nazi!Cap”. Well, you could be right. But consider that that was first revealed the exact same day that DC Rebirth began, and that these storylines were planned well in advance. It’s possible that some of the lettering and wording was massaged to better fit that meta-narrative, and if it was, well, that’s kinda great too. But if it wasn’t, that just makes it more powerful.

Either way, we as readers win.

Ahem. Anyway, there’s, uh, two more things I wanted to talk about.

The Two More Things I Wanted To Talk About

Batwing and Azrael are fine, and I’m betting it has something to do with how they were stabbed. Jacob talks about being stabbed in just the right way, and he shows the scar. It’s in the same place that Luke was hit. Jean-Paul was stabbed in the back so…I mean I guess they could have pulled the same trick. I’d assume as much since he hasn’t had his arc yet. Plus, he’s Azrael. He just got here!

And also that Bruce is getting really good at hugging.

That’s like, his third since Rebirth started! He’ll be a hug master at this rate.

So, yeah. Leave your thoughts either here or on the forum, if you’d like. Still love this book, and I love it even more than I did last time. Which is just really freaking crazy, y’know?

Next Week: BATWOMAN #1! Are you excited? I’m excited!

All images courtesy of DC Comics 


Writer: James Tynion IV

Pencils/Inks (pgs 1-3): Fernando Blanco

Pencils/Inks (pgs 4-20): Christian Duce

Colors (pgs 1-3): John Rauch

Colors (pgs 4-17): Alex Sinclair

Colors (18-20): Allen Passalaqua

Letterer: Sal Cipriano

Griffin is an Entertainment Writer operating out of the Chicago area. He likes puzzles, deconstructing other puzzles, and talk show branded ice cream flavors.



DC Elevates Batwoman to Live Action, Cancels Her Book





[~Hello Darkness, My Old Friend~]

In the span of less than a week, Kate Kane has reached the absolute height of her cultural awareness…and then had her entire foundation smashed into teeny-tiny pieces. To say that this is mixed messaging is quite the understatement. And also gross and infuriating, and why couldn’t people just buy this fucking book, why does ever queer story have to have explicit romance to get anyone to care—what is wrong with everyone!?

Ugh. Before anyone asks, no, there’s no way to save Batwoman from cancellation. Again. Volume 3 is dead. If you’re one of the ~25,000 people who bought and read Batwoman during the New52 era, in which her book reached a total of 45 issues (including two annuals, two #0s, and a crappy tie-in), but then just noped out reading Batwoman Rebirth…welp. Fuck you. 

Because yes, that’s how frustrated I am.

The comics world didn’t get less diverse between the first cancellation and the relaunch. Sure, we’re sort of living in a Darkest Timeline scenario but that doesn’t mean socio-cultural progress evaporates overnight! Especially when the kind of people that Kate’s original ongoing managed to reach are only more numerous now. Which just begs the question: why did nobody read this book?

Unfortunately I suspect that I already know the reason. It’s kind of the same reason people seem to be sleeping on Black Lightning despite it being streets ahead of every other DCTV production. The lesbian wasn’t shtupping anyone (well, not in present day). Of course, in Black Lightning’s case, there’s also racism involved, but the more explicit and assertive Jewishness Bennett wrote in for Kate probably set off quite a few antisemite alarms. This attitude is unfortunately disturbingly common within queer spaces, because of course it is. Which means, yes, one can technically blame Nazis for Batwoman’s cancellation. I know I am!

(Or DC suits mumbling about ROI.)

So where do we go from here? Apparently, we sit on our hands and wait for December to roll around and watch the CW likely take a giant dump all over Kate Kane. I’m not going into this hopeful, and it’s not because I think it’s impossible to do it right. Frankly, I don’t even think it’s that difficult to pull off. You just need to actually know who she is. Here’s a list of people who have demonstrated that they fit that description:

  • James Tynion IV
  • Marguerite Bennett
  • Tom Taylor
  • Gail Simone
  • J.H. Williams III
  • Haden Blackman

Notice someone missing? It’s Greg Rucka! Because apparently “his” Kate is entirely unrecognizable from the Kate we have now (and have always had), which means he’s either pissed he didn’t get to write this stuff and is being a jerk about it…or his original intent was absolute shit. Either way, not a great look for Greg.

Obviously, none of those people will be writing/advising/consulting for the DCTV yearly crossover event. Maybe there’s someone on one of those four writing staffs that does get her, but the odds of that are exceedingly low. And even if someone does, the odds of them being able to adapt her right are basically zilch.

Why? It’s not because I suspect they’re only doing this as a palate cleanser/apology after the nazi-tastic crossover last year. It’s also not because Kate’s maybe being brought in to show off their stunning “progressivism”. It’s because the folks over at DCTV clearly lack one of the most fundamental understandings of how Kate can even be Batwoman: there needs to be a Batman.

For anyone who knows the story well, this should not be a surprise even if it does sound like a fanboy’s wet dream. There will always be a Batman, regardless of who happens to be under the cowl, but there are so many ways that there wouldn’t be a Batwoman. So many, in fact, that the entire running theme of Bennett’s Batwoman run was about that explicit choice she made, and the one she continues to make every time she operates as Batwoman. Kate chose this. She was not compelled by a bat flying through the window, or the hands of fate. The Batwoman is not a universal constant.

Kate Kane wanted to protect innocent lives, and her country. Following in her family’s long history of military service, she enlisted and attended West Point. Near the end of her second semester, she was dishonorably discharged under ‘Don’t Ask, Don’t Tell’ (watch them cut this and never elaborate on why she was kicked out aka the Andreyko Origin) because she refused to lie about who she was. The flag she wanted to serve tossed her into the dumpster, and that’s where she forced herself to stay in a drunken stupor for years and years.

The Kanes are a very prominent family, so this made headlines. Kate was basically outed globally. She had money, and her father had no earthly idea how to help her find a new purpose in life since she’d dedicated her entire existence towards serving others and fixing the world from literally her twelfth birthday. That is, until she found a new flag.

She’s the same Kate, Greg. Just stop it.

If not for that one night in the alley—in which she was not saved by Batman, but rather offered a helping hand out of the rain—Kate would never, not in a million years, have considered vigilantism as an actual option for her. Because that’s completely insane. The only way Kate becomes Batwoman is by meeting Batman. Thus, there cannot be a Batwoman without the Batman.

So, does that mean there is a Batman in the Arrowverse now? Is he dead? If Bruce is dead, why isn’t Dick the new Batman? If Dick is dead too, why not Tim? Or a resurrected Jason? Or, shit, Damian? Jean-Paul Valley? There has to be a goddamn Batman, and ultimately it doesn’t matter who it is, there just has to be somebody in the costume to inspire Kate and legions of others.

Tynion’s run has been very explicitly about what the Bat means to different people. How it can manifest, and how people interpret the symbol. It’s no accident that The Colony, Kate’s father’s black-ops group designed to operate like a literal army of Batmen in terms of effectiveness, exists in indirect opposition to Bruce’s ideology…yet more or less consistent with Kate’s. Because Kate doesn’t wear a costume; it’s a uniform.

So why the hell would Batwoman of all people be the focus of a DCTV four-part crossover? What possible plot contrivance could there be to remove every other vigilante from Gotham, because literally all of them are more inclined to interact with “tourists” than Kate? The answer is going to be stupid or shallow.

Whoever shows up on screen won’t be Kate Kane. She may have the name, and the colors, and the look, and the mentality of a Navy SEAL/Green Beret/Marine, but it won’t be her. Because at the end of the day, as far as DCTV is concerned, Kate is a lesbian and they got lots of good press from that Alex stuff, and hey Kate once dated Floriana Lima’s “Maggie Sawyer” (who totally isn’t a watered down Renee Montoya) so this all makes perfect sense!

Well, all of that stuff, but also a lack of emphasis on her Jewishness kind of breaks her character. Intentional or otherwise (great job, Greg!), Kate needing to scream for her own right to exist is kind of integral to how she operates and lives and you know…exists. Kinda speaks for itself considering what she had to do to find some sort of grounding in her life after the military shat her out.

All of that being said, the optics here are just…really bad. DC shoves Kate on the silver screen and then axes her book? Look, we’ve all seen Marvel do that over and over and over and over and over again with their movies, but this is just a new level of stupid. Considering how the only other queer lead book DC has in their primary line is the abysmal Wonder Woman by James Robinson (that is somehow getting a spin-off featuring the somehow not copyright infringing Wonder Man?!), this is a Bad Look.

Which makes me suspect that DC isn’t so much as cancelling the book, as they are retooling for a relaunch around December with a new #1 and creative team. Probably with Kate Perkins because she’s written two Batwoman stories for DC already, despite them being just…comically insincere.

Or maybe they’ll give it to Gail. God, I hope they do. I mean, I’m heartbroken that Bennett lost her literal dream job because people won’t consume queer media unless there’s shipping, but I’m also terrified of Kate just…going up on the shelf. For a very, very long time. At least the solicitation for the series finale has Kate clearly getting back together with Renee. It’s not much, but it’s something.

Back in February of last year, I told you folks that this was likely going to be Kate’s last chance at a solo book. Let’s pray I’m not right.

Images courtesy of DC Comics 

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Sunshine Of Your Love: Raven Year 2 #5-6 Review





We’ve now caught up to the series with the next two issues in Raven: The Pirate Princess. If you’d like a review of the most recent issue, #7, you can read my review here. For now, let’s see how our favorite half-elf is faring under the sea.

Issue #5: The Kiss

a.k.a “lightning doesn’t strike the same place twice”

This issue begins on the mysterious island where Sunshine has found herself after landing in the drink. Why is she here? Who is this queen? It’s been a month, what’s she been up to? No time for all that! We have to use the Mirror of Galad…I mean Ursula’s Cauld…no I mean Queen Pavarti’s scrying pool to check on our friends back on the ship.

There, Ximena is angsting over her relationship with Raven after the loss of sunshine. The rest of the crew is taking part in a pullup contest between Raven and Katie, which Raven wins with gusto. She and Ximena are gay for a while until Ximena drops the bombshell: she wants to learn to fight. Their eventual near-kiss (there’s so many of those in this comic) is ruined by a lighting strike! But it is not the sea being moved by Sunshine’s antipathy towards Ximena, but by her own magic! Which she now has. The scene shifts back to the mysterious island where the irate queen casts Sunshine out of her palace for her inadvertent magic use. She mopes on a bench until she judo flips a mysterious girl, who asks her to dance.

Returning to the ship without the conceit of the mirror, the new drama is a poem that Dezzie has found. The embarassing poem, read aloud to the crew, is addressed to Quinn, who angrily storms out after an impassioned speech about acceptance. But it turns out that the poem was written by Zoe. Finally confessing her affection for Quinn, the two finally kiss at the end of the issue.


I enjoyed the relationship drama of the issues, as I’ve largely resigned myself to this shift in focus for the comic. The art has shown a marked improvement from the last few issues, perhaps due to a more diversified art staff. The Zoe/Quinn relationship is perhaps my favorite out of all of them, with the perfect mix of angst and fluff without too much contrivance to accomplish either. The Sunshine/Ximena/Raven triangle, by contrast, is becoming more and more of a relic as Ximena and Raven get plenty of good moments while Sunshine whines about it.

The shift from the island to the ship is a strange one. We know Sunshine’s ok, but we don’t know anything about the month she’s spent on that island. We find out her side of things next issue, but for now it just seems kind of odd. Especially since it gets so little focus compared to the next issue.

Issue #6: The Heart of the Sea

a.k.a “Happy, huh?”

We finally find out where Sunshine is. She has been rescued by a gay mermaid, as if there is any other kind, and taken to the island of Queen Parvarti. Sunshine is part of the Queen’s “collection” of women rescued from death at sea. It’s sort of a Flying Dutchman but for women. Also not dead. Maybe.

In any case, Sunshine is acclimating very well to the island thanks to Ananda, the girl she flipped last issue. The two go dancing, share dinner, and have a flirty time in Ananda’s garden. They share their origins and bond atop a romantic waterfall. It all seems idyllic. But when night falls, a gap appears. Ananda is not just a kind soul here to help. She was in fact sent to Sunshine by Queen Pavarti. A spy? A genuine attempt to help them both? Sunshine, and the reader, is unsure.


I had much less to recap this issue as there just wasn’t so much. This is one of those slowed down issues, where it’s very talky and introspective. As I alluded to, this really should have swapped with the last issue. I love flashbacks, but when its such a short time as this it may as well have just happened.

In-issue, Sunshine’s internal monologue is hilarious as much as it is heartfelt. I loved how she shut down whenever someone pretty looked at her or kissed her. Her emotions seem to be a bit scattered as she shifts from sad to in-love to happy and worried over the space of a few hours. Ananda is kind of bland, sadly, but she’s sweet enough that she’ll be able to fill her role helping Sunshine heal with gusto.

The biggest quibble is the thus far unaddressed issue of the Queen’s “collection.” I commend Raven for not going the Steven Universe route and making the literal ownership of people some kind of fun quirk as opposed to something worrying, but it’s only very briefly touched on as a problem. I know it’s not dealt with next issue, but there’s still time.

Final Thoughts

The only big problem with these issues is the order of them. Issue #5 doesn’t justify the scenes with Sunshine outside of a Little Mermaid shout out and a way to yet again interrupt  Ximena and Raven’s kiss. Plus, the story about the island is so much cooler than the relatively mundane drama on the ship. Why would I care about a high-school drama about misplaced poems,  albeit a well done one, when there’s an ISLAND OF MAGIC GAY MERMAIDS! Like, that is such a neat idea and there’s so many places it can go. But, inevitably, we’ll be back on the ship next issue to continue the dating drama.

These issues also confirm my fears that there’s a long lull happening in this part of Year 2, which will reach its zenith in the doldrums of Issue #7. However, the character writing from Whitley is still top tier, and I really do find myself enjoying the fights, make-ups, near-kisses, and snark coming out of the characters. I just kind of wish the adventure of it all got more attention.

If anything in the above review interested you, you can pick up digital copies of Raven the Pirate Princess on Comixology , and collected physical editions on Amazon. If you’re already a fan, you can spread the word about Raven on social media and to your friends! Share this review with them! Review the book on Amazon or at other retailers. Issue #8 of Raven: The Pirate Princess drops on the 23rd of May, and is available for pre-order today!
Images courtesy of Action Lab

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A Not So Final Goodbye To Jane Foster




See, I knew that Marvel was going to pull of something like this. I’ll admit I’m slightly annoyed. Death should never be used as a plot device unless you’re fully going to commit to the consequences both figuratively and practically within the realm of story and of emotional response from the reader. Not only do you risk losing the significance of said life ending, you also break the readers immersion into the fantasy the world that you’ve created. They will no longer fear the suffering or death of their favored characters if there are none.

On the other hand, I’m am so glad that Jane Foster is still with us. Only a writer like Jason Aaron could completely paralyze us with the fear of losing such an important and beloved hero and still fill us with a sense of satisfaction and pride when she returns.

So yes, after a long and enduring battle with the Mangog alongside her equally arduous struggle with cancer, Jane gave us a sacrifice that we would never forget. And she gave us a return that even though we should resent (because comics) it, we can’t help but shed tears of pure relief and joy that one of Marvel’s most well written characters will live on to fight another day…and fight she will.

With the series over and the future looking all the brighter for Jane, it’s important to remember our journey with her. We’ve seen her victorious and we’ve seen her defeated, yet never broken. The spirit she brought out in all of us is why her story will remain one of the timeless classics in comic book history. Yet thanks to these two final issues, we definitely know that this is not the last we’ve seen of Jane playing a hero. She may never be able to become Thor again, but we know thanks to the epilogue issue that things are far from over. The Mangog may be vanquished but threats are ever present.

At The Gates

Now we all knew that Jane’s death would be honored by Norse belief even though she herself wasn’t actually Asgardian. As such, the revered dead who died in battle go to Valhalla to live out the rest of their existence in glory. So it really wasn’t a surprise when she ended up before the gates. What was surprising however, was Odin’s appearance and subsequent reaction. Since the start of the series, Odin has been a constant thorn in Jane’s side. He was obviously not happy about his son’s birthright being taken by another and spent most of his time in the comic series foiling her every chance he got. They shouted and dueled at some point or another. Even when he was deep in mourning after Loki stabbed Freyja with a poisoned blade, Cul Borson did not make life any easier for her.

The true surprise was the fact that upon learning that Jane Foster had taken his son’s mantle, he showed nothing but respect and acceptance. Considering she had given her life so that his people and family could live, I would expect no less. Even from someone as thick headed as Odin. It’s a heart wrenching scene for sure, as we see Jane take in the finality of death. In the moment, she was ready to give her life to save others, but now that she really has a moment to look at it, she was not ready to die. Yet try as he might to convince her of her reward as an honored dead, she was not the only one who wasn’t ready to let go.

Back in the cosmos, Odinson and the rest of Asgard mourn Jane’s passing. Yet the anger, rage, and denial in Odinson only serves to pique the attraction of what lived inside Mjolnir. As you know, Mjolnir was destroyed along with the Mangog when they were thrown into the sun, leading to the ancient hammer releasing the mother storm. Odinson’s will alone is not enough to channel the mighty storm as is begins to break him down, even his mighty Uru arm melts at its power. I think it was safe to say we all cheered and cried when Odin shared the power of the storm, causing the great tempest to breathe life back into Jane.

The comic ends in such a promising way. Jane confirms that she will resume her treatment, as her rebirth has given her a new lease on life. Odinson also prepares himself for the challenges that will face him soon enough in order to reclaim his identity as worthy, as Thor. Our two Gods of Thunder depart as Odinson gives Jane a surviving piece of Mjolnir. Our spirits fly with hope as we get a deserved happy ending, and surely this hope will let Jane fly into our memories.

Jane The Remembered

Remember back in Mighty Thor 700 when he got a random glimpse of three very Thor like Asgardian women? Well, they get their own story in the first half of The Mighty Thor: Gates of Valhalla and it’s way more significant than we originally thought. They are the granddaughters of Thor Odinson some billion years after the present time. In this charming and beautiful story we see the three sisters—Frigg, Ellisiv, and Atli—battle across time to find the greatest Thor of all.

During their travels, we see a young Odinson struggle to lift Mjolnir for the first time. We also see all the silly variants of the God of Thunder over the years, yes, even the frog. The sisters also witness a fight between their grandfather and Loki far in the future, telling of possible stories to come. Yet, by the end, their search is complete and they come across Jane Foster, who in that time was struggling in fear to return to chemotherapy.

This right here was so important. Not only do we see a human Jane again, but we see the real fear that affects so many afflicted with this deadly illness each and every day. Not everyone wins the fight against cancer, but everyone who fights is a hero, just like Jane. The end of this made me feel a sense of peace and comfort knowing that even so far in the future Jane is remembered for the hero she was and that her story is not yet over. She will fly again and a war will wage, one that everyone seemed to forget about.

The War of the Realms is Coming to Midgard

One of the biggest plots of this comic series was not closed with the end of the series. The three sisters transition the tone of this comic from light hearted to dark as soon as they mention Jane’s role in the war of the realms. The last we saw of this war was during the War Thor arc, where Malekith had a firm grasp on many realms. In the second story of the issue we see him solidify his hold on nearly all of them. His alliance with Roxxon corp, a deal struck in the 2014 series, is virtually unopposed as the Asgardians regroup and resettle on old Asgard.

This story shows the malice and pure ruthlessness of his campaign against the entirety of all the realms within the world tree. Not only that, but he also emplores the angels of Heaven with news that their greatest enemy, Asgard, has fallen. Dark days are indeed coming as we are left with a vision of earth burning among the various armies under Malekiths influence.

I love this portion because it lets the reader know that this huge of a story wasn’t forgotten and eventually loose ends will be tied. I also love that it will be it’s own event, either within the main Thor series coming in June or as a standalone series. What I don’t like is that I have to wait until next year for it. Seriously, that’s way too long a wait. Yet, we can find solace that Jason Aaron will continue writing Thor in June and also his run on the Avengers, which is already promising, two issues in. I say all we can do is prepare ourselves for the eventuality that is the war of the realms and hope our favorite Goddess of Thunder will return in all her glory.

Images Courtesy of Marvel Comics

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