It’s very rare that I call anything, especially a series completely flawless, but in the case of both the final two episodes of Castlevania and the series as a whole, they’re something truly without equal in the world of video game adaptations. Not only did the second season improve on the first, it completely perfected it to please both new comers and gaming veterans alike for an experience that is unmatched in quality story telling, faith to the source material, and just an overall thrill ride with tons of drama and excitement.
In keeping the essence of a perfect season it is only natural that both the climax and concluding episodes be the best of the entire season. The last two episodes are equally action packed and emotional spectacle, as well as a cathartic and bitter sweet farewell as we say goodbye to some of our favorite characters. Though only for a bit, as season 3 was already announced.
Now, the big question about season 3 for me is, which game will it be based on, 0r will Warren Ellis decide to go with something completely original? If he goes the game route, he’s got a few choices to pick from. Castlevania: Curse of Darkness would be the most logical, as it takes place only a few years after the third game and follows the rivalry between Hector and Issac. He could also the show take back to the original Castlevania and introduce Simon Belmont.
Finally, he could skip ahead a few hundred years and bring us the most beloved stories in the series and introduce Richter Belmont, Maria Renard, and the return of Alucard in Rondo of Blood and Symphony of the night. Both are considered the epitome of the series experience. He could also turn the clock and return to days of Leon Belmont, as the character was mentioned several times this season. If he decides to go for original content, no doubt we will see more Carmilla, which I’m totally on board with.
With all that in mind, I love what I’ve seen with this series: the characters, the gorgeous animation, the powerful story telling, and the love for the game that’s clear among everyone involved. I’m excited for the future of the series. While it is a shame that the game’s original developer Konami decided to squander one of many of their best game series, we can at least find solace that it will live on in this anime.
This is it, the final battle, and it begins where we left off: Dracula’s castle is now on top of the Belmont estate and his generals are still locked in a battle with the remainder of Carmilla’s forces that were transported with the castle. The moon becomes blood red, and it seems that Dracula is no longer amused by this betrayal. Our trio rises from the library as Sypha uses an ice pillar to help them ascend the broken staircase in front of the castle. On their way up, we get a nice portrait of Leon Belmont, hopefully a foreshadowing for the series. Sypha cleverly tosses the ice pillar away as she doesn’t want to flood the basement and destroy the library. We need more people like her in the world.
The three make their way into the great hall of the castle and suddenly all vampires’ attention is on them. In this fight, we get to see Sypha unleash her magical potential, Trevor’s fighting prowess and whip work, and even a nod to the many familiars and forms Alucard controls in Symphony of the Night. In the background, we are treated to fan delight as one of the best versions of a recurrent theme from the soundtracks of the games, Bloody Tears, plays triumphantly in background. Everything about this scene, which takes up half of the episode, is amazing and exciting. The three work as a single force: Sypha distracts them with magic, Trevor takes them on one by one, and Alucard overwhelms with sheer might. This maybe the last time we see them fight together but damn if it isn’t the best. Did I mention how awesome this rendition of Bloody Tears was?
If I had to choose a favorite part of this battle it would have to be Sypha’s duel with the Indian vampire. Her constant, fluid adaptability with her ice magic was impressive to behold. As was Alucard’s duel with the Geisha-esque vampire and the moment when Sypha saves him. I love Sypha, and I’ll just stop myself there. While the three are battling to get to Dracula, Issac is doing his best to defend his master from the armor clad vampires. It is this moment that we see the tragedy of Dracula, as Issac prepares to give his life for what Dracula represents. Instead, he transports Issac using the mirror to a distant desert, to spare him from a cruel fate.
The rest of the episode follows the fight against Dracula. All three play a part in it, but Alucard does most of the heavy fighting, including the eventual death blow. The fight is actually quite one sided as neither Trevor or Sypha can do much to damage Dracula, still their efforts are not in vain and make for some amazing fight sequences. Even the scene where Trevor’s punch to Dracula in the face was like hitting a wall is pretty hilarious. Yet it seems only the morningstar whip can really do any damage. There’s a couple of nods to previous Dracula fights in the game as well, like that giant meteor that appears in several fights.
Eventually the one on one fight between Alucard and Dracula leads to his childhood room, filled with toys, drawings, and children’s things. It is here that we at last see what humanity remains in Vlad Dracula Tepes and are treated to one of the most heartbreaking scenes in anything I’ve watched in a long while. “It’s your room. My boy. I’m-I’m killing my boy. Lisa, I’m killing our boy…We painted this room, we made these toys. Your greatest gift to me, and I’m killing him. I must already be dead.” Our hearts are filled with the pain of Dracula’s final realization of what grief has done to him, what monsters we are all capable of becoming.
It’s in this moment that Alucard drives a stake into his father’s heart. Trevor removes his head and Sypha burns the ashes once and for all. We mourn the passing of one of gamings greatest foes, but we also mourn a son killing a father who indeed loved him. In the end, what little humanity was left in Dracula shined out. A perfect end to a perfect episode.
Most of this episode serves as an epilogue and a view of things to come for the series. Alucard wanders the castle, witnessing the damage the assault had caused, especially Sypha’s spell wreaking havoc in the clock tower gear room. Apparently Alucard was going to return to sleep but not while the castle is abandoned with all of the science and knowledge of the centuries. He plans now to stay and watch the castle since Sypha, you know, broke it. Trevor gives him the Belmont library; as above so below, it is all Alucard’s to guard, a home. The two share a beautiful moment of real friendship and a hope for better days.
Next up is Issac, who is confined to wander a new desert. He frequents an oasis nearby and is quickly harassed by several horsemen led by a scarred man. They plan to either sell or eat him which prompts Issac to attack them, flaying them bit by bit in violent fashion. The significance of this sequence is a new madness in Issac. After realizing he could have an army of undead now at his disposal by using his forge master skills, he begins to make one.
We return to Sypha and Trevor and their plans for the future. Sypha plans to return to her people but only for a short while. Life with Trevor was far too exciting for her to stay with them. There’s more evil to be destroyed, the night hordes remains, as well as Carmilla and the corrupted church. Their adventures are not over. Especially the big one that we see coming, a marriage between the two.
Hector and Carmilla appear next in Breila with her surviving order. It’s clear now that once she gets back on her feet she will raise another army. With Hector now her slave, she has an unlimited supply of reborn demons. Poor Hector gets a glimpse of the punishment he will pay should he disobey her.
The final goodbye between our trio is sweet and heartfelt. It may not be in the stars that they meet again but surely the memory of their fights will keep the friendship going for eternity. As we know, Alucard is always on a friendly basis with the Belmonts in the future. What kills me is the final scene. Alucard, now alone, explores the castle that is now his. Full of life and memories but now, like his father, dead and hollow. He returns to his father’s study and is plagued by the ghosts of a happy childhood. The season ends with him weeping, mourning his family.
I hope you all enjoyed this season of Castlevania, and hope to see you all when season 3 rolls around!