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Inhumans Muddles with Morals

Gabby

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“Somthing Inhuman This Way Comes..” is the 5th epsiode of Marvel’s The Inhumans. Things finally picked up last week, so let’s see if the show can keep it up.

Recap

Karnak and Jen reminisce about the night before. As they exit their tent, Reno shoots at them. Karnak blocks the bullet, but Jen gets hit. They run away, and hide in a ditch with Reno in pursuit. Reno receives a call and heads back to the pot farm to meet the caller.

Louise is driving while Medusa and Black Bolt cuddle in the backseat. Black Bolt asks Medusa about what happened to her hair. Reluctantly she opens up, but states it doesn’t change anything and that finding their family is more important. A banging is heard from the truck. Louise pulls over to let Locus out. Locus uses her powers to locate Karnak in the jungle. She makes a comment about the Royal Family’s behavior towards their people, and Medusa commands her to do her job. Louise objects to her treatment of Locus; Medusa replies that she was sent to kill them.

As they trek through the jungle, Locus’s communication device goes off and Medusa takes it from her. Maximus is on the other end. He lies to Medusa about Crystal’s locations. Black Bolt has Medusa tell Maximus that when they get back they will have words, and Maximus says he looks forward to the family reunion. Black Bolt then crushes the communication device, much to Louise’s dismay. Maximus summons Tibor.

On Dave’s farm, Audrey observes that Lockjaw is doing better. Revealed, Crystal is ready to find her family. Audrey protests, saying Lockjaw isn’t ready to run around. Crystal says that’s okay, they’ll just transport. Audrey doesn’t believe any of Crystal’s story until she and Dave are transported away.

At his lab, Declan performs an autopsy on Sakas (Matt Perfetuo), who died in the explosion caused by Mordis. Declan notes that he has a venom gland in his neck. Declan’s Assistant (Joseph Kingsley) looks to Auran, and wonders that her powers are.

Gordon wanders in the jungle tracking Karnak. In a flashback, Gorgon impulsively steals the Lunar Flag. Karnak tells him to put it back, because the humans will notice if it’s gone, which could jeopardize Attilan. In the present, Reno meets up with his boss, who asks to see Ted’s body. His boss then has him shot. He then commands some lackeys to take care of Karnak and Jen.

On Attilan, Maximus wants Tibor to choose the best Inhumans to go after the Royal Family. Tibor questions if this is forceful conscription, but Maximus tries to justify it by saying it’s to secure the peoples freedom, which must be earned.

Back in the Jungle, Karnak tells Jen that he must remove the bullet. Using his Inhuman strength he pushes the bullet from the back through the front. Karnak patches her up. Jen wants to call the police, but he thinks that’s a bad idea. Karnak wants to go back to camp to ambush Reno.

Declan and one of his assistants study Auran’s and Sakas’ DNA. His assistant worries that the Inhumans will turn on the humans. Declan states this is why it is important to understand them. Suddenly Auran’s body jolts. Declan thinks it’s just postmortem spasm, but then Auran sits up and begins to heal herself. Declan stares in awe. Auran then grabs Declan by the throat, ordering him to tell her where Black Bolt is. Declan’s assistant tries to attack Auran with a scalpel, but she ends up killing him with it.

Jen and Karnak arrive back at the pot farm. Karnak isn’t sure how to proceed because he can’t see a clear outcome. Jen remarks that doubt can be helpful. In a flashback Karnak states that he and Gorgon are polar opposites. He is rational, while Gorgon is impulsive. Gorgon asserts that at he is at least doing something, while Karnak just sits around. In the present, Karnak decides to take a chance, so he and Jen head into camp.

I don’t get paid enough for this.

Back on Attilan, Maximus tells Auran not to hurt Declan and not to tell him whom she is working for. Maximus tells her Declan’s research is important and to keep him safe. He then commands her to finish her mission and that he will be sending her help soon. Auran then contacts Mortis, who, with Flora (Krista Alvarez) is holding Sammy captive. Auran tells him to bring Sammy to her.

Karnak and Jen notice someone else has been at the camp. The lackeys arrive, and Karnak tells Jen to hide while he takes care on them. Across the island, Lockjaw, Crystal and Dave arrive at a secluded beach. Dave is amazed by how they’ve traveled all over the island in the blink of an eye. Crystal is frustrated that they can’t find her family. Dave tells her to let lose and not be afraid. Later that night, Karnak fights the lackeys, but is overpowered and captured.

I feel like this has happened before.

Elsewhere Locus uses her powers and says that they are close to Karnak. Louise wants to know how her powers work, but Locus can’t explain it. Medusa explains that Terragenesis decides all. Louise remarks that she doesn’t like that idea, and Locus mentions that before Terragenesis she wanted to be a healer. Louise doesn’t see why she can’t both, but Medusa objects, saying echolocation is Locus’s one true calling. Locus retaliates that this is why she choose Maximus, and brings up Medusa’s parents. Louise thinks it ironic that Medusa and Black Bolt were thrown out for not wanting to change the caste system, while her parents were. Medusa says the law in Attilan wasn’t perfect, but they try to do what’s right. Locus declares this is why she supports Maximus, because he will change things. Medusa points out that he forced Locus here.

Tibor gives Maximus a list of potential recruits, noting that many weren’t happy to be drafted. Maximus repeats that you have to earn your freedom, using himself as an example. Tibor warns Maximus that some might think he is only acting in his own interest, and not Attilan’s. Angered, Maximus orders him to leave.

Gorgon finds Karnak and Jen. Together the fight and escape, but don’t make it far because of Jen’s injury. They hear fighting and gunfire in the distance, then someone approaching. It is revealed to be Medusa and the others, who have just fought the drug dealers. They share a long awaited reunion, and Gorgon shows some interest in Louise. Jen decides that she’s going to call the police and suggest that they all disappear before they show up. Karnak doesn’t want her to leave, but Jen says this is the way things are sometimes, but she had a good time.

Just as Jen leaves, Locus falls over, divulging that she was fatally wounded in the fight. With her last breath, Locus pleads with Black Bolt to change and become the king they deserve. She then tells Medusa that Crystal is on the island. Medusa asks where, but Locus dies before she can say.

On Attilan, Tibor is surrounded by the Royal Guard. He believes they’re there to kill him for speaking out against Maximus, but actually they want his help to overthrow Maximus, calling him a false king.

Review

Similar to last week’s episode focusing on Medusa, this week’s episode focused on Karnak, who, like all the supporting characters, needed some development. The flashbacks with Karnak and Gorgon felt a bit repetitive, but it gave their relationship some longevity. When they are forced to think like the other in order to survive, it highlighted how much they have impacted each other. Plus, it was nice seeing Ken Leung get a chance in the spot light.

A bit of this feels undermined by Karnak’s relationship with Jen. Even if Jen states in the episode that they were just having fun, their interactions weren’t framed that way. I understand Jen’s character is meant to play into Karnak’s arc of becoming more impulsive, but it felt more that the narrative was suggesting she healed him with the power of sex, which is a terrible trope. Speaking of which, it seems Crystal and Dave’s relationship is headed in the same direction, with the exact same plot. Right down to romantic rendezvous on a beach, with a swim in the ocean. That’s just lazy writing.

The trouble with Jen, or any of the other human companions, (besides Louise) is that they aren’t well written, and do little to serve the actual plot besides to drop some words of wisdom and then disappear. Jen literally leaves this episode, which is honestly a better outcome than I thought she’d get. When it was first hinted that she would be Karnak’s love interest, I though she might get stuffed in the fridge.

While Karnak got his groove back, questions of morality were (finally) being discussed in the subplots. Locus, who, unfortunately, did get stuffed in the fridge, brings into question the effectiveness of Black Bolt and Medusa’s rule, stating her frustration for having her fate chosen for her. Louise gives us more insight into her character and others by questioning Medusa and Black Bolt. Medusa is proving to be more of a morally grey character by believing herself to be in the right. While it is interesting to see that Attilan has deeper issue with individuality within it’s system, this is a topic that should have been brought up sooner. It doesn’t help that this episode is nearly over by the time this matter is addressed and answered.

Locus states that she followed Maximus because he would change things, but then changes her own mind in the end by telling Black Bolt to become the king they deserve. What prompted this? Medusa says that Maximus forced Locus to come to Earth, which is trying to play off Maximus’s forced conscription plot, but that doesn’t make sense in the context of the scene. Locus was a part of the Royal Guard, and was just following orders when she came to Earth. Really there isn’t any logical reason for her change of heart besides the writers wanting to prop up Black Bolt. If there was any doubt in her mind about Maximus’s intentions, it should been set up sooner. In these circumstances, it was completely underserved.

Huh, I think he might be evil.

Further undercutting any moral nuance was Maximus’s plot on Attilan. Up to this point, Maximus has been a sympathetic villain. He did horrible things, but the audience understood his motivations. This episode eroded that by having Maximus develop a non-voluntary draft on the lower class Inhumans to find the Royal Family.

Now, this isn’t horrible character progression. However, combine Maximus’s plot combined with Locus’s sudden turn-around, and it felt more like the writers trying to manipulate the audience’s opinions. They’re basically saying ‘Hate Maximus because he doesn’t really care about the Inhuman people. Love Black Bolt, he truly cares.’ But we haven’t seen why Black Bolt is any better than Maximus yet, so the argument doesn’t hold up.

There’s the plot with Auran and Declan who continue to be puppets in Maximus’s schemes, but theres nothing new to add. However, it is becoming unnerving to watch Auran die in such brutal ways, only to come back to serve a man she has no clear motivations to care for. Auran, honey, you can do better.

So, once again, Inhumans continues to frustrate me. This episode posited some interesting questions and character development, but it all feels too-little-too-late. The season has passed the midway point, and as a result, these developments are all rushed. Maybe there should have been more episodes. Or maybe they should have hired a better showrunner.

Until next week, stay awesome.


Images courtesy of  Marvel/ABC Television Studios

Recent college graduate who's just trying to figure out what to do with her degree, while simultaneously reading as many books as possible.

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Away In A Manger: Black Lightning 2×09, “Gift of Magi”

Sarah

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Black Lightning, Anissa, and Jennifer with the phrase Get Lit

Well, my friends, we’re nearing the end of Black Lightning S2, and I think it’s time to declare a sophomore slump. Anyone here with me? Let’s get into this week’s episode and discuss.

Jen and Kahlil are still on the run, but Kahlil was cut with one of Cutter’s Special aka Poison knives, so he’s quickly succumbing. The pair find a barn, where there’s a lot of soft lantern light and Kahlil can curl up in the hay. At first they swap cute-funny stories about when they first met, but soon Kahlil can’t manage talking let alone breathing well, so Jen goes out to steal some antibiotics from a hospital. (They don’t yet know that it’s poison, they assume his wound is infected). Jen is getting really good not only at controlling her powers, but using them for specific tasks, and I’m here for it although I really wish it wasn’t in the context of this storyline.

Manger

She manages to get the antibiotics and injects Kahlil with it, but it doesn’t work. She grows increasingly desperate, and as Kahlil’s death seems imminent, she goes outside for some air and a good cry. That’s when she goes back to her brain-salon, where she sees Perenna (her brain-version of Perenna, not the real one) and a twin version of herself. Mind-Perenna tells Jen that she already has everything she needs inside of her; it’s very Inside Out. Together with her brain creations she figures out that Cutter is actually *right there* watching them through binoculars. She manages to capture her and tie her up, tasering her with her hands as a form of torture in order to get her to tell her what she did to Kahlil. It’s not long before she figures out it was a poison knife, and cuts Cutter with it so that she’ll be forced to show Jen where on her person the antidote is. Turns out, it’s in that very obvious vial on her necklace!

Twins

Jen goes to a dark place when she’s torturing Cutter, which is kind of hard to watch. Again, I’d be more interested if this whole thing didn’t revolve around Kahlil. Anyway, Jen gives both Kahlil and Cutter the antidote and they’re on their way again. But only after they declare their undying love for each other.

I’m happy to report that no one left Kahlil’s aunt for dead in her house, as Black Lightning, Thunder, and Gambi have set up camp there to help her recover from what turned out to be one of Kahlil’s pain pills and try to figure out how to find Jen. They know Kahlil is hurt so they check hospitals, and end up being in the same hospital as Jen at the same time!

So close, yet so far

Jefferson and Anissa figure out Jen was there because she left a trail aka scorch mark in her path, but the fact that she keep eluding them is driving Jefferson to be irrational and reckless. Gambi and Anissa manage to keep him under control, but Lynn is losing it too. When she’s not crying in the wreckage of Jen’s room that she destroyed, she’s trying to get Kahlil’s mom, and then his dad, to give her clues as to where they might be.

Of course neither of them can help, but along the way she grabs a gun from the Inner Sanctum aka Gambi’s basement so that’s concerning, considering her emotional state.

My heart breaks for this heartbreak

In a parallel storyline, Tobias has set his sights on a kid named Todd, an academic prodigy who has just been rejected for a research grant in favor of the white kid whose rich dad just funded a new wing of the university. It’s unclear what Tobias wants Todd to do, and Todd seems dubious at best until Tobias deposits $100,000 into his bank account. Money is the root of all evil, amirite? I mean, capitalism is. But that’s a discussion for another place.

An invitation I hope to never get

Lastly, this episode ends with a scene in which a mysterious someone murders everyone in a bar in Texas before getting a phone call from his boss telling him that his next job is in Freeland. I feel like we’re about to meet a bigger bad than Tobias, but time will tell! Just someone end this Kahlil-Jen nonsense and give us our family back kthanks.

What do you think is in store for the final episodes? Are you happy with this season so far? Black Lightning is going on hiatus until the end of January, so I’ll be back then to see where we’re at. Enjoy what’s left of the year, friends!


Images courtesy of The CW

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Winter Hiatus Blues

Seher

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Even in December with the broadcast networks hiatus for scripted series starting, and pilot season underway, there’s so much to discuss!

The continuing behind the scenes drama of Les Moonves’ ouster from CBS, ABC’s entertainment president Channing Dungey stepping down, NBC’s Greenblatt moving on, and FOX setting up for its new leadership once the merger goes through…every big 4 network has a lot to deal with between now and the TCAs in early February. The exec panels will sure be a time… Especially if ratings come up at all.

Ratings Race

As of this Tuesday, and as always, I’m talking about scripted ratings: FOX is number 1 with a 1.13 average followed by NBC, ABC, and CBS. CW of course is last with .35. Last month, four of the five networks had six shows at or above their overall average.

Now, ABC has eight shows, the CW has five, and the rest have six.

Across the five networks, only a third of new shows are performing above the average on their network. The Connors (considered a new show), FBI, The NeighborhoodLast Man StandingNew Amsterdam, and Manifest. The highest rated new show on The CW, Legacies hovers right below the network’s average.

Interestingly, across the board, long running shows are still high rating performers (or what’s high now) for the networks. The exception to this is SVU at a tenth below the average.

Their “success” indicates that we probably won’t lose any of the longest running shows anytime soon. Still, the network with the largest average season length (including shows yet to premiere) is FOX at 5.3 followed by CBS at 4.5. Removing the shows already cancelled and predicted as canceled doesn’t make an impact because of The Simpsons‘ whopping thirty seasons! (Unrelated but with the announcement for Crisis on Infinite Earths, DCTV isn’t going anywhere either.)

Of course some of this will shift when the rest of the new slate premieres begin in January. I do not envy the folks in charge of scheduling spring shows, especially as more time slots are lost to winter reality or competition shows.

Scheduling Shenanigans

You can put whatever new show after strong shows and still have a dud in the ratings race.

On The CW, ableist In The Dark has had zero promotion beyond the scheduling announcement that it starts after Supernatural. Their other new show Roswell: New Mexico or Roswell: TVD received the coveted post Flash slot plus actual promo. Except for The 100, their other spring shows already received cancellations, so ratings definitely don’t matter.

FOX  only has two newbies to premiere, with The Passage starting after The Resident and Proven Innocent taking the 9PM slot after Cool Kids. I don’t know that people watching an hour of comedy will stick around for a procedural, but anything can happen these days.

ABC on Wednesday revealed that in a vote of confidence (or in hopes to increase viewers or to get Whiskey Cavalier onto the schedule earlier) is moving the last bit of A Million Little Things behind Grey’s leaving current slot holder Station 19 off the schedule until March. Considering AMLT  hit a .7 last week… The Fix is the only other newbie to get a spring slot, starting in March in The Good Doctor‘s place. Grand Hotel is now a summer show. ABC what are you doing?!

NBC and CBS have yet to fully unveil their new schedules so more on that in January! However, pilot development is in full swing and reboots (and spin-offs) continue to rule the pack.

Pilot Predictions

Predicting what pilots will make it to series this early is silly, but I do think that a chunk of the reboots in development will definitely make it to air. If they’ll get renewed is another question. Even though this year, only Charmed received a back 9 order (Last Man Standing was ordered with 22 episodes). Last year, all the shows that received fewer than 9 episodes in the fall except for Good Doctor were cancelled. So now in May, that trend continues, or the new trend is that any back order indicates a renewal.

Which is why even though I think it’s silly to bank on so many reboots in development, I know that networks are still going to do it. I won’t list all of the shows in development because there are a lot and many will die by January. The CW has three alone! And NBC already has a series order for Law and Order: Hate Crimes or as my friend calls it, “SVU but grittier” making it the seventh L&O series.

By late January, early February, the big entertainment sites will have lists of all the pilots in contention and then we can really get into the details. Until then, what shows are y’all waiting to see for the first time (or again)?


 

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‘Legends of To-Meow-Meow’ Cranks the Insanity up to Eleven

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It’s that time year of again. The Arrowverse crossover, but the Legends misplaced their invites. While Kara, Barry, and Oliver were getting acquainted with Batwoman and dealing with body switching, the Legends were dealing with their own alternate reality issues. Or should I say the Custodians were dealing with their own issues. Or, should that be the Sirens? Or the Puppets?

Yep, this was one of those kinds of episodes. ‘Legends of To-Meow-Meow’ didn’t just surpass the insanity of every other episode this season. It multiplied it, as Charlie and Constantine broke the timeline more with each attempt to fix it.

At first, Charlie hits the town on her own, going to Las Vegas to stretch her newly returned powers. Going out as Marilyn Monroe, she runs into a prison buddy, a leprechaun. She barely has the chance to warn him about faulting his powers when Mick, Nate, and Ray strut in dressed like they just walked out of an 80’s action show. Which they did, apparently, as they introduce themselves as the Custodians of the Chronology and we get ‘A-Team’ style opening credits. They kill the leprechaun without hesitation, which is a big clue for Charlie that not everything is right.

Legends already planning their own spin offs.

She returns to the Waverider with cat-Zari to figure out why the team is suddenly so murder-happy. She transforms into Sara, planning on just ordering them to stop. But it doesn’t work because in this timeline, without help from Constantine, Sara was killed by the unicorn at Woodstock. The team attacks her, recognizing her as a shapeshifter. Charlie makes a quick retreat from the ship, taking cat-Zari along to find John.

He’s being kept imprisoned at the Time Bureau. Because he was the epicentre of the timeline shift, he has memories from both timelines and his brain isn’t keeping up very well. When they find him, John turns Zari back into a human. Only to turn her right back when she’s against his and Charlie’s idea to save Sara instead of fixing their alteration. Charlie breaks John out, with some help from Mona and a very emo Ava. Some of the Lege- Custodians die in their fight out, but everything will be fine once they save Sara. At least that’s what Charlie and John tell themselves.

They travel to Woodstock, blasting the unicorn into rainbow gloop before it can gore anyone. But this time, when they return to their time Nate, Ray, and Mick are the ones with the memorial plaques. Plus, without the guys around, Sara, Ava, and an android?Gideon have formed a Charlie’s Angels style team that assassinates fugitives. Charlie attempts to infiltrate the team as Amaya, but her cover is blown almost instantly. She does learn the boys were killed by the Fairy Godmother. The fairy is also the reason Zari’s a cat.

I’d watch this show.

John and Charlie go to Salem for their next patch job. Charlie transforms into the Fairy Godmother to trick Prudence into releasing the fairy before she can kill the boys. It seems to go off without a hitch until she returns to the jumpship. Good news, Zari is no longer a cat. Bad news, she’s now a puppet.

So is the entire team, as John learns when he boards the Waverider. They aren’t just puppets. They’re puppets that sing their own intro and have a historical figure of the day. Since the Fairy Godmother didn’t kill Mick, he became her new charge. She turned the team into puppets before Mick took her along on a crime spree.

Charlie and John keep trying to Band-Aid the timeline, but each fix ends with someone else dead in the new timeline. Yet, even when they get to a point where no one has died, John’s mind has so many timelines clashing in his mind he collapses from the strain.

He finally agrees with Zari that they need to fix the timeline properly and stop Dez from leaving. When Charlie refuses to help they leave her behind, but she’s not giving up without a fight. She transforms into Ava, heading to the Waverider to clue the team in on the magical ongoings in New Orleans. But there’s something still wrong with this timeline. All the Legends are alive. No one is made of cloth. But they still have a ‘shoot first ask questions never’ policy when it comes the fugitives. Gideon picks up on the three Constantines at that point in time. The team assumes the extras are shapeshifters, sending Mick and Ray to blast them.

Charlie finally realizes it wasn’t just John’s absence from the team that caused the changes. It was her absence. Without her, the Legends don’t learn fugitives aren’t all unicorns with a taste for hearts or Fairy Godmothers that sing about murder.

…And with true love’s kiss, the curse was broken.

In New Orleans, this-episode’s-John stops Desmond after last-episode’s-Constantine broke up with him. He tells him he’s sorry for all the pain he’s going to cause him and wipes his memory just before still-in-a-relationship John can return. As Mick and Ray fire on this-episode-John, past-John and Desmond share a kiss which becomes the point from which the timeline fixes itself. Reality is right once again, where the only puppet person is the possessed Professor Stein and the Legends aren’t mythical creature murders. Ava and Mick even heal their rift from the last episode, finding some common ground.

John comes clean to Sara about their misadventure. He even tells her about Neron. Sara promises to help him take down his demon. So all’s well that ends well. Except, there’s no word on what happens to Mona after she met the business of the Kaupe’s claws. Nor is Hank happy the Kaupe escaped, which he learns about in the middle of a golf game with someone… something wearing Desmond’s face.

Analysis

Was this the strongest’s episode of Legends? Probably not. It sacrificed some substance for the sake of 80’s spoofs and sing-alongs. But that’s not to say this episode wasn’t good. Far from it. The alternate timelines were laugh out loud funny and the Puppets of Tomorrow song is going to be stuck in my head. They were so good I’m willing to overlook characters like Ray, Nate, Sara, and Ava feeling so drastically different in their respective spoof realities. I’ll chalk up to the discrepancies in their characterizations to time being so broken.

It could have easily become frustrating watching John and Charlie patch broke timeline after broken timeline while they ignored the obvious answer. But it never got to that point because every step of the way you knew John was doing this to keep Desmond alive. John Constantine, always the tortured soul, willing to let his mind be torn apart by multiple timelines before he gives up on his love again. It’s a tragedy the timeline being fixed has to come at the cost of Dez’s soul. But maybe it isn’t lost forever.

The scene between John and Desmond pulled at the heartstrings. As did the moment when Charlie finally realized she was the missing the link for the Legends. It’s always a good moment when a Legend finds their place on this mismatched, rag-tag team. It’s hard not to compare this episode to ‘Here I Go Again’, when Zari found her place on the team. Which is a glowing compliment when that episode is one of the best of Legends entire run.

The brief callbacks to the earlier episodes was a nice way to tie off the first half of the season as well. The Unicorn was only eight episodes ago. Yet, monsters, magic, and pure insanity feel like they’re always been a part of Legends of Tomorrow. Well, pure insanity has been a fundamental part of Legends since season two.

It just shows how this series isn’t afraid to shake up its own formula. Thus far it’s worked every time, with each season being better than the last. It’s still early to call season’s four place for certain. Season’s three back half had some heavy ringers, but so far this season is on the right tracks to be the most memorable one yet. They’re sure to come back strong when they return in April.

Only Legends Could

  • “You missed calls from Barry Allen, Oliver Queen, and Kara Zor-El,”
    “Sounds like the annual crossover,”
    “Yeah, that’s going to be a hard pass,”
    This whole exchange is amazing. Easily wins favorite lines of the episode.
  • You can tick off Sara Lance’s annual dalliance with death. Sara dying, almost dying, or faking dying should be a running gag at this point, but for some reason, I can never find it funny.
  • Everyone just understands cat-Zari. No explanation needed. Much like when Nate understood pig-Ray.
  • The CW tradition of bad wigs continues with emo Ava. (Kate Kane, by some miracle, avoided the curse.)
  • In the Siren’s reality, Sara’s wielding Mick’s gun and Gideon has Rip’s.
  • I want more of DC’s Puppets of Tomorrow.
  • There’s a timeline where Nate and Hank die from a Garden Gnome.
  • Why yes, Legends did give us the true love’s kiss fixes everything. And yes, it was a kiss for a mlm couple. Legends never ceases to amaze.
  • I got a flirty vibe from Charlie and Zari at the end. Time will tell where that goes.

Images courtesy of the CW

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